File

Last modified on: April 19, 2024, 6:47 p.m.

Josquin_Missa_l_Homme_arme_Sexti_Toni_-_In_nomine.mid


Source
Josquin Research Project
Musical Work
Missa L’homme armé sexti toni
Section
Sanctus (In nomine)
File Type
Symbolic Music
File Format
.mid
File Size
565 bytes

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.28
Prevalence of Second Most Common Vertical Interval 0.2033
Prevalence Ratio of Two Most Common Vertical Intervals 0.7259
Vertical Unisons 0.04655
Vertical Minor Seconds 0.0
Vertical Thirds 0.3142
Vertical Tritones 0.0
Vertical Perfect Fourths 0.0
Vertical Perfect Fifths 0.068
Vertical Sixths 0.2476
Vertical Sevenths 0.06727
Vertical Octaves 0.2335
Perfect Vertical Intervals 0.348
Vertical Dissonance Ratio 0.09912
Vertical Minor Third Prevalence 0.06944
Vertical Major Third Prevalence 0.125
Chord Duration 2.482
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.444
Variability of Number of Simultaneous Pitch Classes 0.4969
Average Number of Simultaneous Pitches 1.583
Variability of Number of Simultaneous Pitches 0.493
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 4.0
Variation of Dynamics 1.884
Variation of Dynamics In Each Voice 1.935
Average Note to Note Change in Dynamics 2.105
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1944
Stepwise Motion 0.8056
Melodic Thirds 0.05556
Melodic Perfect Fourths 0.05556
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 0.0
Melodic Embellishments 0.02632
Direction of Melodic Motion 0.5152
Average Length of Melodic Arcs 3.667
Average Interval Spanned by Melodic Arcs 6.556
Melodic Pitch Variety 5.56
Mean Melodic Interval 1.917
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.6111
Relative Prevalence of Most Common Melodic Intervals 0.3182
Amount of Arpeggiation 0.1389
Repeated Notes 0.08333
Importance of Middle Register 0.9474
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 3.0
Mean Pitch 62.47
Mean Pitch Class 5.184
Most Common Pitch 65.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1842
Prevalence of Most Common Pitch Class 0.2368
Relative Prevalence of Top Pitches 0.7143
Relative Prevalence of Top Pitch Classes 0.6667
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 4.605
Pitch Class Variability 3.152
Pitch Class Variability After Folding 4.318
Pitch Skewness -0.8744
Pitch Class Skewness 0.1753
Pitch Class Skewness After Folding 1.188
Pitch Kurtosis 5.985
Pitch Class Kurtosis 5.54
Pitch Class Kurtosis After Folding 5.121
Major or Minor 1.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 11.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 6.0
Number of Common Pitch Classes 1.0
Range 17.0
Importance of Bass Register 0.05263
Note Density per Quarter Note 0.5278
Note Density per Quarter Note per Voice 0.2639
Note Density per Quarter Note Variability 0.4102
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7632
Prevalence of Very Long Rhythmic Values 0.1053
Prevalence of Dotted Notes 0.07895
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 3.053
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3684
Relative Prevalence of Most Common Rhythmic Values 0.7143
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.859
Rhythmic Value Skewness 0.08493
Rhythmic Value Kurtosis 7.337
Mean Rhythmic Value Run Length 1.9
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.483
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.00001447
Partial Rests Fraction 0.3889
Average Rest Fraction Across Voices 0.1945
Longest Complete Rest 0.0
Longest Partial Rest 24.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 9.333
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 12.7
Variability Across Voices of Combined Rests 16.97
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5489
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2602
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.11
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8091
Rhythmic Variability - Tempo Standardized 0.04995
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 38.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2916
Minimum Note Duration 0.1875
Maximum Note Duration 1.5
Average Note Duration 0.5724
Variability of Note Durations 0.3486
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2124
Strength of Second Strongest Rhythmic Pulse 0.2036
Strength Ratio of Two Strongest Rhythmic Pulses 1.043
Combined Strength of Two Strongest Rhythmic Pulses 0.4161
Rhythmic Variability 0.03226
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 0.0
Duration in Seconds 13.5
Note Density 2.815
Note Density Variability 1.422
Average Time Between Attacks 0.4284
Average Time Between Attacks for Each Voice 0.5807
Variability of Time Between Attacks 0.2595
Maximum Number of Independent Voices 2.0
Relative Range of Loudest Voice 0.5882
Relative Range Isolation of Loudest Voice 0.7692
Relative Range of Highest Line 0.5882
Relative Note Density of Highest Line 3.421
Relative Note Durations of Lowest Line 1.206
Relative Size of Melodic Intervals in Lowest Line 1.333
Voice Overlap 0.2632
Voice Separation 8.0
Variability of Voice Separation 0.0
Parallel Motion 0.0
Average Number of Independent Voices 1.611
Similar Motion 0.1429
Contrary Motion 0.2857
Oblique Motion 0.5714
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.4875
Voice Equality - Number of Notes 9.899
Voice Equality - Note Duration 3.182
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.7071
Voice Equality - Range 0.7071
Importance of Loudest Voice 0.0