| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.1444 |
| Prevalence of Second Most Common Vertical Interval |
0.1296 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8976 |
| Vertical Unisons |
0.04249 |
| Vertical Minor Seconds |
0.0569 |
| Vertical Thirds |
0.2739 |
| Vertical Tritones |
0.0479 |
| Vertical Perfect Fourths |
0.08374 |
| Vertical Perfect Fifths |
0.1032 |
| Vertical Sixths |
0.1519 |
| Vertical Sevenths |
0.08271 |
| Vertical Octaves |
0.07928 |
| Perfect Vertical Intervals |
0.3087 |
| Vertical Dissonance Ratio |
0.3613 |
| Vertical Minor Third Prevalence |
0.8186 |
| Vertical Major Third Prevalence |
0.7493 |
| Chord Duration |
1.807 |
| Partial Chords |
0.04217 |
| Standard Triads |
0.1596 |
| Diminished and Augmented Triads |
0.001506 |
| Dominant Seventh Chords |
0.001506 |
| Seventh Chords |
0.0738 |
| Non-Standard Chords |
0.7244 |
| Complex Chords |
0.5369 |
| Minor Major Triad Ratio |
1.058 |
| Average Number of Simultaneous Pitch Classes |
4.414 |
| Variability of Number of Simultaneous Pitch Classes |
1.315 |
| Average Number of Simultaneous Pitches |
5.515 |
| Variability of Number of Simultaneous Pitches |
1.367 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1533 |
| Stepwise Motion |
0.57 |
| Melodic Thirds |
0.1152 |
| Melodic Perfect Fourths |
0.07613 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04938 |
| Melodic Sixths |
0.004115 |
| Melodic Sevenths |
0.002058 |
| Melodic Octaves |
0.02366 |
| Melodic Large Intervals |
0.001029 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.8 |
| Melodic Embellishments |
0.04677 |
| Direction of Melodic Motion |
0.4279 |
| Average Length of Melodic Arcs |
1.636 |
| Average Interval Spanned by Melodic Arcs |
4.748 |
| Melodic Pitch Variety |
4.47 |
| Mean Melodic Interval |
2.458 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4167 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3802 |
| Amount of Arpeggiation |
0.3488 |
| Repeated Notes |
0.1584 |
| Importance of Middle Register |
0.7164 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.0 |
| Mean Pitch Class |
5.108 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1303 |
| Prevalence of Most Common Pitch Class |
0.195 |
| Relative Prevalence of Top Pitches |
0.8702 |
| Relative Prevalence of Top Pitch Classes |
0.9949 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.196 |
| Pitch Class Variability |
3.52 |
| Pitch Class Variability After Folding |
3.024 |
| Pitch Skewness |
-0.5472 |
| Pitch Class Skewness |
0.09224 |
| Pitch Class Skewness After Folding |
0.3618 |
| Pitch Kurtosis |
5.453 |
| Pitch Class Kurtosis |
4.8 |
| Pitch Class Kurtosis After Folding |
7.614 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.00398 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.00398 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2836 |
| Note Density per Quarter Note |
1.476 |
| Note Density per Quarter Note per Voice |
1.476 |
| Note Density per Quarter Note Variability |
0.6622 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02587 |
| Prevalence of Medium Rhythmic Values |
0.7005 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8289 |
| Prevalence of Very Long Rhythmic Values |
0.05274 |
| Prevalence of Dotted Notes |
0.1055 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.687 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5294 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3477 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.122 |
| Rhythmic Value Skewness |
0.9705 |
| Rhythmic Value Kurtosis |
16.58 |
| Mean Rhythmic Value Run Length |
2.284 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.087 |
| Mean Rhythmic Value Offset |
4.635 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
43.49 |
| Complete Rests Fraction |
0.004405 |
| Partial Rests Fraction |
0.002937 |
| Average Rest Fraction Across Voices |
0.002937 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
2.0 |
| Mean Complete Rest Duration |
1.5 |
| Mean Partial Rest Duration |
2.0 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.7071 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6415 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1747 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.673 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8162 |
| Rhythmic Variability - Tempo Standardized |
0.05381 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1005.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.1799 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
121.1 |
| Average Note Duration |
1.372 |
| Variability of Note Durations |
8.347 |
| Amount of Staccato |
0.02587 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2071 |
| Strength of Second Strongest Rhythmic Pulse |
0.2041 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.015 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4111 |
| Rhythmic Variability |
0.03239 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
127.7 |
| Note Density |
7.871 |
| Note Density Variability |
2.206 |
| Average Time Between Attacks |
0.2892 |
| Average Time Between Attacks for Each Voice |
0.2892 |
| Variability of Time Between Attacks |
0.1799 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.05672 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.05512 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.1342 |
| Contrary Motion |
0.1001 |
| Oblique Motion |
0.7106 |
| Parallel Fifths |
0.002996 |
| Parallel Octaves |
0.005992 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |