| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2152 |
| Prevalence of Second Most Common Vertical Interval |
0.1928 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8957 |
| Vertical Unisons |
0.04187 |
| Vertical Minor Seconds |
0.001892 |
| Vertical Thirds |
0.3271 |
| Vertical Tritones |
0.003845 |
| Vertical Perfect Fourths |
0.09482 |
| Vertical Perfect Fifths |
0.1928 |
| Vertical Sixths |
0.1333 |
| Vertical Sevenths |
0.02033 |
| Vertical Octaves |
0.1733 |
| Perfect Vertical Intervals |
0.5028 |
| Vertical Dissonance Ratio |
0.03826 |
| Vertical Minor Third Prevalence |
0.4952 |
| Vertical Major Third Prevalence |
0.4255 |
| Chord Duration |
2.888 |
| Partial Chords |
0.3952 |
| Standard Triads |
0.5 |
| Diminished and Augmented Triads |
0.002688 |
| Dominant Seventh Chords |
0.002688 |
| Seventh Chords |
0.01344 |
| Non-Standard Chords |
0.0914 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4762 |
| Average Number of Simultaneous Pitch Classes |
2.462 |
| Variability of Number of Simultaneous Pitch Classes |
0.7162 |
| Average Number of Simultaneous Pitches |
3.046 |
| Variability of Number of Simultaneous Pitches |
0.8118 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.905 |
| Variation of Dynamics In Each Voice |
1.914 |
| Average Note to Note Change in Dynamics |
2.344 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1443 |
| Stepwise Motion |
0.5379 |
| Melodic Thirds |
0.07579 |
| Melodic Perfect Fourths |
0.07824 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03912 |
| Melodic Sixths |
0.002445 |
| Melodic Sevenths |
0.002445 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.444 |
| Melodic Embellishments |
0.03632 |
| Direction of Melodic Motion |
0.4618 |
| Average Length of Melodic Arcs |
2.15 |
| Average Interval Spanned by Melodic Arcs |
5.414 |
| Melodic Pitch Variety |
4.718 |
| Mean Melodic Interval |
1.89 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3936 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6708 |
| Amount of Arpeggiation |
0.3814 |
| Repeated Notes |
0.2641 |
| Importance of Middle Register |
0.7772 |
| Importance of High Register |
0.004843 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.33 |
| Mean Pitch Class |
5.334 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1162 |
| Prevalence of Most Common Pitch Class |
0.2058 |
| Relative Prevalence of Top Pitches |
0.9583 |
| Relative Prevalence of Top Pitch Classes |
0.8706 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.504 |
| Pitch Class Variability |
3.551 |
| Pitch Class Variability After Folding |
3.015 |
| Pitch Skewness |
-0.1932 |
| Pitch Class Skewness |
0.2823 |
| Pitch Class Skewness After Folding |
1.192 |
| Pitch Kurtosis |
5.234 |
| Pitch Class Kurtosis |
4.797 |
| Pitch Class Kurtosis After Folding |
7.895 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2179 |
| Note Density per Quarter Note |
0.9928 |
| Note Density per Quarter Note per Voice |
0.2482 |
| Note Density per Quarter Note Variability |
0.5176 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5351 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9274 |
| Prevalence of Very Long Rhythmic Values |
0.1041 |
| Prevalence of Dotted Notes |
0.08717 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.186 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4625 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7173 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.852 |
| Rhythmic Value Skewness |
1.922 |
| Rhythmic Value Kurtosis |
10.71 |
| Mean Rhythmic Value Run Length |
1.852 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.504 |
| Mean Rhythmic Value Offset |
0.03874 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3922 |
| Complete Rests Fraction |
0.000002504 |
| Partial Rests Fraction |
0.5769 |
| Average Rest Fraction Across Voices |
0.1995 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
12.77 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.47 |
| Variability Across Voices of Combined Rests |
44.83 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7982 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1021 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.82 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9003 |
| Rhythmic Variability - Tempo Standardized |
0.0638 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
413.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6844 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.6047 |
| Variability of Note Durations |
0.3873 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2597 |
| Strength of Second Strongest Rhythmic Pulse |
0.2552 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.018 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5148 |
| Rhythmic Variability |
0.03644 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
78.0 |
| Note Density |
5.295 |
| Note Density Variability |
2.289 |
| Average Time Between Attacks |
0.4009 |
| Average Time Between Attacks for Each Voice |
0.7014 |
| Variability of Time Between Attacks |
0.1617 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.3984 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.6489 |
| Relative Note Durations of Lowest Line |
0.9596 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.845 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.07509 |
| Average Number of Independent Voices |
3.202 |
| Similar Motion |
0.1672 |
| Contrary Motion |
0.1843 |
| Oblique Motion |
0.5734 |
| Parallel Fifths |
0.006826 |
| Parallel Octaves |
0.003413 |
| Variability of Number of Independent Voices |
0.8478 |
| Voice Equality - Number of Notes |
22.4 |
| Voice Equality - Note Duration |
8.405 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |