| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.289 |
| Prevalence of Second Most Common Vertical Interval |
0.1818 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6289 |
| Vertical Unisons |
0.1487 |
| Vertical Minor Seconds |
0.00407 |
| Vertical Thirds |
0.2571 |
| Vertical Tritones |
0.00608 |
| Vertical Perfect Fourths |
0.09735 |
| Vertical Perfect Fifths |
0.1818 |
| Vertical Sixths |
0.1244 |
| Vertical Sevenths |
0.0173 |
| Vertical Octaves |
0.1403 |
| Perfect Vertical Intervals |
0.5681 |
| Vertical Dissonance Ratio |
0.05305 |
| Vertical Minor Third Prevalence |
0.6207 |
| Vertical Major Third Prevalence |
0.5642 |
| Chord Duration |
1.219 |
| Partial Chords |
0.1509 |
| Standard Triads |
0.6441 |
| Diminished and Augmented Triads |
0.01757 |
| Dominant Seventh Chords |
0.0009009 |
| Seventh Chords |
0.01712 |
| Non-Standard Chords |
0.1878 |
| Complex Chords |
0.003604 |
| Minor Major Triad Ratio |
1.391 |
| Average Number of Simultaneous Pitch Classes |
2.854 |
| Variability of Number of Simultaneous Pitch Classes |
0.5911 |
| Average Number of Simultaneous Pitches |
3.756 |
| Variability of Number of Simultaneous Pitches |
0.9747 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2327 |
| Stepwise Motion |
0.602 |
| Melodic Thirds |
0.112 |
| Melodic Perfect Fourths |
0.05817 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04556 |
| Melodic Sixths |
0.0009695 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01309 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.888 |
| Melodic Embellishments |
0.01498 |
| Direction of Melodic Motion |
0.4889 |
| Average Length of Melodic Arcs |
1.928 |
| Average Interval Spanned by Melodic Arcs |
4.893 |
| Melodic Pitch Variety |
4.581 |
| Mean Melodic Interval |
2.121 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3694 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6299 |
| Amount of Arpeggiation |
0.3388 |
| Repeated Notes |
0.1682 |
| Importance of Middle Register |
0.8217 |
| Importance of High Register |
0.09908 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.12 |
| Mean Pitch Class |
5.25 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.144 |
| Prevalence of Most Common Pitch Class |
0.2291 |
| Relative Prevalence of Top Pitches |
0.6913 |
| Relative Prevalence of Top Pitch Classes |
0.6899 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.732 |
| Pitch Class Variability |
3.335 |
| Pitch Class Variability After Folding |
3.762 |
| Pitch Skewness |
-0.1768 |
| Pitch Class Skewness |
0.2252 |
| Pitch Class Skewness After Folding |
0.8902 |
| Pitch Kurtosis |
5.521 |
| Pitch Class Kurtosis |
4.67 |
| Pitch Class Kurtosis After Folding |
5.219 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
32.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.07927 |
| Note Density per Quarter Note |
1.796 |
| Note Density per Quarter Note per Voice |
0.2993 |
| Note Density per Quarter Note Variability |
0.6694 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004833 |
| Prevalence of Medium Rhythmic Values |
0.6341 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8028 |
| Prevalence of Very Long Rhythmic Values |
0.0812 |
| Prevalence of Dotted Notes |
0.08023 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.789 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4369 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5332 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.867 |
| Rhythmic Value Skewness |
1.267 |
| Rhythmic Value Kurtosis |
10.65 |
| Mean Rhythmic Value Run Length |
1.852 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.322 |
| Mean Rhythmic Value Offset |
0.0638 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9734 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5144 |
| Average Rest Fraction Across Voices |
0.1509 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
53.15 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.209 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.657 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.139 |
| Variability Across Voices of Combined Rests |
41.24 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6167 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1992 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.096 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8159 |
| Rhythmic Variability - Tempo Standardized |
0.05282 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2069.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.35 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.135 |
| Variability of Note Durations |
2.163 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.69 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7692 |
| Strength of Second Strongest Rhythmic Pulse |
0.2252 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.415 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9944 |
| Rhythmic Variability |
0.06306 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
867.0 |
| Note Density |
2.386 |
| Note Density Variability |
1.571 |
| Average Time Between Attacks |
1.209 |
| Average Time Between Attacks for Each Voice |
2.48 |
| Variability of Time Between Attacks |
0.7024 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.5526 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.2088 |
| Relative Note Durations of Lowest Line |
0.9858 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8482 |
| Voice Separation |
3.6 |
| Variability of Voice Separation |
3.286 |
| Parallel Motion |
0.04689 |
| Average Number of Independent Voices |
5.123 |
| Similar Motion |
0.1172 |
| Contrary Motion |
0.1559 |
| Oblique Motion |
0.68 |
| Parallel Fifths |
0.001901 |
| Parallel Octaves |
0.001901 |
| Variability of Number of Independent Voices |
1.18 |
| Voice Equality - Number of Notes |
23.56 |
| Voice Equality - Note Duration |
31.04 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8367 |
| Voice Equality - Range |
0.7528 |
| Importance of Loudest Voice |
0.0 |