| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2341 |
| Prevalence of Second Most Common Vertical Interval |
0.1857 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7934 |
| Vertical Unisons |
0.08996 |
| Vertical Minor Seconds |
0.0064 |
| Vertical Thirds |
0.2583 |
| Vertical Tritones |
0.007185 |
| Vertical Perfect Fourths |
0.1235 |
| Vertical Perfect Fifths |
0.1857 |
| Vertical Sixths |
0.1282 |
| Vertical Sevenths |
0.02415 |
| Vertical Octaves |
0.1441 |
| Perfect Vertical Intervals |
0.5434 |
| Vertical Dissonance Ratio |
0.07538 |
| Vertical Minor Third Prevalence |
0.5448 |
| Vertical Major Third Prevalence |
0.5557 |
| Chord Duration |
1.611 |
| Partial Chords |
0.1579 |
| Standard Triads |
0.5777 |
| Diminished and Augmented Triads |
0.01047 |
| Dominant Seventh Chords |
0.00349 |
| Seventh Chords |
0.02182 |
| Non-Standard Chords |
0.2426 |
| Complex Chords |
0.00349 |
| Minor Major Triad Ratio |
1.108 |
| Average Number of Simultaneous Pitch Classes |
2.883 |
| Variability of Number of Simultaneous Pitch Classes |
0.6123 |
| Average Number of Simultaneous Pitches |
3.742 |
| Variability of Number of Simultaneous Pitches |
0.9018 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2386 |
| Stepwise Motion |
0.667 |
| Melodic Thirds |
0.1172 |
| Melodic Perfect Fourths |
0.05705 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05394 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01452 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.531 |
| Melodic Embellishments |
0.02374 |
| Direction of Melodic Motion |
0.5097 |
| Average Length of Melodic Arcs |
1.846 |
| Average Interval Spanned by Melodic Arcs |
4.667 |
| Melodic Pitch Variety |
5.181 |
| Mean Melodic Interval |
2.317 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4284 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5569 |
| Amount of Arpeggiation |
0.2759 |
| Repeated Notes |
0.09025 |
| Importance of Middle Register |
0.6852 |
| Importance of High Register |
0.01445 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.44 |
| Mean Pitch Class |
5.361 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1249 |
| Prevalence of Most Common Pitch Class |
0.193 |
| Relative Prevalence of Top Pitches |
0.7769 |
| Relative Prevalence of Top Pitch Classes |
0.9305 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.774 |
| Pitch Class Variability |
3.462 |
| Pitch Class Variability After Folding |
3.063 |
| Pitch Skewness |
0.3519 |
| Pitch Class Skewness |
0.313 |
| Pitch Class Skewness After Folding |
0.5722 |
| Pitch Kurtosis |
5.707 |
| Pitch Class Kurtosis |
4.791 |
| Pitch Class Kurtosis After Folding |
7.059 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3003 |
| Note Density per Quarter Note |
1.637 |
| Note Density per Quarter Note per Voice |
0.3274 |
| Note Density per Quarter Note Variability |
0.6292 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01238 |
| Prevalence of Medium Rhythmic Values |
0.6553 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7121 |
| Prevalence of Very Long Rhythmic Values |
0.08256 |
| Prevalence of Dotted Notes |
0.1073 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.652 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3674 |
| Relative Prevalence of Most Common Rhythmic Values |
0.75 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.989 |
| Rhythmic Value Skewness |
0.9838 |
| Rhythmic Value Kurtosis |
11.52 |
| Mean Rhythmic Value Run Length |
1.746 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.215 |
| Mean Rhythmic Value Offset |
0.03302 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4799 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3851 |
| Average Rest Fraction Across Voices |
0.1209 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.136 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.29 |
| Variability Across Voices of Combined Rests |
14.79 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5246 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2417 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.17 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7663 |
| Rhythmic Variability - Tempo Standardized |
0.04863 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
969.0 |
| Initial Tempo |
110.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.886 |
| Minimum Note Duration |
0.2727 |
| Maximum Note Duration |
13.09 |
| Average Note Duration |
1.465 |
| Variability of Note Durations |
1.195 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
110.0 |
| Strongest Rhythmic Pulse |
55.0 |
| Second Strongest Rhythmic Pulse |
110.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6918 |
| Strength of Second Strongest Rhythmic Pulse |
0.2978 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.323 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9895 |
| Rhythmic Variability |
0.05921 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000006752 |
| Duration in Seconds |
322.9 |
| Note Density |
3.001 |
| Note Density Variability |
1.16 |
| Average Time Between Attacks |
0.7952 |
| Average Time Between Attacks for Each Voice |
1.656 |
| Variability of Time Between Attacks |
0.4149 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.4675 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.3457 |
| Relative Note Durations of Lowest Line |
1.082 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8545 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04603 |
| Average Number of Independent Voices |
4.395 |
| Similar Motion |
0.1128 |
| Contrary Motion |
0.1507 |
| Oblique Motion |
0.6904 |
| Parallel Fifths |
0.0009025 |
| Parallel Octaves |
0.001805 |
| Variability of Number of Independent Voices |
0.9599 |
| Voice Equality - Number of Notes |
39.66 |
| Voice Equality - Note Duration |
8.068 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.7071 |
| Importance of Loudest Voice |
0.0 |