Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2032 |
Prevalence of Second Most Common Vertical Interval |
0.1807 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8894 |
Vertical Unisons |
0.03826 |
Vertical Minor Seconds |
0.003037 |
Vertical Thirds |
0.297 |
Vertical Tritones |
0.008807 |
Vertical Perfect Fourths |
0.1196 |
Vertical Perfect Fifths |
0.2032 |
Vertical Sixths |
0.14 |
Vertical Sevenths |
0.02156 |
Vertical Octaves |
0.1424 |
Perfect Vertical Intervals |
0.5035 |
Vertical Dissonance Ratio |
0.06329 |
Vertical Minor Third Prevalence |
0.4674 |
Vertical Major Third Prevalence |
0.5285 |
Chord Duration |
1.784 |
Partial Chords |
0.2669 |
Standard Triads |
0.5393 |
Diminished and Augmented Triads |
0.01124 |
Dominant Seventh Chords |
0.01404 |
Seventh Chords |
0.02809 |
Non-Standard Chords |
0.1657 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3427 |
Average Number of Simultaneous Pitch Classes |
2.726 |
Variability of Number of Simultaneous Pitch Classes |
0.6018 |
Average Number of Simultaneous Pitches |
3.329 |
Variability of Number of Simultaneous Pitches |
0.7283 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.23 |
Stepwise Motion |
0.6549 |
Melodic Thirds |
0.115 |
Melodic Perfect Fourths |
0.05399 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02347 |
Melodic Sixths |
0.002347 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01878 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.769 |
Melodic Embellishments |
0.01395 |
Direction of Melodic Motion |
0.4405 |
Average Length of Melodic Arcs |
1.897 |
Average Interval Spanned by Melodic Arcs |
4.595 |
Melodic Pitch Variety |
4.305 |
Mean Melodic Interval |
2.134 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4249 |
Relative Prevalence of Most Common Melodic Intervals |
0.5414 |
Amount of Arpeggiation |
0.2887 |
Repeated Notes |
0.1315 |
Importance of Middle Register |
0.8023 |
Importance of High Register |
0.01395 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
60.0 |
Mean Pitch Class |
5.521 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1465 |
Prevalence of Most Common Pitch Class |
0.2186 |
Relative Prevalence of Top Pitches |
0.6984 |
Relative Prevalence of Top Pitch Classes |
0.8191 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.722 |
Pitch Class Variability |
3.468 |
Pitch Class Variability After Folding |
1.994 |
Pitch Skewness |
-0.6954 |
Pitch Class Skewness |
-0.4144 |
Pitch Class Skewness After Folding |
0.3079 |
Pitch Kurtosis |
5.672 |
Pitch Class Kurtosis |
4.777 |
Pitch Class Kurtosis After Folding |
6.135 |
Major or Minor |
0.0 |
First Pitch |
69.0 |
First Pitch Class |
9.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.1837 |
Note Density per Quarter Note |
1.168 |
Note Density per Quarter Note per Voice |
0.2921 |
Note Density per Quarter Note Variability |
0.4506 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004651 |
Prevalence of Medium Rhythmic Values |
0.5837 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7884 |
Prevalence of Very Long Rhythmic Values |
0.1047 |
Prevalence of Dotted Notes |
0.07674 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.977 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3721 |
Relative Prevalence of Most Common Rhythmic Values |
0.7 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.051 |
Rhythmic Value Skewness |
1.428 |
Rhythmic Value Kurtosis |
8.882 |
Mean Rhythmic Value Run Length |
1.727 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.422 |
Mean Rhythmic Value Offset |
0.0186 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.2725 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.3804 |
Average Rest Fraction Across Voices |
0.125 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
40.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.077 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
9.72 |
Variability Across Voices of Combined Rests |
38.99 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6147 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1931 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.184 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8077 |
Rhythmic Variability - Tempo Standardized |
0.05275 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
430.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
1.739 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
9.6 |
Average Note Duration |
1.797 |
Variability of Note Durations |
1.289 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7595 |
Strength of Second Strongest Rhythmic Pulse |
0.2356 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.223 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9951 |
Rhythmic Variability |
0.06256 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
220.8 |
Note Density |
1.947 |
Note Density Variability |
0.8041 |
Average Time Between Attacks |
0.9806 |
Average Time Between Attacks for Each Voice |
2.044 |
Variability of Time Between Attacks |
0.4906 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4194 |
Relative Range Isolation of Loudest Voice |
0.4651 |
Relative Range of Highest Line |
0.4194 |
Relative Note Density of Highest Line |
0.6233 |
Relative Note Durations of Lowest Line |
1.375 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.8093 |
Voice Separation |
5.667 |
Variability of Voice Separation |
1.528 |
Parallel Motion |
0.04348 |
Average Number of Independent Voices |
3.5 |
Similar Motion |
0.113 |
Contrary Motion |
0.1326 |
Oblique Motion |
0.7109 |
Parallel Fifths |
0.002174 |
Parallel Octaves |
0.002174 |
Variability of Number of Independent Voices |
0.7298 |
Voice Equality - Number of Notes |
28.99 |
Voice Equality - Note Duration |
23.39 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.826 |
Importance of Loudest Voice |
0.0 |