Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2265 |
Prevalence of Second Most Common Vertical Interval |
0.2023 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8934 |
Vertical Unisons |
0.0469 |
Vertical Minor Seconds |
0.002551 |
Vertical Thirds |
0.2697 |
Vertical Tritones |
0.00592 |
Vertical Perfect Fourths |
0.1249 |
Vertical Perfect Fifths |
0.2023 |
Vertical Sixths |
0.1209 |
Vertical Sevenths |
0.0193 |
Vertical Octaves |
0.1796 |
Perfect Vertical Intervals |
0.5537 |
Vertical Dissonance Ratio |
0.05886 |
Vertical Minor Third Prevalence |
0.6519 |
Vertical Major Third Prevalence |
0.6379 |
Chord Duration |
1.19 |
Partial Chords |
0.1181 |
Standard Triads |
0.653 |
Diminished and Augmented Triads |
0.02071 |
Dominant Seventh Chords |
0.002301 |
Seventh Chords |
0.02454 |
Non-Standard Chords |
0.2044 |
Complex Chords |
0.006135 |
Minor Major Triad Ratio |
1.472 |
Average Number of Simultaneous Pitch Classes |
2.952 |
Variability of Number of Simultaneous Pitch Classes |
0.5179 |
Average Number of Simultaneous Pitches |
4.109 |
Variability of Number of Simultaneous Pitches |
1.032 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2131 |
Stepwise Motion |
0.5872 |
Melodic Thirds |
0.1046 |
Melodic Perfect Fourths |
0.08516 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05129 |
Melodic Sixths |
0.001494 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01345 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.5 |
Melodic Embellishments |
0.02185 |
Direction of Melodic Motion |
0.4761 |
Average Length of Melodic Arcs |
1.852 |
Average Interval Spanned by Melodic Arcs |
4.947 |
Melodic Pitch Variety |
4.786 |
Mean Melodic Interval |
2.263 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.374 |
Relative Prevalence of Most Common Melodic Intervals |
0.5699 |
Amount of Arpeggiation |
0.3262 |
Repeated Notes |
0.1569 |
Importance of Middle Register |
0.8317 |
Importance of High Register |
0.09384 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.05 |
Mean Pitch Class |
5.369 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1316 |
Prevalence of Most Common Pitch Class |
0.2185 |
Relative Prevalence of Top Pitches |
0.8792 |
Relative Prevalence of Top Pitch Classes |
0.9114 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.762 |
Pitch Class Variability |
3.354 |
Pitch Class Variability After Folding |
3.795 |
Pitch Skewness |
-0.1698 |
Pitch Class Skewness |
-0.5645 |
Pitch Class Skewness After Folding |
1.582 |
Pitch Kurtosis |
5.481 |
Pitch Class Kurtosis |
4.668 |
Pitch Class Kurtosis After Folding |
5.189 |
Major or Minor |
0.0 |
First Pitch |
74.0 |
First Pitch Class |
2.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
30.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
34.0 |
Importance of Bass Register |
0.07448 |
Note Density per Quarter Note |
1.526 |
Note Density per Quarter Note per Voice |
0.2543 |
Note Density per Quarter Note Variability |
0.6427 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.005958 |
Prevalence of Medium Rhythmic Values |
0.5924 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7969 |
Prevalence of Very Long Rhythmic Values |
0.0993 |
Prevalence of Dotted Notes |
0.1246 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.901 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3893 |
Relative Prevalence of Most Common Rhythmic Values |
0.5842 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.992 |
Rhythmic Value Skewness |
1.356 |
Rhythmic Value Kurtosis |
10.36 |
Mean Rhythmic Value Run Length |
1.659 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.056 |
Mean Rhythmic Value Offset |
0.03972 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.5028 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.7104 |
Average Rest Fraction Across Voices |
0.2413 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
174.5 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
11.73 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.66 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
20.97 |
Variability Across Voices of Combined Rests |
77.31 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.595 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2105 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.826 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8055 |
Rhythmic Variability - Tempo Standardized |
0.05179 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
2014.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
5.327 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
24.0 |
Average Note Duration |
2.24 |
Variability of Note Durations |
1.968 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
89.91 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7511 |
Strength of Second Strongest Rhythmic Pulse |
0.2428 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.093 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.994 |
Rhythmic Variability |
0.0621 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
30.0 |
Duration in Seconds |
991.0 |
Note Density |
2.032 |
Note Density Variability |
0.984 |
Average Time Between Attacks |
1.165 |
Average Time Between Attacks for Each Voice |
2.94 |
Variability of Time Between Attacks |
0.637 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.4118 |
Relative Range Isolation of Loudest Voice |
0.6495 |
Relative Range of Highest Line |
0.4118 |
Relative Note Density of Highest Line |
0.2175 |
Relative Note Durations of Lowest Line |
1.123 |
Relative Size of Melodic Intervals in Lowest Line |
0.6 |
Voice Overlap |
0.8545 |
Voice Separation |
4.0 |
Variability of Voice Separation |
3.317 |
Parallel Motion |
0.0499 |
Average Number of Independent Voices |
4.486 |
Similar Motion |
0.1288 |
Contrary Motion |
0.1293 |
Oblique Motion |
0.692 |
Parallel Fifths |
0.003564 |
Parallel Octaves |
0.003055 |
Variability of Number of Independent Voices |
1.171 |
Voice Equality - Number of Notes |
57.46 |
Voice Equality - Note Duration |
58.04 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8165 |
Voice Equality - Range |
1.941 |
Importance of Loudest Voice |
0.0 |