| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.28 |
| Prevalence of Second Most Common Vertical Interval |
0.2033 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7259 |
| Vertical Unisons |
0.04655 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3142 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.0 |
| Vertical Perfect Fifths |
0.068 |
| Vertical Sixths |
0.2476 |
| Vertical Sevenths |
0.06727 |
| Vertical Octaves |
0.2335 |
| Perfect Vertical Intervals |
0.348 |
| Vertical Dissonance Ratio |
0.09912 |
| Vertical Minor Third Prevalence |
0.06944 |
| Vertical Major Third Prevalence |
0.125 |
| Chord Duration |
2.482 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.444 |
| Variability of Number of Simultaneous Pitch Classes |
0.4969 |
| Average Number of Simultaneous Pitches |
1.583 |
| Variability of Number of Simultaneous Pitches |
0.493 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.884 |
| Variation of Dynamics In Each Voice |
1.935 |
| Average Note to Note Change in Dynamics |
2.105 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1944 |
| Stepwise Motion |
0.8056 |
| Melodic Thirds |
0.05556 |
| Melodic Perfect Fourths |
0.05556 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.0 |
| Melodic Embellishments |
0.02632 |
| Direction of Melodic Motion |
0.5152 |
| Average Length of Melodic Arcs |
3.667 |
| Average Interval Spanned by Melodic Arcs |
6.556 |
| Melodic Pitch Variety |
5.56 |
| Mean Melodic Interval |
1.917 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.6111 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3182 |
| Amount of Arpeggiation |
0.1389 |
| Repeated Notes |
0.08333 |
| Importance of Middle Register |
0.9474 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
62.47 |
| Mean Pitch Class |
5.184 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1842 |
| Prevalence of Most Common Pitch Class |
0.2368 |
| Relative Prevalence of Top Pitches |
0.7143 |
| Relative Prevalence of Top Pitch Classes |
0.6667 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
4.605 |
| Pitch Class Variability |
3.152 |
| Pitch Class Variability After Folding |
4.318 |
| Pitch Skewness |
-0.8744 |
| Pitch Class Skewness |
0.1753 |
| Pitch Class Skewness After Folding |
1.188 |
| Pitch Kurtosis |
5.985 |
| Pitch Class Kurtosis |
5.54 |
| Pitch Class Kurtosis After Folding |
5.121 |
| Major or Minor |
1.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
11.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
17.0 |
| Importance of Bass Register |
0.05263 |
| Note Density per Quarter Note |
0.5278 |
| Note Density per Quarter Note per Voice |
0.2639 |
| Note Density per Quarter Note Variability |
0.4102 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7632 |
| Prevalence of Very Long Rhythmic Values |
0.1053 |
| Prevalence of Dotted Notes |
0.07895 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.053 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3684 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7143 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.859 |
| Rhythmic Value Skewness |
0.08493 |
| Rhythmic Value Kurtosis |
7.337 |
| Mean Rhythmic Value Run Length |
1.9 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.483 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00001447 |
| Partial Rests Fraction |
0.3889 |
| Average Rest Fraction Across Voices |
0.1945 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.333 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.7 |
| Variability Across Voices of Combined Rests |
16.97 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5489 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2602 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.11 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8091 |
| Rhythmic Variability - Tempo Standardized |
0.04995 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
38.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2916 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
1.5 |
| Average Note Duration |
0.5724 |
| Variability of Note Durations |
0.3486 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2124 |
| Strength of Second Strongest Rhythmic Pulse |
0.2036 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.043 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4161 |
| Rhythmic Variability |
0.03226 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
13.5 |
| Note Density |
2.815 |
| Note Density Variability |
1.422 |
| Average Time Between Attacks |
0.4284 |
| Average Time Between Attacks for Each Voice |
0.5807 |
| Variability of Time Between Attacks |
0.2595 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.5882 |
| Relative Range Isolation of Loudest Voice |
0.7692 |
| Relative Range of Highest Line |
0.5882 |
| Relative Note Density of Highest Line |
3.421 |
| Relative Note Durations of Lowest Line |
1.206 |
| Relative Size of Melodic Intervals in Lowest Line |
1.333 |
| Voice Overlap |
0.2632 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0 |
| Average Number of Independent Voices |
1.611 |
| Similar Motion |
0.1429 |
| Contrary Motion |
0.2857 |
| Oblique Motion |
0.5714 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4875 |
| Voice Equality - Number of Notes |
9.899 |
| Voice Equality - Note Duration |
3.182 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
0.7071 |
| Importance of Loudest Voice |
0.0 |