| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1926 |
| Prevalence of Second Most Common Vertical Interval |
0.1873 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9724 |
| Vertical Unisons |
0.02796 |
| Vertical Minor Seconds |
0.002779 |
| Vertical Thirds |
0.3042 |
| Vertical Tritones |
0.004073 |
| Vertical Perfect Fourths |
0.1399 |
| Vertical Perfect Fifths |
0.1873 |
| Vertical Sixths |
0.1178 |
| Vertical Sevenths |
0.03142 |
| Vertical Octaves |
0.1646 |
| Perfect Vertical Intervals |
0.5198 |
| Vertical Dissonance Ratio |
0.06173 |
| Vertical Minor Third Prevalence |
0.5474 |
| Vertical Major Third Prevalence |
0.4893 |
| Chord Duration |
1.647 |
| Partial Chords |
0.2096 |
| Standard Triads |
0.565 |
| Diminished and Augmented Triads |
0.01225 |
| Dominant Seventh Chords |
0.004902 |
| Seventh Chords |
0.03064 |
| Non-Standard Chords |
0.1949 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7138 |
| Average Number of Simultaneous Pitch Classes |
2.799 |
| Variability of Number of Simultaneous Pitch Classes |
0.6019 |
| Average Number of Simultaneous Pitches |
3.598 |
| Variability of Number of Simultaneous Pitches |
0.6484 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.688 |
| Variation of Dynamics In Each Voice |
1.693 |
| Average Note to Note Change in Dynamics |
1.818 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1445 |
| Stepwise Motion |
0.6292 |
| Melodic Thirds |
0.1124 |
| Melodic Perfect Fourths |
0.08668 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03531 |
| Melodic Sixths |
0.00321 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01926 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.02073 |
| Direction of Melodic Motion |
0.4438 |
| Average Length of Melodic Arcs |
1.638 |
| Average Interval Spanned by Melodic Arcs |
4.469 |
| Melodic Pitch Variety |
4.803 |
| Mean Melodic Interval |
2.437 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4848 |
| Relative Prevalence of Most Common Melodic Intervals |
0.298 |
| Amount of Arpeggiation |
0.2809 |
| Repeated Notes |
0.114 |
| Importance of Middle Register |
0.8533 |
| Importance of High Register |
0.02073 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.97 |
| Mean Pitch Class |
5.144 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.118 |
| Prevalence of Most Common Pitch Class |
0.201 |
| Relative Prevalence of Top Pitches |
0.9595 |
| Relative Prevalence of Top Pitch Classes |
0.8889 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.302 |
| Pitch Class Variability |
3.499 |
| Pitch Class Variability After Folding |
3.166 |
| Pitch Skewness |
-0.1799 |
| Pitch Class Skewness |
0.1231 |
| Pitch Class Skewness After Folding |
1.084 |
| Pitch Kurtosis |
5.338 |
| Pitch Class Kurtosis |
4.868 |
| Pitch Class Kurtosis After Folding |
7.509 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.126 |
| Note Density per Quarter Note |
1.479 |
| Note Density per Quarter Note per Voice |
0.3697 |
| Note Density per Quarter Note Variability |
0.5189 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01914 |
| Prevalence of Medium Rhythmic Values |
0.6794 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8485 |
| Prevalence of Very Long Rhythmic Values |
0.01435 |
| Prevalence of Dotted Notes |
0.07018 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.494 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5279 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4683 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.346 |
| Rhythmic Value Skewness |
1.102 |
| Rhythmic Value Kurtosis |
20.9 |
| Mean Rhythmic Value Run Length |
2.348 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.268 |
| Mean Rhythmic Value Offset |
0.02552 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3187 |
| Complete Rests Fraction |
0.004719 |
| Partial Rests Fraction |
0.1934 |
| Average Rest Fraction Across Voices |
0.0684 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
14.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
2.829 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.407 |
| Variability Across Voices of Combined Rests |
6.831 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6835 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1539 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.443 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8374 |
| Rhythmic Variability - Tempo Standardized |
0.05632 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
627.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2821 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4725 |
| Variability of Note Durations |
0.2904 |
| Amount of Staccato |
0.01914 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.218 |
| Strength of Second Strongest Rhythmic Pulse |
0.2114 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.031 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4294 |
| Rhythmic Variability |
0.03345 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
79.5 |
| Note Density |
7.887 |
| Note Density Variability |
1.78 |
| Average Time Between Attacks |
0.2929 |
| Average Time Between Attacks for Each Voice |
0.4917 |
| Variability of Time Between Attacks |
0.1248 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.5896 |
| Relative Range of Highest Line |
0.5714 |
| Relative Note Density of Highest Line |
0.4338 |
| Relative Note Durations of Lowest Line |
1.146 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7783 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.09391 |
| Average Number of Independent Voices |
3.744 |
| Similar Motion |
0.1561 |
| Contrary Motion |
0.1713 |
| Oblique Motion |
0.5787 |
| Parallel Fifths |
0.002538 |
| Parallel Octaves |
0.003807 |
| Variability of Number of Independent Voices |
0.5767 |
| Voice Equality - Number of Notes |
19.28 |
| Voice Equality - Note Duration |
1.281 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
1.0 |