File

Last modified on: April 19, 2024, 6:28 p.m.

La_Rue_Missa_tous_les_regretz_-_Agnus_II.xml


Source
Josquin Research Project
Musical Work
Missa Tous les regretz
Section
Agnus II
File Type
Symbolic Music
File Format
.xml
File Size
69.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 8.0
Prevalence of Most Common Vertical Interval 0.2269
Prevalence of Second Most Common Vertical Interval 0.2083
Prevalence Ratio of Two Most Common Vertical Intervals 0.9184
Vertical Unisons 0.1019
Vertical Minor Seconds 0.0
Vertical Thirds 0.2037
Vertical Tritones 0.01389
Vertical Perfect Fourths 0.02778
Vertical Perfect Fifths 0.1065
Vertical Sixths 0.3519
Vertical Sevenths 0.04167
Vertical Octaves 0.125
Perfect Vertical Intervals 0.3611
Vertical Dissonance Ratio 0.09091
Vertical Minor Third Prevalence 0.0875
Vertical Major Third Prevalence 0.09583
Chord Duration 2.181
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.696
Variability of Number of Simultaneous Pitch Classes 0.4601
Average Number of Simultaneous Pitches 1.808
Variability of Number of Simultaneous Pitches 0.3936
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 8.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1813
Stepwise Motion 0.8129
Melodic Thirds 0.04678
Melodic Perfect Fourths 0.05848
Melodic Tritones 0.005848
Melodic Perfect Fifths 0.01754
Melodic Sixths 0.005848
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 0.0
Melodic Embellishments 0.03468
Direction of Melodic Motion 0.4321
Average Length of Melodic Arcs 2.189
Average Interval Spanned by Melodic Arcs 4.757
Melodic Pitch Variety 4.939
Mean Melodic Interval 2.082
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.6316
Relative Prevalence of Most Common Melodic Intervals 0.287
Amount of Arpeggiation 0.117
Repeated Notes 0.05263
Importance of Middle Register 0.9075
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 60.0
Mean Pitch Class 5.509
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1387
Prevalence of Most Common Pitch Class 0.185
Relative Prevalence of Top Pitches 0.9167
Relative Prevalence of Top Pitch Classes 0.8125
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 4.981
Pitch Class Variability 3.54
Pitch Class Variability After Folding 3.279
Pitch Skewness 0.4352
Pitch Class Skewness 0.4311
Pitch Class Skewness After Folding 0.55
Pitch Kurtosis 5.628
Pitch Class Kurtosis 4.94
Pitch Class Kurtosis After Folding 6.916
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.01156
Average Range of Glissandos 0.0
Number of Pitches 14.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.01156
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 22.0
Importance of Bass Register 0.09249
Note Density per Quarter Note 0.7178
Note Density per Quarter Note per Voice 0.7178
Note Density per Quarter Note Variability 0.3803
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6069
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6647
Prevalence of Very Long Rhythmic Values 0.06358
Prevalence of Dotted Notes 0.08671
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.613
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.3353
Relative Prevalence of Most Common Rhythmic Values 0.8448
Difference Between Most Common Rhythmic Values 4.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.767
Rhythmic Value Skewness 1.04
Rhythmic Value Kurtosis 10.78
Mean Rhythmic Value Run Length 1.922
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.581
Mean Rhythmic Value Offset 0.02312
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3041
Complete Rests Fraction 0.004149
Partial Rests Fraction 0.004149
Average Rest Fraction Across Voices 0.004149
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4712
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2877
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.638
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7589
Rhythmic Variability - Tempo Standardized 0.04722
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 173.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 0.779
Minimum Note Duration 0.5
Maximum Note Duration 8.0
Average Note Duration 1.318
Variability of Note Durations 0.9554
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 120.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.4712
Strength of Second Strongest Rhythmic Pulse 0.2877
Strength Ratio of Two Strongest Rhythmic Pulses 1.638
Combined Strength of Two Strongest Rhythmic Pulses 0.7589
Rhythmic Variability 0.04722
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.0
Duration in Seconds 120.5
Note Density 1.436
Note Density Variability 0.7911
Average Time Between Attacks 1.035
Average Time Between Attacks for Each Voice 1.035
Variability of Time Between Attacks 0.779
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.3468
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.1667
Average Number of Independent Voices 1.0
Similar Motion 0.1548
Contrary Motion 0.2143
Oblique Motion 0.4643
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0