Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1989 |
Prevalence of Second Most Common Vertical Interval |
0.1868 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.939 |
Vertical Unisons |
0.05058 |
Vertical Minor Seconds |
0.004785 |
Vertical Thirds |
0.3187 |
Vertical Tritones |
0.01452 |
Vertical Perfect Fourths |
0.1094 |
Vertical Perfect Fifths |
0.1868 |
Vertical Sixths |
0.1174 |
Vertical Sevenths |
0.02273 |
Vertical Octaves |
0.1483 |
Perfect Vertical Intervals |
0.495 |
Vertical Dissonance Ratio |
0.07396 |
Vertical Minor Third Prevalence |
0.4472 |
Vertical Major Third Prevalence |
0.4472 |
Chord Duration |
1.205 |
Partial Chords |
0.4248 |
Standard Triads |
0.3936 |
Diminished and Augmented Triads |
0.03388 |
Dominant Seventh Chords |
0.004065 |
Seventh Chords |
0.0122 |
Non-Standard Chords |
0.1694 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.8864 |
Average Number of Simultaneous Pitch Classes |
2.528 |
Variability of Number of Simultaneous Pitch Classes |
0.6375 |
Average Number of Simultaneous Pitches |
3.05 |
Variability of Number of Simultaneous Pitches |
0.7674 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2489 |
Stepwise Motion |
0.6541 |
Melodic Thirds |
0.1712 |
Melodic Perfect Fourths |
0.04566 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03653 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01484 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.5 |
Melodic Embellishments |
0.02159 |
Direction of Melodic Motion |
0.5099 |
Average Length of Melodic Arcs |
1.768 |
Average Interval Spanned by Melodic Arcs |
4.387 |
Melodic Pitch Variety |
4.885 |
Mean Melodic Interval |
2.304 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4053 |
Relative Prevalence of Most Common Melodic Intervals |
0.6141 |
Amount of Arpeggiation |
0.3002 |
Repeated Notes |
0.07763 |
Importance of Middle Register |
0.7864 |
Importance of High Register |
0.01364 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
60.08 |
Mean Pitch Class |
5.969 |
Most Common Pitch |
64.0 |
Most Common Pitch Class |
4.0 |
Prevalence of Most Common Pitch |
0.1205 |
Prevalence of Most Common Pitch Class |
0.1841 |
Relative Prevalence of Top Pitches |
0.9245 |
Relative Prevalence of Top Pitch Classes |
0.8889 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.221 |
Pitch Class Variability |
3.37 |
Pitch Class Variability After Folding |
2.096 |
Pitch Skewness |
-0.3458 |
Pitch Class Skewness |
-0.02732 |
Pitch Class Skewness After Folding |
0.07644 |
Pitch Kurtosis |
5.571 |
Pitch Class Kurtosis |
4.844 |
Pitch Class Kurtosis After Folding |
5.702 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
28.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
30.0 |
Importance of Bass Register |
0.2 |
Note Density per Quarter Note |
1.134 |
Note Density per Quarter Note per Voice |
0.2835 |
Note Density per Quarter Note Variability |
0.4329 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004545 |
Prevalence of Medium Rhythmic Values |
0.6284 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8341 |
Prevalence of Very Long Rhythmic Values |
0.08409 |
Prevalence of Dotted Notes |
0.09545 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.8 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4625 |
Relative Prevalence of Most Common Rhythmic Values |
0.4939 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.759 |
Rhythmic Value Skewness |
1.364 |
Rhythmic Value Kurtosis |
9.881 |
Mean Rhythmic Value Run Length |
1.83 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.446 |
Mean Rhythmic Value Offset |
0.05909 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.167 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.5798 |
Average Rest Fraction Across Voices |
0.1818 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
286.2 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
9.73 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.662 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
37.27 |
Variability Across Voices of Combined Rests |
132.3 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6533 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1831 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.567 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8364 |
Rhythmic Variability - Tempo Standardized |
0.05478 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
880.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
7.999 |
Minimum Note Duration |
0.6 |
Maximum Note Duration |
48.0 |
Average Note Duration |
2.602 |
Variability of Note Durations |
2.651 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
74.87 |
Strongest Rhythmic Pulse |
67.0 |
Second Strongest Rhythmic Pulse |
133.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
Strength of Strongest Rhythmic Pulse |
0.9759 |
Strength of Second Strongest Rhythmic Pulse |
0.01928 |
Strength Ratio of Two Strongest Rhythmic Pulses |
50.62 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9952 |
Rhythmic Variability |
0.07692 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
25.0 |
Duration in Seconds |
699.6 |
Note Density |
1.258 |
Note Density Variability |
0.6965 |
Average Time Between Attacks |
1.502 |
Average Time Between Attacks for Each Voice |
3.327 |
Variability of Time Between Attacks |
0.8434 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5 |
Relative Range Isolation of Loudest Voice |
0.2381 |
Relative Range of Highest Line |
0.5 |
Relative Note Density of Highest Line |
0.3045 |
Relative Note Durations of Lowest Line |
1.123 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.9034 |
Voice Separation |
5.333 |
Variability of Voice Separation |
0.5774 |
Parallel Motion |
0.04626 |
Average Number of Independent Voices |
3.242 |
Similar Motion |
0.1163 |
Contrary Motion |
0.2017 |
Oblique Motion |
0.6358 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.001186 |
Variability of Number of Independent Voices |
0.772 |
Voice Equality - Number of Notes |
64.24 |
Voice Equality - Note Duration |
119.2 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
0.9574 |
Importance of Loudest Voice |
0.0 |