| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1975 |
| Prevalence of Second Most Common Vertical Interval |
0.1875 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9494 |
| Vertical Unisons |
0.02542 |
| Vertical Minor Seconds |
0.004657 |
| Vertical Thirds |
0.3404 |
| Vertical Tritones |
0.01242 |
| Vertical Perfect Fourths |
0.111 |
| Vertical Perfect Fifths |
0.1875 |
| Vertical Sixths |
0.1295 |
| Vertical Sevenths |
0.02377 |
| Vertical Octaves |
0.1453 |
| Perfect Vertical Intervals |
0.4693 |
| Vertical Dissonance Ratio |
0.06477 |
| Vertical Minor Third Prevalence |
0.5243 |
| Vertical Major Third Prevalence |
0.6178 |
| Chord Duration |
1.169 |
| Partial Chords |
0.2033 |
| Standard Triads |
0.5777 |
| Diminished and Augmented Triads |
0.03312 |
| Dominant Seventh Chords |
0.00552 |
| Seventh Chords |
0.023 |
| Non-Standard Chords |
0.196 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2816 |
| Average Number of Simultaneous Pitch Classes |
2.798 |
| Variability of Number of Simultaneous Pitch Classes |
0.5377 |
| Average Number of Simultaneous Pitches |
3.436 |
| Variability of Number of Simultaneous Pitches |
0.6648 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2109 |
| Stepwise Motion |
0.6048 |
| Melodic Thirds |
0.1215 |
| Melodic Perfect Fourths |
0.06809 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04272 |
| Melodic Sixths |
0.001335 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01736 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.844 |
| Melodic Embellishments |
0.02922 |
| Direction of Melodic Motion |
0.4649 |
| Average Length of Melodic Arcs |
1.811 |
| Average Interval Spanned by Melodic Arcs |
4.74 |
| Melodic Pitch Variety |
4.827 |
| Mean Melodic Interval |
2.266 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3939 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5356 |
| Amount of Arpeggiation |
0.3258 |
| Repeated Notes |
0.1442 |
| Importance of Middle Register |
0.7782 |
| Importance of High Register |
0.002656 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.81 |
| Mean Pitch Class |
5.729 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1341 |
| Prevalence of Most Common Pitch Class |
0.2058 |
| Relative Prevalence of Top Pitches |
0.8515 |
| Relative Prevalence of Top Pitch Classes |
0.9097 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.752 |
| Pitch Class Variability |
3.447 |
| Pitch Class Variability After Folding |
1.981 |
| Pitch Skewness |
0.09382 |
| Pitch Class Skewness |
-0.2358 |
| Pitch Class Skewness After Folding |
-0.04224 |
| Pitch Kurtosis |
5.687 |
| Pitch Class Kurtosis |
4.887 |
| Pitch Class Kurtosis After Folding |
5.582 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2191 |
| Note Density per Quarter Note |
1.345 |
| Note Density per Quarter Note per Voice |
0.3362 |
| Note Density per Quarter Note Variability |
0.5136 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02656 |
| Prevalence of Medium Rhythmic Values |
0.6507 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7676 |
| Prevalence of Very Long Rhythmic Values |
0.07437 |
| Prevalence of Dotted Notes |
0.1262 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.598 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4183 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4921 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.677 |
| Rhythmic Value Skewness |
1.069 |
| Rhythmic Value Kurtosis |
10.15 |
| Mean Rhythmic Value Run Length |
1.537 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9288 |
| Mean Rhythmic Value Offset |
0.02656 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7288 |
| Complete Rests Fraction |
0.009501 |
| Partial Rests Fraction |
0.3705 |
| Average Rest Fraction Across Voices |
0.1122 |
| Longest Complete Rest |
5.321 |
| Longest Partial Rest |
26.6 |
| Mean Complete Rest Duration |
5.321 |
| Mean Partial Rest Duration |
5.587 |
| Median Complete Rest Duration |
5.321 |
| Median Partial Rest Duration |
2.66 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.715 |
| Variability Across Voices of Combined Rests |
30.14 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5653 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.215 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.63 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7803 |
| Rhythmic Variability - Tempo Standardized |
0.04979 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
753.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.555 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.382 |
| Variability of Note Durations |
2.117 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.82 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.875 |
| Strength of Second Strongest Rhythmic Pulse |
0.075 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
11.67 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.95 |
| Rhythmic Variability |
0.06926 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
505.2 |
| Note Density |
1.49 |
| Note Density Variability |
0.8211 |
| Average Time Between Attacks |
1.424 |
| Average Time Between Attacks for Each Voice |
2.606 |
| Variability of Time Between Attacks |
0.9371 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.4706 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.3559 |
| Relative Note Durations of Lowest Line |
1.024 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8353 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.04686 |
| Average Number of Independent Voices |
3.554 |
| Similar Motion |
0.1529 |
| Contrary Motion |
0.1763 |
| Oblique Motion |
0.6239 |
| Parallel Fifths |
0.002466 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6423 |
| Voice Equality - Number of Notes |
32.01 |
| Voice Equality - Note Duration |
27.19 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
0.0 |