| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1938 |
| Prevalence of Second Most Common Vertical Interval |
0.1938 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
1.0 |
| Vertical Unisons |
0.03007 |
| Vertical Minor Seconds |
0.007195 |
| Vertical Thirds |
0.3352 |
| Vertical Tritones |
0.01259 |
| Vertical Perfect Fourths |
0.08583 |
| Vertical Perfect Fifths |
0.1938 |
| Vertical Sixths |
0.1321 |
| Vertical Sevenths |
0.02184 |
| Vertical Octaves |
0.1637 |
| Perfect Vertical Intervals |
0.4733 |
| Vertical Dissonance Ratio |
0.06311 |
| Vertical Minor Third Prevalence |
0.5302 |
| Vertical Major Third Prevalence |
0.472 |
| Chord Duration |
1.715 |
| Partial Chords |
0.3326 |
| Standard Triads |
0.4751 |
| Diminished and Augmented Triads |
0.03167 |
| Dominant Seventh Chords |
0.002262 |
| Seventh Chords |
0.01131 |
| Non-Standard Chords |
0.181 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4483 |
| Average Number of Simultaneous Pitch Classes |
2.608 |
| Variability of Number of Simultaneous Pitch Classes |
0.6099 |
| Average Number of Simultaneous Pitches |
3.247 |
| Variability of Number of Simultaneous Pitches |
0.7923 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2444 |
| Stepwise Motion |
0.6386 |
| Melodic Thirds |
0.1979 |
| Melodic Perfect Fourths |
0.06196 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03787 |
| Melodic Sixths |
0.001721 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006885 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7424 |
| Melodic Embellishments |
0.01197 |
| Direction of Melodic Motion |
0.4827 |
| Average Length of Melodic Arcs |
1.848 |
| Average Interval Spanned by Melodic Arcs |
4.667 |
| Melodic Pitch Variety |
4.824 |
| Mean Melodic Interval |
2.411 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3941 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6201 |
| Amount of Arpeggiation |
0.2978 |
| Repeated Notes |
0.05508 |
| Importance of Middle Register |
0.7248 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.24 |
| Mean Pitch Class |
5.289 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1162 |
| Prevalence of Most Common Pitch Class |
0.2291 |
| Relative Prevalence of Top Pitches |
0.9118 |
| Relative Prevalence of Top Pitch Classes |
0.6866 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.035 |
| Pitch Class Variability |
3.354 |
| Pitch Class Variability After Folding |
4.382 |
| Pitch Skewness |
-0.5263 |
| Pitch Class Skewness |
0.2584 |
| Pitch Class Skewness After Folding |
1.469 |
| Pitch Kurtosis |
5.487 |
| Pitch Class Kurtosis |
4.877 |
| Pitch Class Kurtosis After Folding |
4.398 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2752 |
| Note Density per Quarter Note |
1.261 |
| Note Density per Quarter Note per Voice |
0.3152 |
| Note Density per Quarter Note Variability |
0.4887 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006838 |
| Prevalence of Medium Rhythmic Values |
0.6718 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8137 |
| Prevalence of Very Long Rhythmic Values |
0.06838 |
| Prevalence of Dotted Notes |
0.04786 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.677 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4855 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4683 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.684 |
| Rhythmic Value Skewness |
1.206 |
| Rhythmic Value Kurtosis |
8.899 |
| Mean Rhythmic Value Run Length |
2.074 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.726 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4678 |
| Average Rest Fraction Across Voices |
0.1556 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
31.86 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.715 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
1.991 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.114 |
| Variability Across Voices of Combined Rests |
24.25 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6692 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1676 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.994 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8367 |
| Rhythmic Variability - Tempo Standardized |
0.05561 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
585.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.582 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
1.345 |
| Variability of Note Durations |
0.8485 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.7 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6692 |
| Strength of Second Strongest Rhythmic Pulse |
0.1676 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.994 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8367 |
| Rhythmic Variability |
0.05561 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.931 |
| Duration in Seconds |
233.0 |
| Note Density |
2.511 |
| Note Density Variability |
0.9362 |
| Average Time Between Attacks |
0.8287 |
| Average Time Between Attacks for Each Voice |
1.549 |
| Variability of Time Between Attacks |
0.4056 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.5705 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.4513 |
| Relative Note Durations of Lowest Line |
1.109 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7932 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04283 |
| Average Number of Independent Voices |
3.375 |
| Similar Motion |
0.1378 |
| Contrary Motion |
0.1769 |
| Oblique Motion |
0.6425 |
| Parallel Fifths |
0.003724 |
| Parallel Octaves |
0.005587 |
| Variability of Number of Independent Voices |
0.7723 |
| Voice Equality - Number of Notes |
18.46 |
| Voice Equality - Note Duration |
12.18 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |