File

Last modified on: Oct. 17, 2023, 12:47 p.m.

Josquin_Missa_l_homme_arme_super_voces_musicales_-_Qui_venit_sounding_correct.mid


Source
Josquin Research Project
Musical Work
Missa L’homme armé super voces musicales
Section
Sanctus (Qui venit)
File Type
Symbolic Music
File Format
.mid
File Size
721 bytes

Feature Value
Distance Between Two Most Common Vertical Intervals 1.0
Prevalence of Most Common Vertical Interval 0.2928
Prevalence of Second Most Common Vertical Interval 0.2525
Prevalence Ratio of Two Most Common Vertical Intervals 0.8623
Vertical Unisons 0.08082
Vertical Minor Seconds 0.02975
Vertical Thirds 0.5453
Vertical Tritones 0.0
Vertical Perfect Fourths 0.03945
Vertical Perfect Fifths 0.08881
Vertical Sixths 0.08745
Vertical Sevenths 0.03882
Vertical Octaves 0.03945
Perfect Vertical Intervals 0.2485
Vertical Dissonance Ratio 0.1347
Vertical Minor Third Prevalence 0.2779
Vertical Major Third Prevalence 0.2404
Chord Duration 2.31
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.84
Variability of Number of Simultaneous Pitch Classes 0.3663
Average Number of Simultaneous Pitches 1.879
Variability of Number of Simultaneous Pitches 0.3264
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 4.0
Dynamic Range 4.0
Variation of Dynamics 1.968
Variation of Dynamics In Each Voice 1.886
Average Note to Note Change in Dynamics 1.926
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1923
Stepwise Motion 0.7692
Melodic Thirds 0.07692
Melodic Perfect Fourths 0.0
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05769
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.0
Melodic Embellishments 0.03704
Direction of Melodic Motion 0.4255
Average Length of Melodic Arcs 2.35
Average Interval Spanned by Melodic Arcs 5.05
Melodic Pitch Variety 5.118
Mean Melodic Interval 2.019
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.5769
Relative Prevalence of Most Common Melodic Intervals 0.3333
Amount of Arpeggiation 0.2308
Repeated Notes 0.09615
Importance of Middle Register 0.8333
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 57.81
Mean Pitch Class 5.537
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.2222
Prevalence of Most Common Pitch Class 0.2222
Relative Prevalence of Top Pitches 0.6667
Relative Prevalence of Top Pitch Classes 0.75
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 4.0
Pitch Variability 3.823
Pitch Class Variability 3.596
Pitch Class Variability After Folding 3.55
Pitch Skewness -0.6248
Pitch Class Skewness 0.448
Pitch Class Skewness After Folding 0.7354
Pitch Kurtosis 5.63
Pitch Class Kurtosis 5.167
Pitch Class Kurtosis After Folding 6.576
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 57.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 10.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 6.0
Number of Common Pitch Classes 1.0
Range 15.0
Importance of Bass Register 0.1667
Note Density per Quarter Note 0.5192
Note Density per Quarter Note per Voice 0.2596
Note Density per Quarter Note Variability 0.3051
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4074
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8519
Prevalence of Very Long Rhythmic Values 0.2407
Prevalence of Dotted Notes 0.1481
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 3.778
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.2778
Relative Prevalence of Most Common Rhythmic Values 0.9333
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.336
Rhythmic Value Skewness -0.2853
Rhythmic Value Kurtosis 5.713
Mean Rhythmic Value Run Length 1.385
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.7114
Mean Rhythmic Value Offset 0.01127
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.04258
Complete Rests Fraction 0.00001002
Partial Rests Fraction 0.04432
Average Rest Fraction Across Voices 0.02217
Longest Complete Rest 0.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.9217
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.2031
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 1.722
Variability Across Voices of Combined Rests 2.398
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6236
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1961
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.18
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8196
Rhythmic Variability - Tempo Standardized 0.05324
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 54.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.4436
Minimum Note Duration 0.1875
Maximum Note Duration 1.5
Average Note Duration 0.7062
Variability of Note Durations 0.4386
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2364
Strength of Second Strongest Rhythmic Pulse 0.2333
Strength Ratio of Two Strongest Rhythmic Pulses 1.013
Combined Strength of Two Strongest Rhythmic Pulses 0.4697
Rhythmic Variability 0.03352
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 19.5
Note Density 2.769
Note Density Variability 0.6463
Average Time Between Attacks 0.4284
Average Time Between Attacks for Each Voice 0.7187
Variability of Time Between Attacks 0.2562
Maximum Number of Independent Voices 2.0
Relative Range of Loudest Voice 0.8
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.8
Relative Note Density of Highest Line 2.185
Relative Note Durations of Lowest Line 0.8209
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.9444
Voice Separation 2.0
Variability of Voice Separation 0.0
Parallel Motion 0.09375
Average Number of Independent Voices 1.956
Similar Motion 0.0625
Contrary Motion 0.0625
Oblique Motion 0.7812
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.2058
Voice Equality - Number of Notes 7.071
Voice Equality - Note Duration 0.4497
Voice Equality - Dynamics 0.7071
Voice Equality - Melodic Leaps 0.7071
Voice Equality - Range 2.121
Importance of Loudest Voice 1.0