| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1979 |
| Prevalence of Second Most Common Vertical Interval |
0.1904 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9621 |
| Vertical Unisons |
0.02103 |
| Vertical Minor Seconds |
0.004667 |
| Vertical Thirds |
0.3179 |
| Vertical Tritones |
0.01342 |
| Vertical Perfect Fourths |
0.1214 |
| Vertical Perfect Fifths |
0.1796 |
| Vertical Sixths |
0.1238 |
| Vertical Sevenths |
0.02451 |
| Vertical Octaves |
0.1693 |
| Perfect Vertical Intervals |
0.4913 |
| Vertical Dissonance Ratio |
0.07185 |
| Vertical Minor Third Prevalence |
0.5994 |
| Vertical Major Third Prevalence |
0.4429 |
| Chord Duration |
1.676 |
| Partial Chords |
0.2833 |
| Standard Triads |
0.4839 |
| Diminished and Augmented Triads |
0.03369 |
| Dominant Seventh Chords |
0.004594 |
| Seventh Chords |
0.03982 |
| Non-Standard Chords |
0.193 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.59 |
| Average Number of Simultaneous Pitch Classes |
2.734 |
| Variability of Number of Simultaneous Pitch Classes |
0.6323 |
| Average Number of Simultaneous Pitches |
3.481 |
| Variability of Number of Simultaneous Pitches |
0.7372 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.726 |
| Variation of Dynamics In Each Voice |
1.732 |
| Average Note to Note Change in Dynamics |
1.887 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1535 |
| Stepwise Motion |
0.5757 |
| Melodic Thirds |
0.1123 |
| Melodic Perfect Fourths |
0.07415 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04943 |
| Melodic Sixths |
0.00309 |
| Melodic Sevenths |
0.00103 |
| Melodic Octaves |
0.02369 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.795 |
| Melodic Embellishments |
0.01744 |
| Direction of Melodic Motion |
0.4294 |
| Average Length of Melodic Arcs |
1.637 |
| Average Interval Spanned by Melodic Arcs |
4.677 |
| Melodic Pitch Variety |
4.803 |
| Mean Melodic Interval |
2.414 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4222 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3805 |
| Amount of Arpeggiation |
0.3471 |
| Repeated Notes |
0.1607 |
| Importance of Middle Register |
0.7221 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.22 |
| Mean Pitch Class |
5.071 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1344 |
| Prevalence of Most Common Pitch Class |
0.2 |
| Relative Prevalence of Top Pitches |
0.8702 |
| Relative Prevalence of Top Pitch Classes |
0.9949 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.211 |
| Pitch Class Variability |
3.509 |
| Pitch Class Variability After Folding |
3.037 |
| Pitch Skewness |
-0.5038 |
| Pitch Class Skewness |
0.0605 |
| Pitch Class Skewness After Folding |
0.3313 |
| Pitch Kurtosis |
5.458 |
| Pitch Class Kurtosis |
4.8 |
| Pitch Class Kurtosis After Folding |
7.673 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2779 |
| Note Density per Quarter Note |
1.434 |
| Note Density per Quarter Note per Voice |
0.3585 |
| Note Density per Quarter Note Variability |
0.5222 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02667 |
| Prevalence of Medium Rhythmic Values |
0.719 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8236 |
| Prevalence of Very Long Rhythmic Values |
0.02769 |
| Prevalence of Dotted Notes |
0.08205 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.439 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5426 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3478 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.504 |
| Rhythmic Value Skewness |
0.8755 |
| Rhythmic Value Kurtosis |
20.8 |
| Mean Rhythmic Value Run Length |
2.31 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.136 |
| Mean Rhythmic Value Offset |
0.03692 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3827 |
| Complete Rests Fraction |
0.008825 |
| Partial Rests Fraction |
0.3176 |
| Average Rest Fraction Across Voices |
0.1125 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
34.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
4.636 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.555 |
| Variability Across Voices of Combined Rests |
15.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6398 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.176 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.636 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8158 |
| Rhythmic Variability - Tempo Standardized |
0.0537 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
975.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4838 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4642 |
| Variability of Note Durations |
0.331 |
| Amount of Staccato |
0.02667 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2094 |
| Strength of Second Strongest Rhythmic Pulse |
0.2025 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.034 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4118 |
| Rhythmic Variability |
0.03247 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
127.5 |
| Note Density |
7.647 |
| Note Density Variability |
2.11 |
| Average Time Between Attacks |
0.2891 |
| Average Time Between Attacks for Each Voice |
0.5109 |
| Variability of Time Between Attacks |
0.1799 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.1991 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.2626 |
| Relative Note Durations of Lowest Line |
1.179 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9046 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.05985 |
| Average Number of Independent Voices |
3.582 |
| Similar Motion |
0.1446 |
| Contrary Motion |
0.1878 |
| Oblique Motion |
0.6077 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.003683 |
| Variability of Number of Independent Voices |
0.6976 |
| Voice Equality - Number of Notes |
34.68 |
| Voice Equality - Note Duration |
2.829 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
0.6667 |