File

Last modified on: Oct. 17, 2023, 9:52 a.m.

F164_18_Pisano_Poichio_parti_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Poich'io parti da cui partir non posso
File Type
Symbolic Music
File Format
xml
File Size
385.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2165
Prevalence of Second Most Common Vertical Interval 0.1861
Prevalence Ratio of Two Most Common Vertical Intervals 0.8595
Vertical Unisons 0.03392
Vertical Minor Seconds 0.004797
Vertical Thirds 0.2817
Vertical Tritones 0.01045
Vertical Perfect Fourths 0.1275
Vertical Perfect Fifths 0.1861
Vertical Sixths 0.1167
Vertical Sevenths 0.02596
Vertical Octaves 0.1825
Perfect Vertical Intervals 0.5301
Vertical Dissonance Ratio 0.07714
Vertical Minor Third Prevalence 0.611
Vertical Major Third Prevalence 0.4142
Chord Duration 1.711
Partial Chords 0.2408
Standard Triads 0.5024
Diminished and Augmented Triads 0.02464
Dominant Seventh Chords 0.005687
Seventh Chords 0.02464
Non-Standard Chords 0.2322
Complex Chords 0.0
Minor Major Triad Ratio 1.978
Average Number of Simultaneous Pitch Classes 2.799
Variability of Number of Simultaneous Pitch Classes 0.5718
Average Number of Simultaneous Pitches 3.675
Variability of Number of Simultaneous Pitches 0.5899
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1489
Stepwise Motion 0.569
Melodic Thirds 0.09364
Melodic Perfect Fourths 0.07683
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05042
Melodic Sixths 0.008403
Melodic Sevenths 0.0
Melodic Octaves 0.01561
Melodic Large Intervals 0.0012
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.588
Melodic Embellishments 0.03571
Direction of Melodic Motion 0.4772
Average Length of Melodic Arcs 1.698
Average Interval Spanned by Melodic Arcs 4.747
Melodic Pitch Variety 4.419
Mean Melodic Interval 2.299
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4202
Relative Prevalence of Most Common Melodic Intervals 0.44
Amount of Arpeggiation 0.3445
Repeated Notes 0.1849
Importance of Middle Register 0.7381
Importance of High Register 0.005952
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.0
Mean Pitch Class 5.25
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1226
Prevalence of Most Common Pitch Class 0.2155
Relative Prevalence of Top Pitches 0.9126
Relative Prevalence of Top Pitch Classes 0.9116
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.7
Pitch Class Variability 3.433
Pitch Class Variability After Folding 3.05
Pitch Skewness -0.1097
Pitch Class Skewness 0.2182
Pitch Class Skewness After Folding 0.4359
Pitch Kurtosis 5.461
Pitch Class Kurtosis 4.813
Pitch Class Kurtosis After Folding 7.582
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.004762
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.004762
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.256
Note Density per Quarter Note 1.541
Note Density per Quarter Note per Voice 1.541
Note Density per Quarter Note Variability 0.6282
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009524
Prevalence of Medium Rhythmic Values 0.7083
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8143
Prevalence of Very Long Rhythmic Values 0.02738
Prevalence of Dotted Notes 0.09405
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.44
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5226
Relative Prevalence of Most Common Rhythmic Values 0.3599
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.471
Rhythmic Value Skewness 0.8984
Rhythmic Value Kurtosis 20.73
Mean Rhythmic Value Run Length 2.105
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.844
Mean Rhythmic Value Offset 1.499
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 23.95
Complete Rests Fraction 0.01651
Partial Rests Fraction 0.007339
Average Rest Fraction Across Voices 0.007339
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 2.25
Mean Partial Rest Duration 4.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 4.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 1.258
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6273
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1883
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.331
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8155
Rhythmic Variability - Tempo Standardized 0.05332
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 840.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1284
Minimum Note Duration 0.09375
Maximum Note Duration 77.44
Average Note Duration 0.7386
Variability of Note Durations 4.61
Amount of Staccato 0.009524
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2067
Strength of Second Strongest Rhythmic Pulse 0.2058
Strength Ratio of Two Strongest Rhythmic Pulses 1.004
Combined Strength of Two Strongest Rhythmic Pulses 0.4126
Rhythmic Variability 0.03262
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 102.2
Note Density 8.22
Note Density Variability 2.223
Average Time Between Attacks 0.2891
Average Time Between Attacks for Each Voice 0.2891
Variability of Time Between Attacks 0.1284
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.06905
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06826
Average Number of Independent Voices 1.0
Similar Motion 0.1557
Contrary Motion 0.1784
Oblique Motion 0.5976
Parallel Fifths 0.005988
Parallel Octaves 0.003593
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0