| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2942 |
| Prevalence of Second Most Common Vertical Interval |
0.1883 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6401 |
| Vertical Unisons |
0.08805 |
| Vertical Minor Seconds |
0.003051 |
| Vertical Thirds |
0.2789 |
| Vertical Tritones |
0.0009807 |
| Vertical Perfect Fourths |
0.1001 |
| Vertical Perfect Fifths |
0.1883 |
| Vertical Sixths |
0.1135 |
| Vertical Sevenths |
0.007819 |
| Vertical Octaves |
0.2061 |
| Perfect Vertical Intervals |
0.5826 |
| Vertical Dissonance Ratio |
0.02562 |
| Vertical Minor Third Prevalence |
0.7762 |
| Vertical Major Third Prevalence |
0.7974 |
| Chord Duration |
2.202 |
| Partial Chords |
0.1188 |
| Standard Triads |
0.7376 |
| Diminished and Augmented Triads |
0.008264 |
| Dominant Seventh Chords |
0.002066 |
| Seventh Chords |
0.008264 |
| Non-Standard Chords |
0.1353 |
| Complex Chords |
0.02273 |
| Minor Major Triad Ratio |
0.1139 |
| Average Number of Simultaneous Pitch Classes |
2.924 |
| Variability of Number of Simultaneous Pitch Classes |
0.5831 |
| Average Number of Simultaneous Pitches |
4.95 |
| Variability of Number of Simultaneous Pitches |
2.059 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1268 |
| Stepwise Motion |
0.3774 |
| Melodic Thirds |
0.1268 |
| Melodic Perfect Fourths |
0.08071 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04717 |
| Melodic Sixths |
0.002096 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01258 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.574 |
| Melodic Embellishments |
0.02899 |
| Direction of Melodic Motion |
0.4846 |
| Average Length of Melodic Arcs |
1.875 |
| Average Interval Spanned by Melodic Arcs |
5.523 |
| Melodic Pitch Variety |
3.9 |
| Mean Melodic Interval |
1.96 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3532 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7092 |
| Amount of Arpeggiation |
0.5398 |
| Repeated Notes |
0.3532 |
| Importance of Middle Register |
0.7464 |
| Importance of High Register |
0.1046 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.61 |
| Mean Pitch Class |
5.677 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1408 |
| Prevalence of Most Common Pitch Class |
0.2547 |
| Relative Prevalence of Top Pitches |
0.6838 |
| Relative Prevalence of Top Pitch Classes |
0.9553 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.217 |
| Pitch Class Variability |
3.509 |
| Pitch Class Variability After Folding |
1.915 |
| Pitch Skewness |
-1.052 |
| Pitch Class Skewness |
-1.131 |
| Pitch Class Skewness After Folding |
1.012 |
| Pitch Kurtosis |
5.48 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
6.584 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1491 |
| Note Density per Quarter Note |
1.948 |
| Note Density per Quarter Note per Voice |
0.1623 |
| Note Density per Quarter Note Variability |
1.313 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006211 |
| Prevalence of Medium Rhythmic Values |
0.5321 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8654 |
| Prevalence of Very Long Rhythmic Values |
0.1615 |
| Prevalence of Dotted Notes |
0.1118 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.394 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3975 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6458 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.365 |
| Rhythmic Value Skewness |
1.769 |
| Rhythmic Value Kurtosis |
8.37 |
| Mean Rhythmic Value Run Length |
1.423 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8738 |
| Mean Rhythmic Value Offset |
0.05383 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4611 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7298 |
| Average Rest Fraction Across Voices |
0.4404 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
144.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
24.27 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
38.29 |
| Variability Across Voices of Combined Rests |
58.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7113 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1478 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.813 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.859 |
| Rhythmic Variability - Tempo Standardized |
0.0581 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
966.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.056 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.724 |
| Variability of Note Durations |
1.297 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.7113 |
| Strength of Second Strongest Rhythmic Pulse |
0.1478 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.813 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.859 |
| Rhythmic Variability |
0.0581 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
248.0 |
| Note Density |
3.895 |
| Note Density Variability |
2.505 |
| Average Time Between Attacks |
0.8261 |
| Average Time Between Attacks for Each Voice |
3.087 |
| Variability of Time Between Attacks |
0.4218 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.882 |
| Relative Note Durations of Lowest Line |
1.132 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.091 |
| Variability of Voice Separation |
1.758 |
| Parallel Motion |
0.02673 |
| Average Number of Independent Voices |
6.716 |
| Similar Motion |
0.1581 |
| Contrary Motion |
0.1626 |
| Oblique Motion |
0.6526 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.008909 |
| Variability of Number of Independent Voices |
3.772 |
| Voice Equality - Number of Notes |
23.4 |
| Voice Equality - Note Duration |
29.2 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4523 |
| Voice Equality - Range |
2.876 |
| Importance of Loudest Voice |
0.0 |