| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.277 |
| Prevalence of Second Most Common Vertical Interval |
0.1946 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7027 |
| Vertical Unisons |
0.07688 |
| Vertical Minor Seconds |
0.002754 |
| Vertical Thirds |
0.2738 |
| Vertical Tritones |
0.002439 |
| Vertical Perfect Fourths |
0.1041 |
| Vertical Perfect Fifths |
0.1946 |
| Vertical Sixths |
0.1178 |
| Vertical Sevenths |
0.01133 |
| Vertical Octaves |
0.2001 |
| Perfect Vertical Intervals |
0.5757 |
| Vertical Dissonance Ratio |
0.03377 |
| Vertical Minor Third Prevalence |
0.6193 |
| Vertical Major Third Prevalence |
0.6813 |
| Chord Duration |
2.102 |
| Partial Chords |
0.163 |
| Standard Triads |
0.6845 |
| Diminished and Augmented Triads |
0.01518 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008674 |
| Non-Standard Chords |
0.1438 |
| Complex Chords |
0.01373 |
| Minor Major Triad Ratio |
0.308 |
| Average Number of Simultaneous Pitch Classes |
2.836 |
| Variability of Number of Simultaneous Pitch Classes |
0.6258 |
| Average Number of Simultaneous Pitches |
4.346 |
| Variability of Number of Simultaneous Pitches |
1.908 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1335 |
| Stepwise Motion |
0.3917 |
| Melodic Thirds |
0.1132 |
| Melodic Perfect Fourths |
0.07087 |
| Melodic Tritones |
0.0003561 |
| Melodic Perfect Fifths |
0.04986 |
| Melodic Sixths |
0.001068 |
| Melodic Sevenths |
0.0003561 |
| Melodic Octaves |
0.01674 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.446 |
| Melodic Embellishments |
0.01667 |
| Direction of Melodic Motion |
0.4992 |
| Average Length of Melodic Arcs |
1.741 |
| Average Interval Spanned by Melodic Arcs |
5.218 |
| Melodic Pitch Variety |
3.93 |
| Mean Melodic Interval |
1.955 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3558 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7257 |
| Amount of Arpeggiation |
0.536 |
| Repeated Notes |
0.3558 |
| Importance of Middle Register |
0.6908 |
| Importance of High Register |
0.01809 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.84 |
| Mean Pitch Class |
4.947 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1149 |
| Prevalence of Most Common Pitch Class |
0.2404 |
| Relative Prevalence of Top Pitches |
0.8765 |
| Relative Prevalence of Top Pitch Classes |
0.7684 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.064 |
| Pitch Class Variability |
3.388 |
| Pitch Class Variability After Folding |
4.428 |
| Pitch Skewness |
-0.2239 |
| Pitch Class Skewness |
-0.04679 |
| Pitch Class Skewness After Folding |
1.272 |
| Pitch Kurtosis |
5.292 |
| Pitch Class Kurtosis |
4.801 |
| Pitch Class Kurtosis After Folding |
4.445 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2911 |
| Note Density per Quarter Note |
1.948 |
| Note Density per Quarter Note per Voice |
0.1623 |
| Note Density per Quarter Note Variability |
1.616 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01489 |
| Prevalence of Medium Rhythmic Values |
0.6691 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7482 |
| Prevalence of Very Long Rhythmic Values |
0.08723 |
| Prevalence of Dotted Notes |
0.0805 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.73 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4174 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5455 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.048 |
| Rhythmic Value Skewness |
1.07 |
| Rhythmic Value Kurtosis |
11.01 |
| Mean Rhythmic Value Run Length |
1.708 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.23 |
| Mean Rhythmic Value Offset |
0.0539 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6546 |
| Complete Rests Fraction |
0.004202 |
| Partial Rests Fraction |
0.824 |
| Average Rest Fraction Across Voices |
0.547 |
| Longest Complete Rest |
2.028 |
| Longest Partial Rest |
300.1 |
| Mean Complete Rest Duration |
2.028 |
| Mean Partial Rest Duration |
30.76 |
| Median Complete Rest Duration |
2.028 |
| Median Partial Rest Duration |
2.028 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
64.65 |
| Variability Across Voices of Combined Rests |
60.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5564 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2065 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.695 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7629 |
| Rhythmic Variability - Tempo Standardized |
0.04924 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2820.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
11.2 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.376 |
| Variability of Note Durations |
1.187 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
123.1 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.5564 |
| Strength of Second Strongest Rhythmic Pulse |
0.2065 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.695 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7629 |
| Rhythmic Variability |
0.04924 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
14.76 |
| Duration in Seconds |
714.0 |
| Note Density |
3.95 |
| Note Density Variability |
3.155 |
| Average Time Between Attacks |
0.7885 |
| Average Time Between Attacks for Each Voice |
2.82 |
| Variability of Time Between Attacks |
0.4294 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.2936 |
| Relative Note Durations of Lowest Line |
1.1 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7059 |
| Voice Overlap |
0.9993 |
| Voice Separation |
2.0 |
| Variability of Voice Separation |
2.191 |
| Parallel Motion |
0.04047 |
| Average Number of Independent Voices |
5.445 |
| Similar Motion |
0.156 |
| Contrary Motion |
0.1731 |
| Oblique Motion |
0.6305 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.00639 |
| Variability of Number of Independent Voices |
3.474 |
| Voice Equality - Number of Notes |
35.67 |
| Voice Equality - Note Duration |
29.69 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6686 |
| Voice Equality - Range |
2.855 |
| Importance of Loudest Voice |
0.0 |