File

Last modified on: Oct. 17, 2023, 9:28 a.m.

F164_02_Pisano_Si_e_debile_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Si è debile el filo a cui s’attiene
File Type
Symbolic Music
File Format
xml
File Size
391.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1959
Prevalence of Second Most Common Vertical Interval 0.1891
Prevalence Ratio of Two Most Common Vertical Intervals 0.9655
Vertical Unisons 0.02965
Vertical Minor Seconds 0.01105
Vertical Thirds 0.3092
Vertical Tritones 0.005524
Vertical Perfect Fourths 0.1108
Vertical Perfect Fifths 0.1811
Vertical Sixths 0.1128
Vertical Sevenths 0.03271
Vertical Octaves 0.1662
Perfect Vertical Intervals 0.4878
Vertical Dissonance Ratio 0.09914
Vertical Minor Third Prevalence 0.653
Vertical Major Third Prevalence 0.4671
Chord Duration 2.019
Partial Chords 0.2364
Standard Triads 0.4987
Diminished and Augmented Triads 0.003463
Dominant Seventh Chords 0.005195
Seventh Chords 0.04935
Non-Standard Chords 0.2156
Complex Chords 0.01558
Minor Major Triad Ratio 1.704
Average Number of Simultaneous Pitch Classes 2.823
Variability of Number of Simultaneous Pitch Classes 0.7647
Average Number of Simultaneous Pitches 3.658
Variability of Number of Simultaneous Pitches 0.9139
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1362
Stepwise Motion 0.5018
Melodic Thirds 0.1117
Melodic Perfect Fourths 0.08957
Melodic Tritones 0.001227
Melodic Perfect Fifths 0.04417
Melodic Sixths 0.006135
Melodic Sevenths 0.0
Melodic Octaves 0.01963
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.64
Melodic Embellishments 0.02657
Direction of Melodic Motion 0.4485
Average Length of Melodic Arcs 1.71
Average Interval Spanned by Melodic Arcs 5.005
Melodic Pitch Variety 4.573
Mean Melodic Interval 2.285
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3656
Relative Prevalence of Most Common Melodic Intervals 0.6174
Amount of Arpeggiation 0.4012
Repeated Notes 0.2258
Importance of Middle Register 0.7524
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.0
Mean Pitch Class 5.125
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1316
Prevalence of Most Common Pitch Class 0.2101
Relative Prevalence of Top Pitches 0.844
Relative Prevalence of Top Pitch Classes 0.7816
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.671
Pitch Class Variability 3.534
Pitch Class Variability After Folding 3.007
Pitch Skewness -0.2219
Pitch Class Skewness 0.106
Pitch Class Skewness After Folding 0.2043
Pitch Kurtosis 5.529
Pitch Class Kurtosis 4.781
Pitch Class Kurtosis After Folding 7.858
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.004831
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.004831
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.2476
Note Density per Quarter Note 1.36
Note Density per Quarter Note per Voice 1.36
Note Density per Quarter Note Variability 0.6098
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009662
Prevalence of Medium Rhythmic Values 0.6582
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8635
Prevalence of Very Long Rhythmic Values 0.05797
Prevalence of Dotted Notes 0.1002
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.71
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5217
Relative Prevalence of Most Common Rhythmic Values 0.4213
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.723
Rhythmic Value Skewness 1.237
Rhythmic Value Kurtosis 15.82
Mean Rhythmic Value Run Length 2.024
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.532
Mean Rhythmic Value Offset 1.298
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 19.39
Complete Rests Fraction 0.001642
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6913
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1547
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.467
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.846
Rhythmic Variability - Tempo Standardized 0.05688
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 828.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1649
Minimum Note Duration 0.09375
Maximum Note Duration 67.31
Average Note Duration 0.7516
Variability of Note Durations 3.764
Amount of Staccato 0.009662
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2239
Strength of Second Strongest Rhythmic Pulse 0.2121
Strength Ratio of Two Strongest Rhythmic Pulses 1.056
Combined Strength of Two Strongest Rhythmic Pulses 0.436
Rhythmic Variability 0.03368
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 114.2
Note Density 7.251
Note Density Variability 1.869
Average Time Between Attacks 0.3278
Average Time Between Attacks for Each Voice 0.3278
Variability of Time Between Attacks 0.1649
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.07005
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05139
Average Number of Independent Voices 1.0
Similar Motion 0.1528
Contrary Motion 0.1583
Oblique Motion 0.6375
Parallel Fifths 0.006944
Parallel Octaves 0.004167
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0