| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.234 |
| Prevalence of Second Most Common Vertical Interval |
0.2054 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8776 |
| Vertical Unisons |
0.03401 |
| Vertical Minor Seconds |
0.003709 |
| Vertical Thirds |
0.2768 |
| Vertical Tritones |
0.006759 |
| Vertical Perfect Fourths |
0.1213 |
| Vertical Perfect Fifths |
0.2054 |
| Vertical Sixths |
0.1165 |
| Vertical Sevenths |
0.01761 |
| Vertical Octaves |
0.2 |
| Perfect Vertical Intervals |
0.5607 |
| Vertical Dissonance Ratio |
0.04818 |
| Vertical Minor Third Prevalence |
0.6593 |
| Vertical Major Third Prevalence |
0.6488 |
| Chord Duration |
1.933 |
| Partial Chords |
0.1008 |
| Standard Triads |
0.6817 |
| Diminished and Augmented Triads |
0.03487 |
| Dominant Seventh Chords |
0.003839 |
| Seventh Chords |
0.01919 |
| Non-Standard Chords |
0.1983 |
| Complex Chords |
0.008317 |
| Minor Major Triad Ratio |
0.7255 |
| Average Number of Simultaneous Pitch Classes |
2.923 |
| Variability of Number of Simultaneous Pitch Classes |
0.5699 |
| Average Number of Simultaneous Pitches |
4.235 |
| Variability of Number of Simultaneous Pitches |
1.496 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2296 |
| Stepwise Motion |
0.6344 |
| Melodic Thirds |
0.1067 |
| Melodic Perfect Fourths |
0.07384 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05223 |
| Melodic Sixths |
0.004502 |
| Melodic Sevenths |
0.0004502 |
| Melodic Octaves |
0.01711 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.435 |
| Melodic Embellishments |
0.02378 |
| Direction of Melodic Motion |
0.4881 |
| Average Length of Melodic Arcs |
2.032 |
| Average Interval Spanned by Melodic Arcs |
5.391 |
| Melodic Pitch Variety |
5.197 |
| Mean Melodic Interval |
2.373 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4048 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5673 |
| Amount of Arpeggiation |
0.2873 |
| Repeated Notes |
0.1108 |
| Importance of Middle Register |
0.7425 |
| Importance of High Register |
0.1682 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.22 |
| Mean Pitch Class |
5.427 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1063 |
| Prevalence of Most Common Pitch Class |
0.1969 |
| Relative Prevalence of Top Pitches |
0.8481 |
| Relative Prevalence of Top Pitch Classes |
0.9749 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.802 |
| Pitch Class Variability |
3.377 |
| Pitch Class Variability After Folding |
3.919 |
| Pitch Skewness |
-0.4419 |
| Pitch Class Skewness |
-0.5094 |
| Pitch Class Skewness After Folding |
1.708 |
| Pitch Kurtosis |
5.523 |
| Pitch Class Kurtosis |
4.711 |
| Pitch Class Kurtosis After Folding |
4.897 |
| Major or Minor |
0.0 |
| First Pitch |
74.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
32.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.08928 |
| Note Density per Quarter Note |
1.373 |
| Note Density per Quarter Note per Voice |
0.1716 |
| Note Density per Quarter Note Variability |
0.6194 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006281 |
| Prevalence of Medium Rhythmic Values |
0.5464 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8174 |
| Prevalence of Very Long Rhythmic Values |
0.1449 |
| Prevalence of Dotted Notes |
0.08838 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.252 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3638 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7127 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.289 |
| Rhythmic Value Skewness |
1.64 |
| Rhythmic Value Kurtosis |
8.02 |
| Mean Rhythmic Value Run Length |
1.785 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.326 |
| Mean Rhythmic Value Offset |
0.03948 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5478 |
| Complete Rests Fraction |
0.004926 |
| Partial Rests Fraction |
0.8288 |
| Average Rest Fraction Across Voices |
0.4353 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
284.0 |
| Mean Complete Rest Duration |
2.667 |
| Mean Partial Rest Duration |
28.28 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
10.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.155 |
| Variability of Partial Rest Durations |
55.97 |
| Variability Across Voices of Combined Rests |
86.71 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6322 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1897 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.333 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8219 |
| Rhythmic Variability - Tempo Standardized |
0.0536 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2229.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.31 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.646 |
| Variability of Note Durations |
1.248 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6322 |
| Strength of Second Strongest Rhythmic Pulse |
0.1897 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.333 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8219 |
| Rhythmic Variability |
0.0536 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
812.0 |
| Note Density |
2.745 |
| Note Density Variability |
1.142 |
| Average Time Between Attacks |
0.875 |
| Average Time Between Attacks for Each Voice |
2.826 |
| Variability of Time Between Attacks |
0.4975 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.2656 |
| Relative Note Durations of Lowest Line |
1.183 |
| Relative Size of Melodic Intervals in Lowest Line |
1.067 |
| Voice Overlap |
0.9856 |
| Voice Separation |
3.286 |
| Variability of Voice Separation |
1.254 |
| Parallel Motion |
0.05076 |
| Average Number of Independent Voices |
4.54 |
| Similar Motion |
0.1383 |
| Contrary Motion |
0.1744 |
| Oblique Motion |
0.6366 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001937 |
| Variability of Number of Independent Voices |
1.807 |
| Voice Equality - Number of Notes |
43.5 |
| Voice Equality - Note Duration |
43.36 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8345 |
| Voice Equality - Range |
2.357 |
| Importance of Loudest Voice |
0.0 |