File

Last modified on: April 19, 2024, 4:09 p.m.

F164_02_Pisano_Si_e_debile_OMRcorrIL_5Lcou3w.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Si è debile el filo a cui s’attiene
File Type
Symbolic Music
File Format
midi
File Size
11.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2055
Prevalence of Second Most Common Vertical Interval 0.2042
Prevalence Ratio of Two Most Common Vertical Intervals 0.9938
Vertical Unisons 0.01953
Vertical Minor Seconds 0.005099
Vertical Thirds 0.3341
Vertical Tritones 0.006503
Vertical Perfect Fourths 0.1034
Vertical Perfect Fifths 0.1929
Vertical Sixths 0.1135
Vertical Sevenths 0.0195
Vertical Octaves 0.186
Perfect Vertical Intervals 0.5018
Vertical Dissonance Ratio 0.05336
Vertical Minor Third Prevalence 0.6172
Vertical Major Third Prevalence 0.4521
Chord Duration 1.999
Partial Chords 0.2883
Standard Triads 0.5385
Diminished and Augmented Triads 0.01558
Dominant Seventh Chords 0.001732
Seventh Chords 0.01645
Non-Standard Chords 0.1567
Complex Chords 0.0
Minor Major Triad Ratio 1.789
Average Number of Simultaneous Pitch Classes 2.677
Variability of Number of Simultaneous Pitch Classes 0.6364
Average Number of Simultaneous Pitches 3.474
Variability of Number of Simultaneous Pitches 0.7878
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 4.0
Variation of Dynamics 1.758
Variation of Dynamics In Each Voice 1.761
Average Note to Note Change in Dynamics 1.993
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1374
Stepwise Motion 0.5006
Melodic Thirds 0.1117
Melodic Perfect Fourths 0.08957
Melodic Tritones 0.001227
Melodic Perfect Fifths 0.04294
Melodic Sixths 0.006135
Melodic Sevenths 0.0
Melodic Octaves 0.01963
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.64
Melodic Embellishments 0.03419
Direction of Melodic Motion 0.4499
Average Length of Melodic Arcs 1.705
Average Interval Spanned by Melodic Arcs 4.978
Melodic Pitch Variety 4.674
Mean Melodic Interval 2.272
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3632
Relative Prevalence of Most Common Melodic Intervals 0.6284
Amount of Arpeggiation 0.4025
Repeated Notes 0.2282
Importance of Middle Register 0.7546
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.15
Mean Pitch Class 5.126
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1331
Prevalence of Most Common Pitch Class 0.2125
Relative Prevalence of Top Pitches 0.844
Relative Prevalence of Top Pitch Classes 0.7759
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.672
Pitch Class Variability 3.535
Pitch Class Variability After Folding 3.014
Pitch Skewness -0.2037
Pitch Class Skewness 0.1067
Pitch Class Skewness After Folding 0.2054
Pitch Kurtosis 5.541
Pitch Class Kurtosis 4.777
Pitch Class Kurtosis After Folding 7.845
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.2454
Note Density per Quarter Note 1.347
Note Density per Quarter Note per Voice 0.3368
Note Density per Quarter Note Variability 0.5309
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009768
Prevalence of Medium Rhythmic Values 0.6654
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.862
Prevalence of Very Long Rhythmic Values 0.04884
Prevalence of Dotted Notes 0.09158
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.625
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5275
Relative Prevalence of Most Common Rhythmic Values 0.419
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.497
Rhythmic Value Skewness 1.253
Rhythmic Value Kurtosis 13.39
Mean Rhythmic Value Run Length 2.037
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.562
Mean Rhythmic Value Offset 0.01465
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2418
Complete Rests Fraction 0.003291
Partial Rests Fraction 0.2961
Average Rest Fraction Across Voices 0.111
Longest Complete Rest 2.0
Longest Partial Rest 38.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 5.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 7.758
Variability Across Voices of Combined Rests 17.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6916
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1562
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.427
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8478
Rhythmic Variability - Tempo Standardized 0.0569
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 819.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.4477
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.495
Variability of Note Durations 0.3008
Amount of Staccato 0.009768
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.224
Strength of Second Strongest Rhythmic Pulse 0.21
Strength Ratio of Two Strongest Rhythmic Pulses 1.067
Combined Strength of Two Strongest Rhythmic Pulses 0.434
Rhythmic Variability 0.03367
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 114.0
Note Density 7.184
Note Density Variability 1.738
Average Time Between Attacks 0.3278
Average Time Between Attacks for Each Voice 0.531
Variability of Time Between Attacks 0.1649
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6552
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.5172
Relative Note Density of Highest Line 0.3175
Relative Note Durations of Lowest Line 1.128
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.8706
Voice Separation 5.333
Variability of Voice Separation 4.041
Parallel Motion 0.05842
Average Number of Independent Voices 3.568
Similar Motion 0.1617
Contrary Motion 0.197
Oblique Motion 0.5829
Parallel Fifths 0.005435
Parallel Octaves 0.004076
Variability of Number of Independent Voices 0.7672
Voice Equality - Number of Notes 18.5
Voice Equality - Note Duration 3.187
Voice Equality - Dynamics 0.5774
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.217
Importance of Loudest Voice 0.6667