File

Last modified on: Oct. 17, 2023, 11:59 a.m.

La_Rue_Missa_Incessament_-_Pleni.mid


Source
Josquin Research Project
Musical Work
Missa Incessament
Section
Sanctus (Pleni)
File Type
Symbolic Music
File Format
.mid
File Size
1.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1996
Prevalence of Second Most Common Vertical Interval 0.1599
Prevalence Ratio of Two Most Common Vertical Intervals 0.801
Vertical Unisons 0.04043
Vertical Minor Seconds 0.004508
Vertical Thirds 0.305
Vertical Tritones 0.0
Vertical Perfect Fourths 0.02676
Vertical Perfect Fifths 0.1369
Vertical Sixths 0.2393
Vertical Sevenths 0.05731
Vertical Octaves 0.1592
Perfect Vertical Intervals 0.3632
Vertical Dissonance Ratio 0.1019
Vertical Minor Third Prevalence 0.1351
Vertical Major Third Prevalence 0.1212
Chord Duration 1.912
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.681
Variability of Number of Simultaneous Pitch Classes 0.4663
Average Number of Simultaneous Pitches 1.814
Variability of Number of Simultaneous Pitches 0.3888
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 4.0
Variation of Dynamics 1.658
Variation of Dynamics In Each Voice 1.662
Average Note to Note Change in Dynamics 1.521
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2105
Stepwise Motion 0.7211
Melodic Thirds 0.1053
Melodic Perfect Fourths 0.03158
Melodic Tritones 0.0
Melodic Perfect Fifths 0.07895
Melodic Sixths 0.0
Melodic Sevenths 0.005263
Melodic Octaves 0.005263
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 19.0
Melodic Embellishments 0.01562
Direction of Melodic Motion 0.5167
Average Length of Melodic Arcs 2.045
Average Interval Spanned by Melodic Arcs 5.011
Melodic Pitch Variety 4.879
Mean Melodic Interval 2.379
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.5105
Relative Prevalence of Most Common Melodic Intervals 0.4124
Amount of Arpeggiation 0.2474
Repeated Notes 0.05263
Importance of Middle Register 0.9948
Importance of High Register 0.005208
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 64.72
Mean Pitch Class 5.234
Most Common Pitch 62.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1406
Prevalence of Most Common Pitch Class 0.1875
Relative Prevalence of Top Pitches 0.9259
Relative Prevalence of Top Pitch Classes 0.9444
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 4.539
Pitch Class Variability 3.658
Pitch Class Variability After Folding 3.139
Pitch Skewness -0.01033
Pitch Class Skewness 0.1922
Pitch Class Skewness After Folding 0.2539
Pitch Kurtosis 5.308
Pitch Class Kurtosis 4.838
Pitch Class Kurtosis After Folding 7.502
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 60.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 12.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 7.0
Number of Common Pitch Classes 0.0
Range 19.0
Importance of Bass Register 0.0
Note Density per Quarter Note 0.7273
Note Density per Quarter Note per Voice 0.3636
Note Density per Quarter Note Variability 0.329
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6719
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6875
Prevalence of Very Long Rhythmic Values 0.04688
Prevalence of Dotted Notes 0.1302
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.484
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3594
Relative Prevalence of Most Common Rhythmic Values 0.8406
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.847
Rhythmic Value Skewness 0.7868
Rhythmic Value Kurtosis 16.55
Mean Rhythmic Value Run Length 1.641
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.8853
Mean Rhythmic Value Offset 0.06771
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4982
Complete Rests Fraction 0.000003946
Partial Rests Fraction 0.1515
Average Rest Fraction Across Voices 0.07576
Longest Complete Rest 0.0
Longest Partial Rest 8.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 2.667
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 1.633
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4715
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2593
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.818
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7308
Rhythmic Variability - Tempo Standardized 0.04628
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 192.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.5038
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.4766
Variability of Note Durations 0.4132
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.1838
Strength of Second Strongest Rhythmic Pulse 0.1826
Strength Ratio of Two Strongest Rhythmic Pulses 1.007
Combined Strength of Two Strongest Rhythmic Pulses 0.3664
Rhythmic Variability 0.03015
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 49.5
Note Density 3.879
Note Density Variability 1.155
Average Time Between Attacks 0.3558
Average Time Between Attacks for Each Voice 0.5153
Variability of Time Between Attacks 0.2588
Maximum Number of Independent Voices 2.0
Relative Range of Loudest Voice 0.7368
Relative Range Isolation of Loudest Voice 0.5588
Relative Range of Highest Line 0.7368
Relative Note Density of Highest Line 0.7083
Relative Note Durations of Lowest Line 1.067
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.6042
Voice Separation 7.0
Variability of Voice Separation 0.0
Parallel Motion 0.05769
Average Number of Independent Voices 1.848
Similar Motion 0.2115
Contrary Motion 0.1635
Oblique Motion 0.5673
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.3586
Voice Equality - Number of Notes 8.485
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.414
Importance of Loudest Voice 0.0