| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1832 |
| Prevalence of Second Most Common Vertical Interval |
0.1773 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9676 |
| Vertical Unisons |
0.023 |
| Vertical Minor Seconds |
0.002209 |
| Vertical Thirds |
0.3211 |
| Vertical Tritones |
0.006396 |
| Vertical Perfect Fourths |
0.1267 |
| Vertical Perfect Fifths |
0.1832 |
| Vertical Sixths |
0.138 |
| Vertical Sevenths |
0.02807 |
| Vertical Octaves |
0.1535 |
| Perfect Vertical Intervals |
0.4864 |
| Vertical Dissonance Ratio |
0.05768 |
| Vertical Minor Third Prevalence |
0.5996 |
| Vertical Major Third Prevalence |
0.5254 |
| Chord Duration |
1.847 |
| Partial Chords |
0.2168 |
| Standard Triads |
0.5706 |
| Diminished and Augmented Triads |
0.01636 |
| Dominant Seventh Chords |
0.002045 |
| Seventh Chords |
0.05828 |
| Non-Standard Chords |
0.1544 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.153 |
| Average Number of Simultaneous Pitch Classes |
2.784 |
| Variability of Number of Simultaneous Pitch Classes |
0.649 |
| Average Number of Simultaneous Pitches |
3.49 |
| Variability of Number of Simultaneous Pitches |
0.759 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.743 |
| Variation of Dynamics In Each Voice |
1.747 |
| Average Note to Note Change in Dynamics |
1.962 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1648 |
| Stepwise Motion |
0.5948 |
| Melodic Thirds |
0.08516 |
| Melodic Perfect Fourths |
0.07692 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0522 |
| Melodic Sixths |
0.009615 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01648 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.647 |
| Melodic Embellishments |
0.0123 |
| Direction of Melodic Motion |
0.4359 |
| Average Length of Melodic Arcs |
1.613 |
| Average Interval Spanned by Melodic Arcs |
4.459 |
| Melodic Pitch Variety |
4.345 |
| Mean Melodic Interval |
2.328 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4299 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3834 |
| Amount of Arpeggiation |
0.3187 |
| Repeated Notes |
0.1648 |
| Importance of Middle Register |
0.6954 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.42 |
| Mean Pitch Class |
5.257 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1134 |
| Prevalence of Most Common Pitch Class |
0.1967 |
| Relative Prevalence of Top Pitches |
0.8916 |
| Relative Prevalence of Top Pitch Classes |
0.8889 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.609 |
| Pitch Class Variability |
3.447 |
| Pitch Class Variability After Folding |
2.982 |
| Pitch Skewness |
-0.5308 |
| Pitch Class Skewness |
0.2235 |
| Pitch Class Skewness After Folding |
0.3409 |
| Pitch Kurtosis |
5.397 |
| Pitch Class Kurtosis |
4.86 |
| Pitch Class Kurtosis After Folding |
7.798 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3046 |
| Note Density per Quarter Note |
1.43 |
| Note Density per Quarter Note per Voice |
0.3574 |
| Note Density per Quarter Note Variability |
0.5056 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01366 |
| Prevalence of Medium Rhythmic Values |
0.6913 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8634 |
| Prevalence of Very Long Rhythmic Values |
0.02049 |
| Prevalence of Dotted Notes |
0.07923 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.497 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5546 |
| Relative Prevalence of Most Common Rhythmic Values |
0.399 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.346 |
| Rhythmic Value Skewness |
1.108 |
| Rhythmic Value Kurtosis |
19.96 |
| Mean Rhythmic Value Run Length |
2.245 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.214 |
| Mean Rhythmic Value Offset |
0.02186 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2951 |
| Complete Rests Fraction |
0.000002035 |
| Partial Rests Fraction |
0.293 |
| Average Rest Fraction Across Voices |
0.09961 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
4.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.665 |
| Variability Across Voices of Combined Rests |
17.93 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6836 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1688 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.049 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8524 |
| Rhythmic Variability - Tempo Standardized |
0.05645 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
732.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3212 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4723 |
| Variability of Note Durations |
0.2853 |
| Amount of Staccato |
0.01366 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2205 |
| Strength of Second Strongest Rhythmic Pulse |
0.2173 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.015 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4378 |
| Rhythmic Variability |
0.03354 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
96.0 |
| Note Density |
7.625 |
| Note Density Variability |
2.431 |
| Average Time Between Attacks |
0.3119 |
| Average Time Between Attacks for Each Voice |
0.5024 |
| Variability of Time Between Attacks |
0.1161 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.269 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.3552 |
| Relative Note Durations of Lowest Line |
1.124 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8716 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.08402 |
| Average Number of Independent Voices |
3.602 |
| Similar Motion |
0.1433 |
| Contrary Motion |
0.2259 |
| Oblique Motion |
0.5468 |
| Parallel Fifths |
0.006887 |
| Parallel Octaves |
0.004132 |
| Variability of Number of Independent Voices |
0.7053 |
| Voice Equality - Number of Notes |
22.33 |
| Voice Equality - Note Duration |
3.361 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
0.6667 |