File

Last modified on: April 19, 2024, 6:38 p.m.

Josquin_Missa_Hercules_dux_Ferrarie_-_Qui_venit.mid


Source
Josquin Research Project
Musical Work
Missa Hercules dux Ferrarie
Section
Sanctus (Qui venit)
File Type
Symbolic Music
File Format
.mid
File Size
709 bytes

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2424
Prevalence of Second Most Common Vertical Interval 0.213
Prevalence Ratio of Two Most Common Vertical Intervals 0.8786
Vertical Unisons 0.164
Vertical Minor Seconds 0.01599
Vertical Thirds 0.4343
Vertical Tritones 0.01599
Vertical Perfect Fourths 0.06396
Vertical Perfect Fifths 0.09594
Vertical Sixths 0.04899
Vertical Sevenths 0.01599
Vertical Octaves 0.04899
Perfect Vertical Intervals 0.3728
Vertical Dissonance Ratio 0.1681
Vertical Minor Third Prevalence 0.1875
Vertical Major Third Prevalence 0.2344
Chord Duration 1.828
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.766
Variability of Number of Simultaneous Pitch Classes 0.4236
Average Number of Simultaneous Pitches 1.812
Variability of Number of Simultaneous Pitches 0.3903
Most Common Vertical Interval 4.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.884
Variation of Dynamics In Each Voice 0.7282
Average Note to Note Change in Dynamics 0.7805
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1795
Stepwise Motion 0.6154
Melodic Thirds 0.2308
Melodic Perfect Fourths 0.02564
Melodic Tritones 0.0
Melodic Perfect Fifths 0.07692
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.02564
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 8.0
Melodic Embellishments 0.0
Direction of Melodic Motion 0.5263
Average Length of Melodic Arcs 1.52
Average Interval Spanned by Melodic Arcs 4.12
Melodic Pitch Variety 4.423
Mean Melodic Interval 2.821
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4359
Relative Prevalence of Most Common Melodic Intervals 0.4706
Amount of Arpeggiation 0.359
Repeated Notes 0.02564
Importance of Middle Register 0.4634
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 52.98
Mean Pitch Class 5.78
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1951
Prevalence of Most Common Pitch Class 0.2439
Relative Prevalence of Top Pitches 0.875
Relative Prevalence of Top Pitch Classes 0.7
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 3.934
Pitch Class Variability 3.358
Pitch Class Variability After Folding 3.303
Pitch Skewness 0.5952
Pitch Class Skewness 0.6973
Pitch Class Skewness After Folding 0.7975
Pitch Kurtosis 6.125
Pitch Class Kurtosis 5.435
Pitch Class Kurtosis After Folding 7.329
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 57.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 10.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 1.0
Range 15.0
Importance of Bass Register 0.5366
Note Density per Quarter Note 0.6406
Note Density per Quarter Note per Voice 0.3203
Note Density per Quarter Note Variability 0.3825
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 5.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6585
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.5366
Prevalence of Very Long Rhythmic Values 0.2195
Prevalence of Dotted Notes 0.02439
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 3.073
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.4634
Relative Prevalence of Most Common Rhythmic Values 0.4737
Difference Between Most Common Rhythmic Values 6.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.796
Rhythmic Value Skewness 1.151
Rhythmic Value Kurtosis 5.931
Mean Rhythmic Value Run Length 2.562
Median Rhythmic Value Run Length 2.0
Variability in Rhythmic Value Run Lengths 2.337
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.00001628
Partial Rests Fraction 0.03127
Average Rest Fraction Across Voices 0.01564
Longest Complete Rest 0.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 2.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 1.414
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4363
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.3001
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.454
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7364
Rhythmic Variability - Tempo Standardized 0.04635
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 41.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1038
Minimum Note Duration 0.1875
Maximum Note Duration 1.5
Average Note Duration 0.5762
Variability of Note Durations 0.5243
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 7.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 54.0
Harmonicity of Two Strongest Rhythmic Pulses 1.35
Strength of Strongest Rhythmic Pulse 0.1832
Strength of Second Strongest Rhythmic Pulse 0.1782
Strength Ratio of Two Strongest Rhythmic Pulses 1.028
Combined Strength of Two Strongest Rhythmic Pulses 0.3614
Rhythmic Variability 0.03015
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 12.0
Note Density 3.417
Note Density Variability 1.039
Average Time Between Attacks 0.2998
Average Time Between Attacks for Each Voice 0.9139
Variability of Time Between Attacks 0.1522
Maximum Number of Independent Voices 2.0
Relative Range of Loudest Voice 0.3333
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.3333
Relative Note Density of Highest Line 2.78
Relative Note Durations of Lowest Line 0.5942
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.4634
Voice Separation 5.0
Variability of Voice Separation 0.0
Parallel Motion 0.0
Average Number of Independent Voices 1.969
Similar Motion 0.1034
Contrary Motion 0.06897
Oblique Motion 0.8276
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.174
Voice Equality - Number of Notes 17.68
Voice Equality - Note Duration 0.2652
Voice Equality - Dynamics 2.828
Voice Equality - Melodic Leaps 0.7071
Voice Equality - Range 7.071
Importance of Loudest Voice 4.0