Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2435 |
Prevalence of Second Most Common Vertical Interval |
0.1987 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8161 |
Vertical Unisons |
0.0245 |
Vertical Minor Seconds |
0.002107 |
Vertical Thirds |
0.2671 |
Vertical Tritones |
0.004214 |
Vertical Perfect Fourths |
0.1339 |
Vertical Perfect Fifths |
0.1987 |
Vertical Sixths |
0.1164 |
Vertical Sevenths |
0.01633 |
Vertical Octaves |
0.219 |
Perfect Vertical Intervals |
0.5762 |
Vertical Dissonance Ratio |
0.04199 |
Vertical Minor Third Prevalence |
0.6989 |
Vertical Major Third Prevalence |
0.767 |
Chord Duration |
2.254 |
Partial Chords |
0.01183 |
Standard Triads |
0.7678 |
Diminished and Augmented Triads |
0.01775 |
Dominant Seventh Chords |
0.005917 |
Seventh Chords |
0.02367 |
Non-Standard Chords |
0.1967 |
Complex Chords |
0.002959 |
Minor Major Triad Ratio |
0.3622 |
Average Number of Simultaneous Pitch Classes |
2.986 |
Variability of Number of Simultaneous Pitch Classes |
0.5026 |
Average Number of Simultaneous Pitches |
4.849 |
Variability of Number of Simultaneous Pitches |
1.212 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1451 |
Stepwise Motion |
0.4216 |
Melodic Thirds |
0.1431 |
Melodic Perfect Fourths |
0.1 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05882 |
Melodic Sixths |
0.007843 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02353 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.842 |
Melodic Embellishments |
0.02132 |
Direction of Melodic Motion |
0.5039 |
Average Length of Melodic Arcs |
1.51 |
Average Interval Spanned by Melodic Arcs |
4.757 |
Melodic Pitch Variety |
4.023 |
Mean Melodic Interval |
2.425 |
Number of Common Melodic Intervals |
5.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.2765 |
Relative Prevalence of Most Common Melodic Intervals |
0.8865 |
Amount of Arpeggiation |
0.4706 |
Repeated Notes |
0.2451 |
Importance of Middle Register |
0.7171 |
Importance of High Register |
0.01163 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.75 |
Mean Pitch Class |
5.547 |
Most Common Pitch |
64.0 |
Most Common Pitch Class |
4.0 |
Prevalence of Most Common Pitch |
0.09302 |
Prevalence of Most Common Pitch Class |
0.186 |
Relative Prevalence of Top Pitches |
0.9792 |
Relative Prevalence of Top Pitch Classes |
0.9479 |
Interval Between Most Prevalent Pitches |
9.0 |
Interval Between Most Prevalent Pitch Classes |
3.0 |
Pitch Variability |
7.933 |
Pitch Class Variability |
3.601 |
Pitch Class Variability After Folding |
2.208 |
Pitch Skewness |
-0.321 |
Pitch Class Skewness |
-0.3778 |
Pitch Class Skewness After Folding |
0.1106 |
Pitch Kurtosis |
5.433 |
Pitch Class Kurtosis |
4.89 |
Pitch Class Kurtosis After Folding |
5.634 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
40.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.2713 |
Note Density per Quarter Note |
1.466 |
Note Density per Quarter Note per Voice |
0.2443 |
Note Density per Quarter Note Variability |
0.6586 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003876 |
Prevalence of Medium Rhythmic Values |
0.5872 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8818 |
Prevalence of Very Long Rhythmic Values |
0.1938 |
Prevalence of Dotted Notes |
0.1124 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.438 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.469 |
Relative Prevalence of Most Common Rhythmic Values |
0.4008 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.513 |
Rhythmic Value Skewness |
1.717 |
Rhythmic Value Kurtosis |
7.919 |
Mean Rhythmic Value Run Length |
1.804 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.331 |
Mean Rhythmic Value Offset |
0.05426 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.4632 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.4659 |
Average Rest Fraction Across Voices |
0.1468 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
38.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.75 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.795 |
Variability Across Voices of Combined Rests |
18.57 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7449 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1332 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.591 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8781 |
Rhythmic Variability - Tempo Standardized |
0.06025 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
516.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.487 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
9.6 |
Average Note Duration |
2.095 |
Variability of Note Durations |
1.639 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.8567 |
Strength of Second Strongest Rhythmic Pulse |
0.1383 |
Strength Ratio of Two Strongest Rhythmic Pulses |
6.193 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.995 |
Rhythmic Variability |
0.06832 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
211.2 |
Note Density |
2.443 |
Note Density Variability |
1.103 |
Average Time Between Attacks |
1.063 |
Average Time Between Attacks for Each Voice |
2.406 |
Variability of Time Between Attacks |
0.607 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.5 |
Relative Range Isolation of Loudest Voice |
0.2706 |
Relative Range of Highest Line |
0.5 |
Relative Note Density of Highest Line |
0.8023 |
Relative Note Durations of Lowest Line |
0.9573 |
Relative Size of Melodic Intervals in Lowest Line |
0.5 |
Voice Overlap |
0.876 |
Voice Separation |
4.4 |
Variability of Voice Separation |
2.702 |
Parallel Motion |
0.03154 |
Average Number of Independent Voices |
5.119 |
Similar Motion |
0.1187 |
Contrary Motion |
0.1317 |
Oblique Motion |
0.718 |
Parallel Fifths |
0.005566 |
Parallel Octaves |
0.005566 |
Variability of Number of Independent Voices |
1.212 |
Voice Equality - Number of Notes |
13.65 |
Voice Equality - Note Duration |
11.14 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
1.095 |
Voice Equality - Range |
2.805 |
Importance of Loudest Voice |
0.0 |