Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2001 |
Prevalence of Second Most Common Vertical Interval |
0.1948 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9736 |
Vertical Unisons |
0.02641 |
Vertical Minor Seconds |
0.002934 |
Vertical Thirds |
0.3225 |
Vertical Tritones |
0.01115 |
Vertical Perfect Fourths |
0.08832 |
Vertical Perfect Fifths |
0.2001 |
Vertical Sixths |
0.1494 |
Vertical Sevenths |
0.01643 |
Vertical Octaves |
0.1611 |
Perfect Vertical Intervals |
0.4759 |
Vertical Dissonance Ratio |
0.05511 |
Vertical Minor Third Prevalence |
0.4511 |
Vertical Major Third Prevalence |
0.6264 |
Chord Duration |
1.337 |
Partial Chords |
0.2121 |
Standard Triads |
0.603 |
Diminished and Augmented Triads |
0.03333 |
Dominant Seventh Chords |
0.006061 |
Seventh Chords |
0.01515 |
Non-Standard Chords |
0.1697 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2284 |
Average Number of Simultaneous Pitch Classes |
2.724 |
Variability of Number of Simultaneous Pitch Classes |
0.6006 |
Average Number of Simultaneous Pitches |
3.48 |
Variability of Number of Simultaneous Pitches |
0.8145 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2187 |
Stepwise Motion |
0.5923 |
Melodic Thirds |
0.1367 |
Melodic Perfect Fourths |
0.07289 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04556 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01822 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.609 |
Melodic Embellishments |
0.02032 |
Direction of Melodic Motion |
0.4842 |
Average Length of Melodic Arcs |
1.681 |
Average Interval Spanned by Melodic Arcs |
4.482 |
Melodic Pitch Variety |
4.518 |
Mean Melodic Interval |
2.33 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3736 |
Relative Prevalence of Most Common Melodic Intervals |
0.5854 |
Amount of Arpeggiation |
0.3349 |
Repeated Notes |
0.1344 |
Importance of Middle Register |
0.8059 |
Importance of High Register |
0.01354 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.18 |
Mean Pitch Class |
5.404 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.09932 |
Prevalence of Most Common Pitch Class |
0.228 |
Relative Prevalence of Top Pitches |
1.0 |
Relative Prevalence of Top Pitch Classes |
0.703 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.409 |
Pitch Class Variability |
3.588 |
Pitch Class Variability After Folding |
2.763 |
Pitch Skewness |
0.2687 |
Pitch Class Skewness |
-0.4983 |
Pitch Class Skewness After Folding |
0.9609 |
Pitch Kurtosis |
5.593 |
Pitch Class Kurtosis |
4.869 |
Pitch Class Kurtosis After Folding |
8.327 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
21.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
32.0 |
Importance of Bass Register |
0.1806 |
Note Density per Quarter Note |
1.251 |
Note Density per Quarter Note per Voice |
0.3129 |
Note Density per Quarter Note Variability |
0.4921 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.6275 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8691 |
Prevalence of Very Long Rhythmic Values |
0.06546 |
Prevalence of Dotted Notes |
0.07675 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.79 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4966 |
Relative Prevalence of Most Common Rhythmic Values |
0.5091 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.635 |
Rhythmic Value Skewness |
1.45 |
Rhythmic Value Kurtosis |
10.43 |
Mean Rhythmic Value Run Length |
1.697 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.285 |
Mean Rhythmic Value Offset |
0.04515 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.9502 |
Complete Rests Fraction |
0.02308 |
Partial Rests Fraction |
0.1994 |
Average Rest Fraction Across Voices |
0.09455 |
Longest Complete Rest |
2.723 |
Longest Partial Rest |
17.02 |
Mean Complete Rest Duration |
2.723 |
Mean Partial Rest Duration |
4.617 |
Median Complete Rest Duration |
2.723 |
Median Partial Rest Duration |
2.723 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
4.075 |
Variability Across Voices of Combined Rests |
17.5 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7064 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1623 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.352 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8688 |
Rhythmic Variability - Tempo Standardized |
0.0579 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
443.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.681 |
Minimum Note Duration |
0.4 |
Maximum Note Duration |
38.4 |
Average Note Duration |
2.551 |
Variability of Note Durations |
2.432 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
1.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
80.79 |
Strongest Rhythmic Pulse |
68.0 |
Second Strongest Rhythmic Pulse |
0.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
68.0 |
Strength of Strongest Rhythmic Pulse |
1.0 |
Strength of Second Strongest Rhythmic Pulse |
0.0 |
Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
Rhythmic Variability |
0.07881 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
35.03 |
Duration in Seconds |
312.0 |
Note Density |
1.42 |
Note Density Variability |
0.7288 |
Average Time Between Attacks |
1.558 |
Average Time Between Attacks for Each Voice |
2.878 |
Variability of Time Between Attacks |
1.067 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4375 |
Relative Range Isolation of Loudest Voice |
0.6 |
Relative Range of Highest Line |
0.4375 |
Relative Note Density of Highest Line |
0.614 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.7156 |
Voice Separation |
5.667 |
Variability of Voice Separation |
2.309 |
Parallel Motion |
0.02209 |
Average Number of Independent Voices |
3.609 |
Similar Motion |
0.1807 |
Contrary Motion |
0.2269 |
Oblique Motion |
0.5703 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.002008 |
Variability of Number of Independent Voices |
0.7857 |
Voice Equality - Number of Notes |
29.5 |
Voice Equality - Note Duration |
15.42 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8165 |
Voice Equality - Range |
1.291 |
Importance of Loudest Voice |
0.0 |