| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2721 |
| Prevalence of Second Most Common Vertical Interval |
0.1741 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6398 |
| Vertical Unisons |
0.02335 |
| Vertical Minor Seconds |
0.03097 |
| Vertical Thirds |
0.2043 |
| Vertical Tritones |
0.03047 |
| Vertical Perfect Fourths |
0.0467 |
| Vertical Perfect Fifths |
0.2721 |
| Vertical Sixths |
0.1792 |
| Vertical Sevenths |
0.03858 |
| Vertical Octaves |
0.1507 |
| Perfect Vertical Intervals |
0.4929 |
| Vertical Dissonance Ratio |
0.1411 |
| Vertical Minor Third Prevalence |
0.1119 |
| Vertical Major Third Prevalence |
0.08209 |
| Chord Duration |
1.81 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.791 |
| Variability of Number of Simultaneous Pitch Classes |
0.4066 |
| Average Number of Simultaneous Pitches |
1.933 |
| Variability of Number of Simultaneous Pitches |
0.2503 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.702 |
| Variation of Dynamics In Each Voice |
1.712 |
| Average Note to Note Change in Dynamics |
1.514 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.211 |
| Stepwise Motion |
0.578 |
| Melodic Thirds |
0.1376 |
| Melodic Perfect Fourths |
0.07339 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02752 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
6.5 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4494 |
| Average Length of Melodic Arcs |
2.023 |
| Average Interval Spanned by Melodic Arcs |
4.591 |
| Melodic Pitch Variety |
4.628 |
| Mean Melodic Interval |
1.936 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.367 |
| Relative Prevalence of Most Common Melodic Intervals |
0.575 |
| Amount of Arpeggiation |
0.3486 |
| Repeated Notes |
0.1835 |
| Importance of Middle Register |
0.5766 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
54.91 |
| Mean Pitch Class |
6.171 |
| Most Common Pitch |
59.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1982 |
| Prevalence of Most Common Pitch Class |
0.2523 |
| Relative Prevalence of Top Pitches |
0.8636 |
| Relative Prevalence of Top Pitch Classes |
0.6786 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
4.387 |
| Pitch Class Variability |
3.938 |
| Pitch Class Variability After Folding |
2.716 |
| Pitch Skewness |
-0.04928 |
| Pitch Class Skewness |
-0.6314 |
| Pitch Class Skewness After Folding |
0.5771 |
| Pitch Kurtosis |
5.374 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
8.041 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
11.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
17.0 |
| Importance of Bass Register |
0.4234 |
| Note Density per Quarter Note |
0.8162 |
| Note Density per Quarter Note per Voice |
0.4081 |
| Note Density per Quarter Note Variability |
0.4466 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7027 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5586 |
| Prevalence of Very Long Rhythmic Values |
0.05405 |
| Prevalence of Dotted Notes |
0.09009 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.324 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.4414 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5918 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.903 |
| Rhythmic Value Skewness |
0.5113 |
| Rhythmic Value Kurtosis |
13.52 |
| Mean Rhythmic Value Run Length |
1.85 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.764 |
| Mean Rhythmic Value Offset |
0.03604 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3797 |
| Complete Rests Fraction |
0.01471 |
| Partial Rests Fraction |
0.05883 |
| Average Rest Fraction Across Voices |
0.03677 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
2.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
2.0 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
1.414 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.433 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2851 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.519 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7181 |
| Rhythmic Variability - Tempo Standardized |
0.04623 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
111.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3987 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4426 |
| Variability of Note Durations |
0.3964 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
7.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.963 |
| Strength of Strongest Rhythmic Pulse |
0.1739 |
| Strength of Second Strongest Rhythmic Pulse |
0.1722 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3461 |
| Rhythmic Variability |
0.02993 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
25.5 |
| Note Density |
4.353 |
| Note Density Variability |
2.167 |
| Average Time Between Attacks |
0.289 |
| Average Time Between Attacks for Each Voice |
0.4465 |
| Variability of Time Between Attacks |
0.1558 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.5882 |
| Relative Range Isolation of Loudest Voice |
0.6129 |
| Relative Range of Highest Line |
0.5882 |
| Relative Note Density of Highest Line |
1.045 |
| Relative Note Durations of Lowest Line |
1.133 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.4775 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.01562 |
| Average Number of Independent Voices |
1.955 |
| Similar Motion |
0.07812 |
| Contrary Motion |
0.1406 |
| Oblique Motion |
0.7656 |
| Parallel Fifths |
0.01562 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.2068 |
| Voice Equality - Number of Notes |
9.192 |
| Voice Equality - Note Duration |
0.2652 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |