File

Last modified on: April 19, 2024, 4:28 p.m.

F164_15_Pisano_Cosi_nel_OMRcorrIL_JnHWVWZ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Cosi nel mio parlare voglio essere aspro
File Type
Symbolic Music
File Format
xml
File Size
352.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1741
Prevalence of Second Most Common Vertical Interval 0.1722
Prevalence Ratio of Two Most Common Vertical Intervals 0.9894
Vertical Unisons 0.05307
Vertical Minor Seconds 0.0296
Vertical Thirds 0.2626
Vertical Tritones 0.02183
Vertical Perfect Fourths 0.1192
Vertical Perfect Fifths 0.1741
Vertical Sixths 0.1237
Vertical Sevenths 0.04011
Vertical Octaves 0.1192
Perfect Vertical Intervals 0.4655
Vertical Dissonance Ratio 0.1739
Vertical Minor Third Prevalence 0.6758
Vertical Major Third Prevalence 0.5488
Chord Duration 1.861
Partial Chords 0.1553
Standard Triads 0.4178
Diminished and Augmented Triads 0.02004
Dominant Seventh Chords 0.004008
Seventh Chords 0.09118
Non-Standard Chords 0.3357
Complex Chords 0.04409
Minor Major Triad Ratio 2.283
Average Number of Simultaneous Pitch Classes 3.11
Variability of Number of Simultaneous Pitch Classes 0.7995
Average Number of Simultaneous Pitches 3.885
Variability of Number of Simultaneous Pitches 1.014
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1646
Stepwise Motion 0.5912
Melodic Thirds 0.08368
Melodic Perfect Fourths 0.07545
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0535
Melodic Sixths 0.009602
Melodic Sevenths 0.0
Melodic Octaves 0.01783
Melodic Large Intervals 0.001372
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.812
Melodic Embellishments 0.02282
Direction of Melodic Motion 0.4349
Average Length of Melodic Arcs 1.619
Average Interval Spanned by Melodic Arcs 4.549
Melodic Pitch Variety 4.478
Mean Melodic Interval 2.359
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4266
Relative Prevalence of Most Common Melodic Intervals 0.3923
Amount of Arpeggiation 0.3224
Repeated Notes 0.1674
Importance of Middle Register 0.6953
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 57.0
Mean Pitch Class 5.288
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1128
Prevalence of Most Common Pitch Class 0.1946
Relative Prevalence of Top Pitches 0.881
Relative Prevalence of Top Pitch Classes 0.9103
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.584
Pitch Class Variability 3.458
Pitch Class Variability After Folding 2.969
Pitch Skewness -0.5412
Pitch Class Skewness 0.2497
Pitch Class Skewness After Folding 0.3537
Pitch Kurtosis 5.408
Pitch Class Kurtosis 4.858
Pitch Class Kurtosis After Folding 7.809
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.005369
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005369
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.3047
Note Density per Quarter Note 1.452
Note Density per Quarter Note per Voice 1.452
Note Density per Quarter Note Variability 0.7239
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01342
Prevalence of Medium Rhythmic Values 0.6819
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8644
Prevalence of Very Long Rhythmic Values 0.03624
Prevalence of Dotted Notes 0.09262
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.639
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5463
Relative Prevalence of Most Common Rhythmic Values 0.398
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.765
Rhythmic Value Skewness 1.086
Rhythmic Value Kurtosis 20.11
Mean Rhythmic Value Run Length 2.231
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.98
Mean Rhythmic Value Offset 2.566
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 27.29
Complete Rests Fraction 0.001949
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.671
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1741
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.855
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8451
Rhythmic Variability - Tempo Standardized 0.05572
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 745.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1161
Minimum Note Duration 0.09375
Maximum Note Duration 65.81
Average Note Duration 0.976
Variability of Note Durations 5.289
Amount of Staccato 0.01342
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2183
Strength of Second Strongest Rhythmic Pulse 0.2161
Strength Ratio of Two Strongest Rhythmic Pulses 1.01
Combined Strength of Two Strongest Rhythmic Pulses 0.4343
Rhythmic Variability 0.03342
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 96.19
Note Density 7.745
Note Density Variability 1.96
Average Time Between Attacks 0.3119
Average Time Between Attacks for Each Voice 0.3119
Variability of Time Between Attacks 0.1161
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.07651
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06259
Average Number of Independent Voices 1.0
Similar Motion 0.128
Contrary Motion 0.1725
Oblique Motion 0.637
Parallel Fifths 0.005563
Parallel Octaves 0.001391
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0