| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2656 |
| Prevalence of Second Most Common Vertical Interval |
0.2381 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8963 |
| Vertical Unisons |
0.1765 |
| Vertical Minor Seconds |
0.01471 |
| Vertical Thirds |
0.2927 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.04365 |
| Vertical Perfect Fifths |
0.2381 |
| Vertical Sixths |
0.0873 |
| Vertical Sevenths |
0.02848 |
| Vertical Octaves |
0.08917 |
| Perfect Vertical Intervals |
0.5474 |
| Vertical Dissonance Ratio |
0.07827 |
| Vertical Minor Third Prevalence |
0.1944 |
| Vertical Major Third Prevalence |
0.08333 |
| Chord Duration |
2.117 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.694 |
| Variability of Number of Simultaneous Pitch Classes |
0.4606 |
| Average Number of Simultaneous Pitches |
1.778 |
| Variability of Number of Simultaneous Pitches |
0.4157 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.885 |
| Variation of Dynamics In Each Voice |
1.887 |
| Average Note to Note Change in Dynamics |
2.043 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1556 |
| Stepwise Motion |
0.6889 |
| Melodic Thirds |
0.1333 |
| Melodic Perfect Fourths |
0.08889 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06667 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.2 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.5455 |
| Average Length of Melodic Arcs |
1.692 |
| Average Interval Spanned by Melodic Arcs |
3.846 |
| Melodic Pitch Variety |
3.861 |
| Mean Melodic Interval |
2.644 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5333 |
| Relative Prevalence of Most Common Melodic Intervals |
0.2917 |
| Amount of Arpeggiation |
0.2222 |
| Repeated Notes |
0.02222 |
| Importance of Middle Register |
0.3191 |
| Importance of High Register |
0.0 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
52.06 |
| Mean Pitch Class |
5.17 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.2979 |
| Prevalence of Most Common Pitch Class |
0.3191 |
| Relative Prevalence of Top Pitches |
0.4286 |
| Relative Prevalence of Top Pitch Classes |
0.4 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
3.891 |
| Pitch Class Variability |
3.081 |
| Pitch Class Variability After Folding |
4.595 |
| Pitch Skewness |
-0.2624 |
| Pitch Class Skewness |
0.1657 |
| Pitch Class Skewness After Folding |
1.181 |
| Pitch Kurtosis |
7.134 |
| Pitch Class Kurtosis |
5.679 |
| Pitch Class Kurtosis After Folding |
4.547 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
10.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.6809 |
| Note Density per Quarter Note |
0.6528 |
| Note Density per Quarter Note per Voice |
0.3264 |
| Note Density per Quarter Note Variability |
0.3822 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7021 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8936 |
| Prevalence of Very Long Rhythmic Values |
0.1064 |
| Prevalence of Dotted Notes |
0.08511 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.894 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5957 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2857 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.108 |
| Rhythmic Value Skewness |
1.272 |
| Rhythmic Value Kurtosis |
13.88 |
| Mean Rhythmic Value Run Length |
2.238 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.047 |
| Mean Rhythmic Value Offset |
0.08511 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5835 |
| Complete Rests Fraction |
0.00001447 |
| Partial Rests Fraction |
0.05557 |
| Average Rest Fraction Across Voices |
0.02779 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
2.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
2.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8016 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1194 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.713 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.921 |
| Rhythmic Variability - Tempo Standardized |
0.06407 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
47.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2991 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5585 |
| Variability of Note Durations |
0.4732 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.241 |
| Strength of Second Strongest Rhythmic Pulse |
0.2294 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.051 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4703 |
| Rhythmic Variability |
0.0358 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
13.5 |
| Note Density |
3.481 |
| Note Density Variability |
1.002 |
| Average Time Between Attacks |
0.3748 |
| Average Time Between Attacks for Each Voice |
0.4993 |
| Variability of Time Between Attacks |
0.158 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.625 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
2.34 |
| Relative Note Durations of Lowest Line |
1.022 |
| Relative Size of Melodic Intervals in Lowest Line |
1.2 |
| Voice Overlap |
0.2979 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.09091 |
| Average Number of Independent Voices |
1.944 |
| Similar Motion |
0.04545 |
| Contrary Motion |
0.3182 |
| Oblique Motion |
0.5455 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.2291 |
| Voice Equality - Number of Notes |
0.7071 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
3.536 |
| Importance of Loudest Voice |
0.0 |