Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.276 |
Prevalence of Second Most Common Vertical Interval |
0.1771 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.6415 |
Vertical Unisons |
0.1198 |
Vertical Minor Seconds |
0.01562 |
Vertical Thirds |
0.2917 |
Vertical Tritones |
0.005208 |
Vertical Perfect Fourths |
0.02083 |
Vertical Perfect Fifths |
0.0625 |
Vertical Sixths |
0.1927 |
Vertical Sevenths |
0.07292 |
Vertical Octaves |
0.1562 |
Perfect Vertical Intervals |
0.3594 |
Vertical Dissonance Ratio |
0.1852 |
Vertical Minor Third Prevalence |
0.1466 |
Vertical Major Third Prevalence |
0.09483 |
Chord Duration |
2.052 |
Partial Chords |
1.0 |
Standard Triads |
0.0 |
Diminished and Augmented Triads |
0.0 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.0 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.0 |
Average Number of Simultaneous Pitch Classes |
1.599 |
Variability of Number of Simultaneous Pitch Classes |
0.4901 |
Average Number of Simultaneous Pitches |
1.728 |
Variability of Number of Simultaneous Pitches |
0.4448 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1847 |
Stepwise Motion |
0.7516 |
Melodic Thirds |
0.1083 |
Melodic Perfect Fourths |
0.03822 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.0 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.4 |
Melodic Embellishments |
0.05031 |
Direction of Melodic Motion |
0.4255 |
Average Length of Melodic Arcs |
1.88 |
Average Interval Spanned by Melodic Arcs |
3.853 |
Melodic Pitch Variety |
5.235 |
Mean Melodic Interval |
1.866 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.5669 |
Relative Prevalence of Most Common Melodic Intervals |
0.3258 |
Amount of Arpeggiation |
0.2102 |
Repeated Notes |
0.1019 |
Importance of Middle Register |
0.566 |
Importance of High Register |
0.0 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
4.0 |
Mean Pitch |
54.0 |
Mean Pitch Class |
5.648 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1572 |
Prevalence of Most Common Pitch Class |
0.1761 |
Relative Prevalence of Top Pitches |
0.96 |
Relative Prevalence of Top Pitch Classes |
0.9643 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
2.0 |
Pitch Variability |
4.443 |
Pitch Class Variability |
3.538 |
Pitch Class Variability After Folding |
3.339 |
Pitch Skewness |
-0.1996 |
Pitch Class Skewness |
0.5492 |
Pitch Class Skewness After Folding |
0.5481 |
Pitch Kurtosis |
5.784 |
Pitch Class Kurtosis |
4.969 |
Pitch Class Kurtosis After Folding |
6.786 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.01258 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
13.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.01258 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
5.0 |
Number of Common Pitch Classes |
0.0 |
Range |
21.0 |
Importance of Bass Register |
0.434 |
Note Density per Quarter Note |
0.6824 |
Note Density per Quarter Note per Voice |
0.6824 |
Note Density per Quarter Note Variability |
0.3223 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.5786 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.6792 |
Prevalence of Very Long Rhythmic Values |
0.05031 |
Prevalence of Dotted Notes |
0.1572 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.616 |
Most Common Rhythmic Value |
1.0 |
Prevalence of Most Common Rhythmic Value |
0.3208 |
Relative Prevalence of Most Common Rhythmic Values |
0.8039 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.848 |
Rhythmic Value Skewness |
1.001 |
Rhythmic Value Kurtosis |
14.12 |
Mean Rhythmic Value Run Length |
1.574 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.089 |
Mean Rhythmic Value Offset |
0.05031 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.4472 |
Complete Rests Fraction |
0.004292 |
Partial Rests Fraction |
0.004292 |
Average Rest Fraction Across Voices |
0.004292 |
Longest Complete Rest |
1.0 |
Longest Partial Rest |
1.0 |
Mean Complete Rest Duration |
1.0 |
Mean Partial Rest Duration |
1.0 |
Median Complete Rest Duration |
1.0 |
Median Partial Rest Duration |
1.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4385 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2839 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.544 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7224 |
Rhythmic Variability - Tempo Standardized |
0.04635 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
159.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
0.527 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
8.0 |
Average Note Duration |
1.333 |
Variability of Note Durations |
1.068 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.4385 |
Strength of Second Strongest Rhythmic Pulse |
0.2839 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.544 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.7224 |
Rhythmic Variability |
0.04635 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0 |
Duration in Seconds |
116.5 |
Note Density |
1.365 |
Note Density Variability |
0.5151 |
Average Time Between Attacks |
0.9251 |
Average Time Between Attacks for Each Voice |
0.9251 |
Variability of Time Between Attacks |
0.527 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.3396 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.08108 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.08108 |
Contrary Motion |
0.1486 |
Oblique Motion |
0.6892 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |