| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1964 |
| Prevalence of Second Most Common Vertical Interval |
0.1948 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9916 |
| Vertical Unisons |
0.01635 |
| Vertical Minor Seconds |
0.006453 |
| Vertical Thirds |
0.2851 |
| Vertical Tritones |
0.003432 |
| Vertical Perfect Fourths |
0.1321 |
| Vertical Perfect Fifths |
0.1948 |
| Vertical Sixths |
0.1268 |
| Vertical Sevenths |
0.03775 |
| Vertical Octaves |
0.1801 |
| Perfect Vertical Intervals |
0.5233 |
| Vertical Dissonance Ratio |
0.06932 |
| Vertical Minor Third Prevalence |
0.525 |
| Vertical Major Third Prevalence |
0.4604 |
| Chord Duration |
1.777 |
| Partial Chords |
0.2871 |
| Standard Triads |
0.4891 |
| Diminished and Augmented Triads |
0.002183 |
| Dominant Seventh Chords |
0.001092 |
| Seventh Chords |
0.0524 |
| Non-Standard Chords |
0.1714 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8138 |
| Average Number of Simultaneous Pitch Classes |
2.714 |
| Variability of Number of Simultaneous Pitch Classes |
0.6741 |
| Average Number of Simultaneous Pitches |
3.489 |
| Variability of Number of Simultaneous Pitches |
0.7691 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.78 |
| Variation of Dynamics In Each Voice |
1.785 |
| Average Note to Note Change in Dynamics |
2.083 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1438 |
| Stepwise Motion |
0.631 |
| Melodic Thirds |
0.1198 |
| Melodic Perfect Fourths |
0.07508 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05272 |
| Melodic Sixths |
0.001597 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02236 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.885 |
| Melodic Embellishments |
0.01746 |
| Direction of Melodic Motion |
0.4637 |
| Average Length of Melodic Arcs |
1.619 |
| Average Interval Spanned by Melodic Arcs |
4.53 |
| Melodic Pitch Variety |
5.165 |
| Mean Melodic Interval |
2.546 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4872 |
| Relative Prevalence of Most Common Melodic Intervals |
0.2951 |
| Amount of Arpeggiation |
0.2923 |
| Repeated Notes |
0.09744 |
| Importance of Middle Register |
0.8254 |
| Importance of High Register |
0.0619 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.53 |
| Mean Pitch Class |
4.825 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1032 |
| Prevalence of Most Common Pitch Class |
0.2143 |
| Relative Prevalence of Top Pitches |
0.9692 |
| Relative Prevalence of Top Pitch Classes |
0.8444 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.007 |
| Pitch Class Variability |
3.491 |
| Pitch Class Variability After Folding |
3.985 |
| Pitch Skewness |
-0.5519 |
| Pitch Class Skewness |
-0.1501 |
| Pitch Class Skewness After Folding |
1.295 |
| Pitch Kurtosis |
5.244 |
| Pitch Class Kurtosis |
4.678 |
| Pitch Class Kurtosis After Folding |
5.35 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1127 |
| Note Density per Quarter Note |
1.312 |
| Note Density per Quarter Note per Voice |
0.3281 |
| Note Density per Quarter Note Variability |
0.5465 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0254 |
| Prevalence of Medium Rhythmic Values |
0.6222 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8571 |
| Prevalence of Very Long Rhythmic Values |
0.03651 |
| Prevalence of Dotted Notes |
0.09365 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.686 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4794 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5662 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.582 |
| Rhythmic Value Skewness |
1.301 |
| Rhythmic Value Kurtosis |
16.9 |
| Mean Rhythmic Value Run Length |
2.0 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.691 |
| Mean Rhythmic Value Offset |
0.03175 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3552 |
| Complete Rests Fraction |
0.00000217 |
| Partial Rests Fraction |
0.2958 |
| Average Rest Fraction Across Voices |
0.1083 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.943 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.412 |
| Variability Across Voices of Combined Rests |
20.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6605 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1629 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.054 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8234 |
| Rhythmic Variability - Tempo Standardized |
0.05488 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
630.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3962 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5095 |
| Variability of Note Durations |
0.3365 |
| Amount of Staccato |
0.0254 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2188 |
| Strength of Second Strongest Rhythmic Pulse |
0.2121 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.032 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4308 |
| Rhythmic Variability |
0.03297 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
90.0 |
| Note Density |
7.0 |
| Note Density Variability |
1.863 |
| Average Time Between Attacks |
0.3029 |
| Average Time Between Attacks for Each Voice |
0.5354 |
| Variability of Time Between Attacks |
0.1292 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4483 |
| Relative Range Isolation of Loudest Voice |
0.7407 |
| Relative Range of Highest Line |
0.4483 |
| Relative Note Density of Highest Line |
0.4508 |
| Relative Note Durations of Lowest Line |
1.05 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7397 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04732 |
| Average Number of Independent Voices |
3.567 |
| Similar Motion |
0.1196 |
| Contrary Motion |
0.1968 |
| Oblique Motion |
0.6364 |
| Parallel Fifths |
0.003736 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7442 |
| Voice Equality - Number of Notes |
12.4 |
| Voice Equality - Note Duration |
3.885 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |