File

Last modified on: Oct. 17, 2023, 9:46 a.m.

F164_13_Pisano_Gia_mai_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Giamai non veder gli occhi
File Type
Symbolic Music
File Format
xml
File Size
309.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1871
Prevalence of Second Most Common Vertical Interval 0.1804
Prevalence Ratio of Two Most Common Vertical Intervals 0.964
Vertical Unisons 0.03411
Vertical Minor Seconds 0.01031
Vertical Thirds 0.2499
Vertical Tritones 0.005154
Vertical Perfect Fourths 0.1407
Vertical Perfect Fifths 0.1804
Vertical Sixths 0.1141
Vertical Sevenths 0.05897
Vertical Octaves 0.153
Perfect Vertical Intervals 0.5082
Vertical Dissonance Ratio 0.1465
Vertical Minor Third Prevalence 0.575
Vertical Major Third Prevalence 0.5062
Chord Duration 1.79
Partial Chords 0.238
Standard Triads 0.3891
Diminished and Augmented Triads 0.002174
Dominant Seventh Chords 0.001087
Seventh Chords 0.05652
Non-Standard Chords 0.3163
Complex Chords 0.06087
Minor Major Triad Ratio 0.799
Average Number of Simultaneous Pitch Classes 2.98
Variability of Number of Simultaneous Pitch Classes 0.9144
Average Number of Simultaneous Pitches 3.889
Variability of Number of Simultaneous Pitches 1.106
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1422
Stepwise Motion 0.6278
Melodic Thirds 0.1182
Melodic Perfect Fourths 0.07508
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05272
Melodic Sixths 0.001597
Melodic Sevenths 0.0
Melodic Octaves 0.02236
Melodic Large Intervals 0.004792
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.846
Melodic Embellishments 0.05452
Direction of Melodic Motion 0.4602
Average Length of Melodic Arcs 1.628
Average Interval Spanned by Melodic Arcs 4.697
Melodic Pitch Variety 5.496
Mean Melodic Interval 2.625
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4856
Relative Prevalence of Most Common Melodic Intervals 0.2928
Amount of Arpeggiation 0.2923
Repeated Notes 0.09744
Importance of Middle Register 0.8162
Importance of High Register 0.06075
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 62.0
Mean Pitch Class 4.827
Most Common Pitch 67.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1012
Prevalence of Most Common Pitch Class 0.215
Relative Prevalence of Top Pitches 0.9692
Relative Prevalence of Top Pitch Classes 0.8478
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.036
Pitch Class Variability 3.486
Pitch Class Variability After Folding 3.976
Pitch Skewness 0.2706
Pitch Class Skewness -0.1491
Pitch Class Skewness After Folding 1.284
Pitch Kurtosis 5.23
Pitch Class Kurtosis 4.681
Pitch Class Kurtosis After Folding 5.372
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.006231
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.006231
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.1231
Note Density per Quarter Note 1.335
Note Density per Quarter Note per Voice 1.335
Note Density per Quarter Note Variability 0.6845
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02492
Prevalence of Medium Rhythmic Values 0.6106
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8598
Prevalence of Very Long Rhythmic Values 0.05296
Prevalence of Dotted Notes 0.109
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.847
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4704
Relative Prevalence of Most Common Rhythmic Values 0.5695
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.98
Rhythmic Value Skewness 1.284
Rhythmic Value Kurtosis 16.09
Mean Rhythmic Value Run Length 2.006
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.672
Mean Rhythmic Value Offset 2.397
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 20.3
Complete Rests Fraction 0.002079
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6675
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1597
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.18
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8271
Rhythmic Variability - Tempo Standardized 0.05528
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 642.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1292
Minimum Note Duration 0.09375
Maximum Note Duration 44.06
Average Note Duration 0.9834
Variability of Note Durations 4.021
Amount of Staccato 0.02492
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2184
Strength of Second Strongest Rhythmic Pulse 0.209
Strength Ratio of Two Strongest Rhythmic Pulses 1.045
Combined Strength of Two Strongest Rhythmic Pulses 0.4273
Rhythmic Variability 0.03299
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 90.19
Note Density 7.119
Note Density Variability 2.625
Average Time Between Attacks 0.303
Average Time Between Attacks for Each Voice 0.303
Variability of Time Between Attacks 0.1292
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.09657
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.03436
Average Number of Independent Voices 1.0
Similar Motion 0.11
Contrary Motion 0.1627
Oblique Motion 0.693
Parallel Fifths 0.003436
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0