Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1913 |
Prevalence of Second Most Common Vertical Interval |
0.1849 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9665 |
Vertical Unisons |
0.02262 |
Vertical Minor Seconds |
0.00757 |
Vertical Thirds |
0.2793 |
Vertical Tritones |
0.007829 |
Vertical Perfect Fourths |
0.1314 |
Vertical Perfect Fifths |
0.1849 |
Vertical Sixths |
0.1288 |
Vertical Sevenths |
0.03201 |
Vertical Octaves |
0.1687 |
Perfect Vertical Intervals |
0.5077 |
Vertical Dissonance Ratio |
0.09195 |
Vertical Minor Third Prevalence |
0.6354 |
Vertical Major Third Prevalence |
0.3884 |
Chord Duration |
1.492 |
Partial Chords |
0.2295 |
Standard Triads |
0.4993 |
Diminished and Augmented Triads |
0.008942 |
Dominant Seventh Chords |
0.002981 |
Seventh Chords |
0.02981 |
Non-Standard Chords |
0.2414 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
4.403 |
Average Number of Simultaneous Pitch Classes |
2.85 |
Variability of Number of Simultaneous Pitch Classes |
0.5426 |
Average Number of Simultaneous Pitches |
3.661 |
Variability of Number of Simultaneous Pitches |
0.5625 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
33.0 |
Variation of Dynamics |
2.165 |
Variation of Dynamics In Each Voice |
2.096 |
Average Note to Note Change in Dynamics |
1.893 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.161 |
Stepwise Motion |
0.5814 |
Melodic Thirds |
0.0966 |
Melodic Perfect Fourths |
0.0805 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03936 |
Melodic Sixths |
0.01073 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01789 |
Melodic Large Intervals |
0.001789 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.5 |
Melodic Embellishments |
0.007105 |
Direction of Melodic Motion |
0.4384 |
Average Length of Melodic Arcs |
1.69 |
Average Interval Spanned by Melodic Arcs |
4.704 |
Melodic Pitch Variety |
4.765 |
Mean Melodic Interval |
2.324 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.4204 |
Relative Prevalence of Most Common Melodic Intervals |
0.4085 |
Amount of Arpeggiation |
0.3274 |
Repeated Notes |
0.1717 |
Importance of Middle Register |
0.8348 |
Importance of High Register |
0.07815 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.61 |
Mean Pitch Class |
5.334 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1279 |
Prevalence of Most Common Pitch Class |
0.2398 |
Relative Prevalence of Top Pitches |
0.7917 |
Relative Prevalence of Top Pitch Classes |
0.7778 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.656 |
Pitch Class Variability |
3.27 |
Pitch Class Variability After Folding |
3.856 |
Pitch Skewness |
-0.3306 |
Pitch Class Skewness |
0.3064 |
Pitch Class Skewness After Folding |
1.574 |
Pitch Kurtosis |
5.265 |
Pitch Class Kurtosis |
4.707 |
Pitch Class Kurtosis After Folding |
5.311 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
18.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
1.0 |
Range |
29.0 |
Importance of Bass Register |
0.08703 |
Note Density per Quarter Note |
1.676 |
Note Density per Quarter Note per Voice |
0.4189 |
Note Density per Quarter Note Variability |
0.5797 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.04263 |
Prevalence of Medium Rhythmic Values |
0.7798 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7584 |
Prevalence of Very Long Rhythmic Values |
0.01954 |
Prevalence of Dotted Notes |
0.1012 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.192 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5382 |
Relative Prevalence of Most Common Rhythmic Values |
0.3696 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.392 |
Rhythmic Value Skewness |
0.4134 |
Rhythmic Value Kurtosis |
27.21 |
Mean Rhythmic Value Run Length |
2.279 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
2.081 |
Mean Rhythmic Value Offset |
0.06394 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.9064 |
Complete Rests Fraction |
0.0000031 |
Partial Rests Fraction |
0.1964 |
Average Rest Fraction Across Voices |
0.05506 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
10.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
3.083 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
2.125 |
Variability Across Voices of Combined Rests |
6.608 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5831 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2028 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.875 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7859 |
Rhythmic Variability - Tempo Standardized |
0.05082 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
563.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.3018 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
6.0 |
Average Note Duration |
0.423 |
Variability of Note Durations |
0.3758 |
Amount of Staccato |
0.04263 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
7.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
160.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.1942 |
Strength of Second Strongest Rhythmic Pulse |
0.1926 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.008 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.3868 |
Rhythmic Variability |
0.03115 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.4286 |
Tempo Variability |
0.0 |
Duration in Seconds |
63.0 |
Note Density |
8.936 |
Note Density Variability |
2.773 |
Average Time Between Attacks |
0.2551 |
Average Time Between Attacks for Each Voice |
0.4258 |
Variability of Time Between Attacks |
0.1063 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4828 |
Relative Range Isolation of Loudest Voice |
0.3828 |
Relative Range of Highest Line |
0.5172 |
Relative Note Density of Highest Line |
0.4973 |
Relative Note Durations of Lowest Line |
1.095 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.794 |
Voice Separation |
5.333 |
Variability of Voice Separation |
3.055 |
Parallel Motion |
0.04545 |
Average Number of Independent Voices |
3.78 |
Similar Motion |
0.1429 |
Contrary Motion |
0.1591 |
Oblique Motion |
0.6526 |
Parallel Fifths |
0.003247 |
Parallel Octaves |
0.00487 |
Variability of Number of Independent Voices |
0.4684 |
Voice Equality - Number of Notes |
11.79 |
Voice Equality - Note Duration |
1.239 |
Voice Equality - Dynamics |
0.5 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.5 |
Importance of Loudest Voice |
1.0 |