| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.257 |
| Prevalence of Second Most Common Vertical Interval |
0.2085 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8115 |
| Vertical Unisons |
0.04916 |
| Vertical Minor Seconds |
0.003373 |
| Vertical Thirds |
0.2672 |
| Vertical Tritones |
0.004346 |
| Vertical Perfect Fourths |
0.117 |
| Vertical Perfect Fifths |
0.2085 |
| Vertical Sixths |
0.105 |
| Vertical Sevenths |
0.01654 |
| Vertical Octaves |
0.2078 |
| Perfect Vertical Intervals |
0.5825 |
| Vertical Dissonance Ratio |
0.04749 |
| Vertical Minor Third Prevalence |
0.6751 |
| Vertical Major Third Prevalence |
0.7062 |
| Chord Duration |
1.951 |
| Partial Chords |
0.09159 |
| Standard Triads |
0.6832 |
| Diminished and Augmented Triads |
0.02102 |
| Dominant Seventh Chords |
0.001502 |
| Seventh Chords |
0.01952 |
| Non-Standard Chords |
0.2057 |
| Complex Chords |
0.01201 |
| Minor Major Triad Ratio |
0.1911 |
| Average Number of Simultaneous Pitch Classes |
2.993 |
| Variability of Number of Simultaneous Pitch Classes |
0.5182 |
| Average Number of Simultaneous Pitches |
4.657 |
| Variability of Number of Simultaneous Pitches |
1.467 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1787 |
| Stepwise Motion |
0.5503 |
| Melodic Thirds |
0.1261 |
| Melodic Perfect Fourths |
0.09407 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07056 |
| Melodic Sixths |
0.002822 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01787 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.735 |
| Melodic Embellishments |
0.0112 |
| Direction of Melodic Motion |
0.5087 |
| Average Length of Melodic Arcs |
1.796 |
| Average Interval Spanned by Melodic Arcs |
5.233 |
| Melodic Pitch Variety |
4.663 |
| Mean Melodic Interval |
2.549 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3716 |
| Relative Prevalence of Most Common Melodic Intervals |
0.481 |
| Amount of Arpeggiation |
0.3528 |
| Repeated Notes |
0.1383 |
| Importance of Middle Register |
0.704 |
| Importance of High Register |
0.006536 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.29 |
| Mean Pitch Class |
4.93 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1242 |
| Prevalence of Most Common Pitch Class |
0.225 |
| Relative Prevalence of Top Pitches |
0.812 |
| Relative Prevalence of Top Pitch Classes |
0.9544 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.978 |
| Pitch Class Variability |
3.493 |
| Pitch Class Variability After Folding |
4.402 |
| Pitch Skewness |
-0.4803 |
| Pitch Class Skewness |
-0.06015 |
| Pitch Class Skewness After Folding |
1.109 |
| Pitch Kurtosis |
5.414 |
| Pitch Class Kurtosis |
4.746 |
| Pitch Class Kurtosis After Folding |
4.56 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2894 |
| Note Density per Quarter Note |
1.589 |
| Note Density per Quarter Note per Voice |
0.1986 |
| Note Density per Quarter Note Variability |
0.7937 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001867 |
| Prevalence of Medium Rhythmic Values |
0.5369 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8385 |
| Prevalence of Very Long Rhythmic Values |
0.1289 |
| Prevalence of Dotted Notes |
0.07376 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.246 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3754 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7811 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.199 |
| Rhythmic Value Skewness |
1.699 |
| Rhythmic Value Kurtosis |
8.466 |
| Mean Rhythmic Value Run Length |
1.618 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.147 |
| Mean Rhythmic Value Offset |
0.04855 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7008 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7365 |
| Average Rest Fraction Across Voices |
0.3472 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
81.82 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
17.18 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
14.32 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.1 |
| Variability Across Voices of Combined Rests |
38.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6771 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1687 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.014 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8457 |
| Rhythmic Variability - Tempo Standardized |
0.0561 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1071.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.577 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.607 |
| Variability of Note Durations |
1.221 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
124.0 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.6771 |
| Strength of Second Strongest Rhythmic Pulse |
0.1687 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.014 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8457 |
| Rhythmic Variability |
0.0561 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
14.98 |
| Duration in Seconds |
329.5 |
| Note Density |
3.25 |
| Note Density Variability |
1.397 |
| Average Time Between Attacks |
0.8336 |
| Average Time Between Attacks for Each Voice |
2.304 |
| Variability of Time Between Attacks |
0.4432 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.5079 |
| Relative Note Durations of Lowest Line |
1.035 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.143 |
| Variability of Voice Separation |
1.952 |
| Parallel Motion |
0.04137 |
| Average Number of Independent Voices |
5.234 |
| Similar Motion |
0.1484 |
| Contrary Motion |
0.17 |
| Oblique Motion |
0.6403 |
| Parallel Fifths |
0.001799 |
| Parallel Octaves |
0.01079 |
| Variability of Number of Independent Voices |
1.931 |
| Voice Equality - Number of Notes |
18.29 |
| Voice Equality - Note Duration |
19.06 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8864 |
| Voice Equality - Range |
1.727 |
| Importance of Loudest Voice |
0.0 |