File

Last modified on: Oct. 17, 2023, 9:53 a.m.

F164_18_Pisano_Poichio_parti_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Poich'io parti da cui partir non posso
File Type
Symbolic Music
File Format
midi
File Size
11.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2175
Prevalence of Second Most Common Vertical Interval 0.1867
Prevalence Ratio of Two Most Common Vertical Intervals 0.8582
Vertical Unisons 0.03384
Vertical Minor Seconds 0.004725
Vertical Thirds 0.2814
Vertical Tritones 0.01045
Vertical Perfect Fourths 0.1273
Vertical Perfect Fifths 0.1867
Vertical Sixths 0.1162
Vertical Sevenths 0.0257
Vertical Octaves 0.1837
Perfect Vertical Intervals 0.5314
Vertical Dissonance Ratio 0.07634
Vertical Minor Third Prevalence 0.611
Vertical Major Third Prevalence 0.4142
Chord Duration 1.711
Partial Chords 0.2408
Standard Triads 0.5024
Diminished and Augmented Triads 0.02464
Dominant Seventh Chords 0.005687
Seventh Chords 0.02464
Non-Standard Chords 0.2322
Complex Chords 0.0
Minor Major Triad Ratio 1.978
Average Number of Simultaneous Pitch Classes 2.799
Variability of Number of Simultaneous Pitch Classes 0.5718
Average Number of Simultaneous Pitches 3.675
Variability of Number of Simultaneous Pitches 0.5899
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.791
Variation of Dynamics In Each Voice 1.787
Average Note to Note Change in Dynamics 2.655
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1489
Stepwise Motion 0.5702
Melodic Thirds 0.09364
Melodic Perfect Fourths 0.07683
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05042
Melodic Sixths 0.008403
Melodic Sevenths 0.0
Melodic Octaves 0.01561
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.588
Melodic Embellishments 0.01075
Direction of Melodic Motion 0.4772
Average Length of Melodic Arcs 1.698
Average Interval Spanned by Melodic Arcs 4.718
Melodic Pitch Variety 4.463
Mean Melodic Interval 2.285
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4214
Relative Prevalence of Most Common Melodic Intervals 0.4387
Amount of Arpeggiation 0.3445
Repeated Notes 0.1849
Importance of Middle Register 0.7407
Importance of High Register 0.005974
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.17
Mean Pitch Class 5.25
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1231
Prevalence of Most Common Pitch Class 0.2151
Relative Prevalence of Top Pitches 0.9126
Relative Prevalence of Top Pitch Classes 0.9167
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.7
Pitch Class Variability 3.433
Pitch Class Variability After Folding 3.05
Pitch Skewness -0.1097
Pitch Class Skewness 0.2182
Pitch Class Skewness After Folding 0.4359
Pitch Kurtosis 5.461
Pitch Class Kurtosis 4.813
Pitch Class Kurtosis After Folding 7.582
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2533
Note Density per Quarter Note 1.539
Note Density per Quarter Note per Voice 0.3846
Note Density per Quarter Note Variability 0.5824
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009558
Prevalence of Medium Rhythmic Values 0.7109
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8136
Prevalence of Very Long Rhythmic Values 0.02389
Prevalence of Dotted Notes 0.0908
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.406
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5245
Relative Prevalence of Most Common Rhythmic Values 0.3599
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.357
Rhythmic Value Skewness 0.8979
Rhythmic Value Kurtosis 18.91
Mean Rhythmic Value Run Length 2.103
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.846
Mean Rhythmic Value Offset 0.06691
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9954
Complete Rests Fraction 0.01471
Partial Rests Fraction 0.1176
Average Rest Fraction Across Voices 0.04872
Longest Complete Rest 4.0
Longest Partial Rest 6.0
Mean Complete Rest Duration 2.667
Mean Partial Rest Duration 2.304
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 1.155
Variability of Partial Rest Durations 0.8398
Variability Across Voices of Combined Rests 7.55
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6315
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1863
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.389
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8178
Rhythmic Variability - Tempo Standardized 0.05354
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 837.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2661
Minimum Note Duration 0.09375
Maximum Note Duration 5.25
Average Note Duration 0.4637
Variability of Note Durations 0.3805
Amount of Staccato 0.009558
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2085
Strength of Second Strongest Rhythmic Pulse 0.2056
Strength Ratio of Two Strongest Rhythmic Pulses 1.014
Combined Strength of Two Strongest Rhythmic Pulses 0.4142
Rhythmic Variability 0.03273
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 102.0
Note Density 8.206
Note Density Variability 2.265
Average Time Between Attacks 0.2891
Average Time Between Attacks for Each Voice 0.4657
Variability of Time Between Attacks 0.1284
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4516
Relative Range Isolation of Loudest Voice 0.3564
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.3106
Relative Note Durations of Lowest Line 1.122
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.8387
Voice Separation 5.333
Variability of Voice Separation 5.033
Parallel Motion 0.06826
Average Number of Independent Voices 3.862
Similar Motion 0.1557
Contrary Motion 0.1784
Oblique Motion 0.5976
Parallel Fifths 0.005988
Parallel Octaves 0.003593
Variability of Number of Independent Voices 0.44
Voice Equality - Number of Notes 20.11
Voice Equality - Note Duration 1.416
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 1.0