| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1968 |
| Prevalence of Second Most Common Vertical Interval |
0.1821 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9252 |
| Vertical Unisons |
0.01854 |
| Vertical Minor Seconds |
0.001635 |
| Vertical Thirds |
0.3251 |
| Vertical Tritones |
0.008359 |
| Vertical Perfect Fourths |
0.1185 |
| Vertical Perfect Fifths |
0.1968 |
| Vertical Sixths |
0.1417 |
| Vertical Sevenths |
0.01381 |
| Vertical Octaves |
0.1635 |
| Perfect Vertical Intervals |
0.4974 |
| Vertical Dissonance Ratio |
0.03713 |
| Vertical Minor Third Prevalence |
0.5321 |
| Vertical Major Third Prevalence |
0.6137 |
| Chord Duration |
1.968 |
| Partial Chords |
0.2064 |
| Standard Triads |
0.6637 |
| Diminished and Augmented Triads |
0.02313 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01335 |
| Non-Standard Chords |
0.1165 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9276 |
| Average Number of Simultaneous Pitch Classes |
2.776 |
| Variability of Number of Simultaneous Pitch Classes |
0.5239 |
| Average Number of Simultaneous Pitches |
3.498 |
| Variability of Number of Simultaneous Pitches |
0.6897 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2376 |
| Stepwise Motion |
0.549 |
| Melodic Thirds |
0.1015 |
| Melodic Perfect Fourths |
0.06113 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04498 |
| Melodic Sixths |
0.004614 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009227 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.667 |
| Melodic Embellishments |
0.008037 |
| Direction of Melodic Motion |
0.4686 |
| Average Length of Melodic Arcs |
1.931 |
| Average Interval Spanned by Melodic Arcs |
4.876 |
| Melodic Pitch Variety |
4.823 |
| Mean Melodic Interval |
1.964 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3114 |
| Relative Prevalence of Most Common Melodic Intervals |
0.763 |
| Amount of Arpeggiation |
0.3852 |
| Repeated Notes |
0.2295 |
| Importance of Middle Register |
0.7853 |
| Importance of High Register |
0.02181 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.64 |
| Mean Pitch Class |
5.518 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1355 |
| Prevalence of Most Common Pitch Class |
0.2032 |
| Relative Prevalence of Top Pitches |
0.6864 |
| Relative Prevalence of Top Pitch Classes |
0.9322 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.984 |
| Pitch Class Variability |
3.34 |
| Pitch Class Variability After Folding |
4.03 |
| Pitch Skewness |
0.04439 |
| Pitch Class Skewness |
-0.4331 |
| Pitch Class Skewness After Folding |
1.177 |
| Pitch Kurtosis |
5.484 |
| Pitch Class Kurtosis |
4.701 |
| Pitch Class Kurtosis After Folding |
4.603 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1929 |
| Note Density per Quarter Note |
1.507 |
| Note Density per Quarter Note per Voice |
0.3767 |
| Note Density per Quarter Note Variability |
0.5205 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01378 |
| Prevalence of Medium Rhythmic Values |
0.7313 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7773 |
| Prevalence of Very Long Rhythmic Values |
0.03215 |
| Prevalence of Dotted Notes |
0.05511 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.372 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5086 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4108 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.373 |
| Rhythmic Value Skewness |
0.8127 |
| Rhythmic Value Kurtosis |
10.64 |
| Mean Rhythmic Value Run Length |
1.826 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.281 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00348 |
| Partial Rests Fraction |
0.3308 |
| Average Rest Fraction Across Voices |
0.1062 |
| Longest Complete Rest |
2.012 |
| Longest Partial Rest |
21.23 |
| Mean Complete Rest Duration |
2.012 |
| Mean Partial Rest Duration |
5.338 |
| Median Complete Rest Duration |
2.012 |
| Median Partial Rest Duration |
4.023 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.08 |
| Variability Across Voices of Combined Rests |
13.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.597 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1991 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.999 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.796 |
| Rhythmic Variability - Tempo Standardized |
0.05166 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
871.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.458 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
4.8 |
| Average Note Duration |
1.415 |
| Variability of Note Durations |
0.8194 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.9 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
101.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
| Strength of Strongest Rhythmic Pulse |
0.7453 |
| Strength of Second Strongest Rhythmic Pulse |
0.2407 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.097 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.986 |
| Rhythmic Variability |
0.06161 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
7.635 |
| Duration in Seconds |
344.8 |
| Note Density |
2.526 |
| Note Density Variability |
0.8786 |
| Average Time Between Attacks |
0.9647 |
| Average Time Between Attacks for Each Voice |
1.56 |
| Variability of Time Between Attacks |
0.4458 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.3123 |
| Relative Note Durations of Lowest Line |
1.005 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8048 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.06364 |
| Average Number of Independent Voices |
3.587 |
| Similar Motion |
0.1636 |
| Contrary Motion |
0.2364 |
| Oblique Motion |
0.5364 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.661 |
| Voice Equality - Number of Notes |
7.136 |
| Voice Equality - Note Duration |
8.293 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
0.0 |