| Distance Between Two Most Common Vertical Intervals |
5.0 |
| Prevalence of Most Common Vertical Interval |
0.2038 |
| Prevalence of Second Most Common Vertical Interval |
0.1753 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8598 |
| Vertical Unisons |
0.009793 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2687 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.04415 |
| Vertical Perfect Fifths |
0.1639 |
| Vertical Sixths |
0.3753 |
| Vertical Sevenths |
0.04896 |
| Vertical Octaves |
0.06484 |
| Perfect Vertical Intervals |
0.2827 |
| Vertical Dissonance Ratio |
0.07918 |
| Vertical Minor Third Prevalence |
0.1683 |
| Vertical Major Third Prevalence |
0.09135 |
| Chord Duration |
2.038 |
| Partial Chords |
0.9532 |
| Standard Triads |
0.04678 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.861 |
| Variability of Number of Simultaneous Pitch Classes |
0.4437 |
| Average Number of Simultaneous Pitches |
1.923 |
| Variability of Number of Simultaneous Pitches |
0.3846 |
| Most Common Vertical Interval |
8.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.718 |
| Variation of Dynamics In Each Voice |
1.723 |
| Average Note to Note Change in Dynamics |
1.683 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2465 |
| Stepwise Motion |
0.7958 |
| Melodic Thirds |
0.03521 |
| Melodic Perfect Fourths |
0.07042 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01408 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.3846 |
| Average Length of Melodic Arcs |
2.321 |
| Average Interval Spanned by Melodic Arcs |
4.607 |
| Melodic Pitch Variety |
4.858 |
| Mean Melodic Interval |
1.915 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5493 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4487 |
| Amount of Arpeggiation |
0.1338 |
| Repeated Notes |
0.08451 |
| Importance of Middle Register |
0.7379 |
| Importance of High Register |
0.2621 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
68.52 |
| Mean Pitch Class |
4.621 |
| Most Common Pitch |
74.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1379 |
| Prevalence of Most Common Pitch Class |
0.2138 |
| Relative Prevalence of Top Pitches |
0.95 |
| Relative Prevalence of Top Pitch Classes |
0.9355 |
| Interval Between Most Prevalent Pitches |
10.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
4.827 |
| Pitch Class Variability |
3.16 |
| Pitch Class Variability After Folding |
3.492 |
| Pitch Skewness |
0.004286 |
| Pitch Class Skewness |
0.5892 |
| Pitch Class Skewness After Folding |
0.7525 |
| Pitch Kurtosis |
5.094 |
| Pitch Class Kurtosis |
5.483 |
| Pitch Class Kurtosis After Folding |
6.352 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
13.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
22.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
0.6971 |
| Note Density per Quarter Note per Voice |
0.3486 |
| Note Density per Quarter Note Variability |
0.3277 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6207 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6345 |
| Prevalence of Very Long Rhythmic Values |
0.08276 |
| Prevalence of Dotted Notes |
0.09655 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.662 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3655 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6981 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.042 |
| Rhythmic Value Skewness |
0.9727 |
| Rhythmic Value Kurtosis |
11.56 |
| Mean Rhythmic Value Run Length |
1.526 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7415 |
| Mean Rhythmic Value Offset |
0.1103 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.048 |
| Complete Rests Fraction |
0.000005008 |
| Partial Rests Fraction |
0.1058 |
| Average Rest Fraction Across Voices |
0.05289 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
2.444 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.8819 |
| Variability Across Voices of Combined Rests |
1.414 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4661 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.3161 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.475 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7822 |
| Rhythmic Variability - Tempo Standardized |
0.04733 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
145.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4108 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.5198 |
| Variability of Note Durations |
0.5081 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2023 |
| Strength of Second Strongest Rhythmic Pulse |
0.1843 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.098 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3865 |
| Rhythmic Variability |
0.03082 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
39.0 |
| Note Density |
3.718 |
| Note Density Variability |
1.096 |
| Average Time Between Attacks |
0.3604 |
| Average Time Between Attacks for Each Voice |
0.502 |
| Variability of Time Between Attacks |
0.2197 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.1806 |
| Relative Range of Highest Line |
0.6818 |
| Relative Note Density of Highest Line |
0.9931 |
| Relative Note Durations of Lowest Line |
0.9932 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.5379 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.08974 |
| Average Number of Independent Voices |
1.894 |
| Similar Motion |
0.2179 |
| Contrary Motion |
0.08974 |
| Oblique Motion |
0.6026 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3075 |
| Voice Equality - Number of Notes |
0.7071 |
| Voice Equality - Note Duration |
0.2652 |
| Voice Equality - Dynamics |
0.7071 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.7071 |
| Importance of Loudest Voice |
1.0 |