| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2572 |
| Prevalence of Second Most Common Vertical Interval |
0.2166 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8421 |
| Vertical Unisons |
0.1123 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3821 |
| Vertical Tritones |
0.01471 |
| Vertical Perfect Fourths |
0.02598 |
| Vertical Perfect Fifths |
0.1457 |
| Vertical Sixths |
0.1044 |
| Vertical Sevenths |
0.0331 |
| Vertical Octaves |
0.1448 |
| Perfect Vertical Intervals |
0.4289 |
| Vertical Dissonance Ratio |
0.0924 |
| Vertical Minor Third Prevalence |
0.1146 |
| Vertical Major Third Prevalence |
0.151 |
| Chord Duration |
2.109 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.518 |
| Variability of Number of Simultaneous Pitch Classes |
0.4997 |
| Average Number of Simultaneous Pitches |
1.617 |
| Variability of Number of Simultaneous Pitches |
0.4861 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.681 |
| Variation of Dynamics In Each Voice |
1.685 |
| Average Note to Note Change in Dynamics |
1.761 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2218 |
| Stepwise Motion |
0.6304 |
| Melodic Thirds |
0.144 |
| Melodic Perfect Fourths |
0.09728 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01946 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01167 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.364 |
| Melodic Embellishments |
0.01544 |
| Direction of Melodic Motion |
0.5086 |
| Average Length of Melodic Arcs |
1.856 |
| Average Interval Spanned by Melodic Arcs |
4.64 |
| Melodic Pitch Variety |
4.142 |
| Mean Melodic Interval |
2.276 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4086 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5429 |
| Amount of Arpeggiation |
0.2724 |
| Repeated Notes |
0.09728 |
| Importance of Middle Register |
0.4595 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.69 |
| Mean Pitch Class |
5.552 |
| Most Common Pitch |
52.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1583 |
| Prevalence of Most Common Pitch Class |
0.1853 |
| Relative Prevalence of Top Pitches |
0.8049 |
| Relative Prevalence of Top Pitch Classes |
0.9375 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
4.681 |
| Pitch Class Variability |
3.553 |
| Pitch Class Variability After Folding |
3.116 |
| Pitch Skewness |
0.532 |
| Pitch Class Skewness |
0.4663 |
| Pitch Class Skewness After Folding |
0.6283 |
| Pitch Kurtosis |
5.452 |
| Pitch Class Kurtosis |
4.89 |
| Pitch Class Kurtosis After Folding |
7.158 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
13.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
21.0 |
| Importance of Bass Register |
0.5405 |
| Note Density per Quarter Note |
0.6745 |
| Note Density per Quarter Note per Voice |
0.3372 |
| Note Density per Quarter Note Variability |
0.3273 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.722 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7259 |
| Prevalence of Very Long Rhythmic Values |
0.08108 |
| Prevalence of Dotted Notes |
0.1158 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.494 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4479 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6121 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.805 |
| Rhythmic Value Skewness |
0.8213 |
| Rhythmic Value Kurtosis |
14.56 |
| Mean Rhythmic Value Run Length |
1.671 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9196 |
| Mean Rhythmic Value Offset |
0.01544 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2485 |
| Complete Rests Fraction |
0.000002713 |
| Partial Rests Fraction |
0.3073 |
| Average Rest Fraction Across Voices |
0.1536 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.556 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.167 |
| Variability Across Voices of Combined Rests |
9.899 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5524 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2418 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.285 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7942 |
| Rhythmic Variability - Tempo Standardized |
0.04998 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
259.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5865 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4706 |
| Variability of Note Durations |
0.3565 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
4.0 |
| Strength of Strongest Rhythmic Pulse |
0.2015 |
| Strength of Second Strongest Rhythmic Pulse |
0.1938 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.04 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3953 |
| Rhythmic Variability |
0.03147 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
72.0 |
| Note Density |
3.597 |
| Note Density Variability |
1.108 |
| Average Time Between Attacks |
0.3559 |
| Average Time Between Attacks for Each Voice |
0.5415 |
| Variability of Time Between Attacks |
0.2087 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.6667 |
| Relative Range Isolation of Loudest Voice |
0.1121 |
| Relative Range of Highest Line |
0.6667 |
| Relative Note Density of Highest Line |
0.4402 |
| Relative Note Durations of Lowest Line |
0.928 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7992 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.08411 |
| Average Number of Independent Voices |
1.693 |
| Similar Motion |
0.1495 |
| Contrary Motion |
0.2056 |
| Oblique Motion |
0.5607 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4614 |
| Voice Equality - Number of Notes |
19.09 |
| Voice Equality - Note Duration |
1.856 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.121 |
| Importance of Loudest Voice |
0.0 |