| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2685 |
| Prevalence of Second Most Common Vertical Interval |
0.1852 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6898 |
| Vertical Unisons |
0.0681 |
| Vertical Minor Seconds |
0.002546 |
| Vertical Thirds |
0.2926 |
| Vertical Tritones |
0.004147 |
| Vertical Perfect Fourths |
0.09531 |
| Vertical Perfect Fifths |
0.1852 |
| Vertical Sixths |
0.1262 |
| Vertical Sevenths |
0.01099 |
| Vertical Octaves |
0.2004 |
| Perfect Vertical Intervals |
0.549 |
| Vertical Dissonance Ratio |
0.0333 |
| Vertical Minor Third Prevalence |
0.7508 |
| Vertical Major Third Prevalence |
0.8158 |
| Chord Duration |
1.101 |
| Partial Chords |
0.06414 |
| Standard Triads |
0.7985 |
| Diminished and Augmented Triads |
0.01974 |
| Dominant Seventh Chords |
0.009868 |
| Seventh Chords |
0.01316 |
| Non-Standard Chords |
0.1242 |
| Complex Chords |
0.009046 |
| Minor Major Triad Ratio |
0.1546 |
| Average Number of Simultaneous Pitch Classes |
3.016 |
| Variability of Number of Simultaneous Pitch Classes |
0.4032 |
| Average Number of Simultaneous Pitches |
4.572 |
| Variability of Number of Simultaneous Pitches |
1.193 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1613 |
| Stepwise Motion |
0.476 |
| Melodic Thirds |
0.1388 |
| Melodic Perfect Fourths |
0.1032 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06395 |
| Melodic Sixths |
0.006541 |
| Melodic Sevenths |
0.0007267 |
| Melodic Octaves |
0.02326 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.237 |
| Melodic Embellishments |
0.03829 |
| Direction of Melodic Motion |
0.5089 |
| Average Length of Melodic Arcs |
1.797 |
| Average Interval Spanned by Melodic Arcs |
5.579 |
| Melodic Pitch Variety |
4.771 |
| Mean Melodic Interval |
2.555 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3147 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5958 |
| Amount of Arpeggiation |
0.4142 |
| Repeated Notes |
0.1875 |
| Importance of Middle Register |
0.7117 |
| Importance of High Register |
0.2124 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
64.82 |
| Mean Pitch Class |
5.157 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1149 |
| Prevalence of Most Common Pitch Class |
0.237 |
| Relative Prevalence of Top Pitches |
0.7799 |
| Relative Prevalence of Top Pitch Classes |
0.8476 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.012 |
| Pitch Class Variability |
3.457 |
| Pitch Class Variability After Folding |
2.706 |
| Pitch Skewness |
-0.6448 |
| Pitch Class Skewness |
0.1361 |
| Pitch Class Skewness After Folding |
0.9379 |
| Pitch Kurtosis |
5.254 |
| Pitch Class Kurtosis |
4.881 |
| Pitch Class Kurtosis After Folding |
8.673 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.07587 |
| Note Density per Quarter Note |
2.276 |
| Note Density per Quarter Note per Voice |
0.2845 |
| Note Density per Quarter Note Variability |
1.2 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.05275 |
| Prevalence of Medium Rhythmic Values |
0.6893 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.685 |
| Prevalence of Very Long Rhythmic Values |
0.03468 |
| Prevalence of Dotted Notes |
0.1142 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.355 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3743 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5985 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.489 |
| Rhythmic Value Skewness |
0.7148 |
| Rhythmic Value Kurtosis |
10.08 |
| Mean Rhythmic Value Run Length |
1.604 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.147 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6981 |
| Average Rest Fraction Across Voices |
0.318 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
82.49 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.207 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
7.983 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.64 |
| Variability Across Voices of Combined Rests |
40.57 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5129 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2119 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.421 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7248 |
| Rhythmic Variability - Tempo Standardized |
0.04612 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1384.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.286 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.801 |
| Variability of Note Durations |
1.164 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.81 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6489 |
| Strength of Second Strongest Rhythmic Pulse |
0.2352 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.758 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8841 |
| Rhythmic Variability |
0.0546 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
457.0 |
| Note Density |
3.029 |
| Note Density Variability |
1.392 |
| Average Time Between Attacks |
1.037 |
| Average Time Between Attacks for Each Voice |
2.642 |
| Variability of Time Between Attacks |
0.6197 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.4277 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4706 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
2.968 |
| Parallel Motion |
0.04167 |
| Average Number of Independent Voices |
5.36 |
| Similar Motion |
0.18 |
| Contrary Motion |
0.1729 |
| Oblique Motion |
0.6055 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.004433 |
| Variability of Number of Independent Voices |
1.871 |
| Voice Equality - Number of Notes |
16.96 |
| Voice Equality - Note Duration |
30.49 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6409 |
| Voice Equality - Range |
3.615 |
| Importance of Loudest Voice |
0.0 |