| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1913 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9665 |
| Vertical Unisons |
0.02262 |
| Vertical Minor Seconds |
0.00757 |
| Vertical Thirds |
0.2793 |
| Vertical Tritones |
0.007829 |
| Vertical Perfect Fourths |
0.1314 |
| Vertical Perfect Fifths |
0.1849 |
| Vertical Sixths |
0.1288 |
| Vertical Sevenths |
0.03201 |
| Vertical Octaves |
0.1687 |
| Perfect Vertical Intervals |
0.5077 |
| Vertical Dissonance Ratio |
0.09195 |
| Vertical Minor Third Prevalence |
0.6354 |
| Vertical Major Third Prevalence |
0.3884 |
| Chord Duration |
1.492 |
| Partial Chords |
0.2295 |
| Standard Triads |
0.4993 |
| Diminished and Augmented Triads |
0.008942 |
| Dominant Seventh Chords |
0.002981 |
| Seventh Chords |
0.02981 |
| Non-Standard Chords |
0.2414 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
4.403 |
| Average Number of Simultaneous Pitch Classes |
2.85 |
| Variability of Number of Simultaneous Pitch Classes |
0.5426 |
| Average Number of Simultaneous Pitches |
3.661 |
| Variability of Number of Simultaneous Pitches |
0.5625 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
33.0 |
| Variation of Dynamics |
2.165 |
| Variation of Dynamics In Each Voice |
2.096 |
| Average Note to Note Change in Dynamics |
1.893 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.161 |
| Stepwise Motion |
0.5814 |
| Melodic Thirds |
0.0966 |
| Melodic Perfect Fourths |
0.0805 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03936 |
| Melodic Sixths |
0.01073 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01789 |
| Melodic Large Intervals |
0.001789 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.5 |
| Melodic Embellishments |
0.007105 |
| Direction of Melodic Motion |
0.4384 |
| Average Length of Melodic Arcs |
1.69 |
| Average Interval Spanned by Melodic Arcs |
4.704 |
| Melodic Pitch Variety |
4.765 |
| Mean Melodic Interval |
2.324 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4204 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4085 |
| Amount of Arpeggiation |
0.3274 |
| Repeated Notes |
0.1717 |
| Importance of Middle Register |
0.8348 |
| Importance of High Register |
0.07815 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.61 |
| Mean Pitch Class |
5.334 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1279 |
| Prevalence of Most Common Pitch Class |
0.2398 |
| Relative Prevalence of Top Pitches |
0.7917 |
| Relative Prevalence of Top Pitch Classes |
0.7778 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.656 |
| Pitch Class Variability |
3.27 |
| Pitch Class Variability After Folding |
3.856 |
| Pitch Skewness |
-0.3306 |
| Pitch Class Skewness |
0.3064 |
| Pitch Class Skewness After Folding |
1.574 |
| Pitch Kurtosis |
5.265 |
| Pitch Class Kurtosis |
4.707 |
| Pitch Class Kurtosis After Folding |
5.311 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.08703 |
| Note Density per Quarter Note |
1.676 |
| Note Density per Quarter Note per Voice |
0.4189 |
| Note Density per Quarter Note Variability |
0.5797 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04263 |
| Prevalence of Medium Rhythmic Values |
0.7798 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7584 |
| Prevalence of Very Long Rhythmic Values |
0.01954 |
| Prevalence of Dotted Notes |
0.1012 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.192 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5382 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3696 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.392 |
| Rhythmic Value Skewness |
0.4134 |
| Rhythmic Value Kurtosis |
27.21 |
| Mean Rhythmic Value Run Length |
2.279 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.081 |
| Mean Rhythmic Value Offset |
0.06394 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9064 |
| Complete Rests Fraction |
0.0000031 |
| Partial Rests Fraction |
0.1964 |
| Average Rest Fraction Across Voices |
0.05506 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
10.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
3.083 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.125 |
| Variability Across Voices of Combined Rests |
6.608 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5831 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2028 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.875 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7859 |
| Rhythmic Variability - Tempo Standardized |
0.05082 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
563.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3018 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
0.423 |
| Variability of Note Durations |
0.3758 |
| Amount of Staccato |
0.04263 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.1942 |
| Strength of Second Strongest Rhythmic Pulse |
0.1926 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.008 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3868 |
| Rhythmic Variability |
0.03115 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
63.0 |
| Note Density |
8.936 |
| Note Density Variability |
2.773 |
| Average Time Between Attacks |
0.2551 |
| Average Time Between Attacks for Each Voice |
0.4258 |
| Variability of Time Between Attacks |
0.1063 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.3828 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.4973 |
| Relative Note Durations of Lowest Line |
1.095 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.794 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.04545 |
| Average Number of Independent Voices |
3.78 |
| Similar Motion |
0.1429 |
| Contrary Motion |
0.1591 |
| Oblique Motion |
0.6526 |
| Parallel Fifths |
0.003247 |
| Parallel Octaves |
0.00487 |
| Variability of Number of Independent Voices |
0.4684 |
| Voice Equality - Number of Notes |
11.79 |
| Voice Equality - Note Duration |
1.239 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
1.0 |