| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2338 |
| Prevalence of Second Most Common Vertical Interval |
0.2166 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9263 |
| Vertical Unisons |
0.03792 |
| Vertical Minor Seconds |
0.00294 |
| Vertical Thirds |
0.253 |
| Vertical Tritones |
0.003853 |
| Vertical Perfect Fourths |
0.1377 |
| Vertical Perfect Fifths |
0.2166 |
| Vertical Sixths |
0.1119 |
| Vertical Sevenths |
0.01602 |
| Vertical Octaves |
0.1959 |
| Perfect Vertical Intervals |
0.5881 |
| Vertical Dissonance Ratio |
0.04937 |
| Vertical Minor Third Prevalence |
0.6993 |
| Vertical Major Third Prevalence |
0.644 |
| Chord Duration |
1.091 |
| Partial Chords |
0.06612 |
| Standard Triads |
0.7482 |
| Diminished and Augmented Triads |
0.007246 |
| Dominant Seventh Chords |
0.001812 |
| Seventh Chords |
0.004529 |
| Non-Standard Chords |
0.1812 |
| Complex Chords |
0.01268 |
| Minor Major Triad Ratio |
0.9076 |
| Average Number of Simultaneous Pitch Classes |
3.013 |
| Variability of Number of Simultaneous Pitch Classes |
0.4125 |
| Average Number of Simultaneous Pitches |
4.419 |
| Variability of Number of Simultaneous Pitches |
0.9949 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2581 |
| Stepwise Motion |
0.5496 |
| Melodic Thirds |
0.09567 |
| Melodic Perfect Fourths |
0.06859 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05686 |
| Melodic Sixths |
0.005415 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006318 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.609 |
| Melodic Embellishments |
0.01706 |
| Direction of Melodic Motion |
0.5156 |
| Average Length of Melodic Arcs |
1.91 |
| Average Interval Spanned by Melodic Arcs |
4.868 |
| Melodic Pitch Variety |
4.302 |
| Mean Melodic Interval |
2.01 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.2915 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8854 |
| Amount of Arpeggiation |
0.3764 |
| Repeated Notes |
0.2175 |
| Importance of Middle Register |
0.7136 |
| Importance of High Register |
0.01167 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.86 |
| Mean Pitch Class |
5.456 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1005 |
| Prevalence of Most Common Pitch Class |
0.2226 |
| Relative Prevalence of Top Pitches |
0.875 |
| Relative Prevalence of Top Pitch Classes |
0.7016 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.788 |
| Pitch Class Variability |
3.388 |
| Pitch Class Variability After Folding |
3.206 |
| Pitch Skewness |
-0.2303 |
| Pitch Class Skewness |
0.4038 |
| Pitch Class Skewness After Folding |
0.8871 |
| Pitch Kurtosis |
5.324 |
| Pitch Class Kurtosis |
4.788 |
| Pitch Class Kurtosis After Folding |
6.305 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
33.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2747 |
| Note Density per Quarter Note |
2.018 |
| Note Density per Quarter Note per Voice |
0.3364 |
| Note Density per Quarter Note Variability |
0.9153 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01885 |
| Prevalence of Medium Rhythmic Values |
0.7235 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6697 |
| Prevalence of Very Long Rhythmic Values |
0.04309 |
| Prevalence of Dotted Notes |
0.1023 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.311 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3932 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7854 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.651 |
| Rhythmic Value Skewness |
0.5642 |
| Rhythmic Value Kurtosis |
15.09 |
| Mean Rhythmic Value Run Length |
1.757 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.167 |
| Mean Rhythmic Value Offset |
0.05027 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8796 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6193 |
| Average Rest Fraction Across Voices |
0.188 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
29.26 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.291 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.32 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.65 |
| Variability Across Voices of Combined Rests |
18.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4734 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2578 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.837 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7312 |
| Rhythmic Variability - Tempo Standardized |
0.04657 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1114.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.827 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
1.815 |
| Variability of Note Durations |
1.87 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.78 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6399 |
| Strength of Second Strongest Rhythmic Pulse |
0.3377 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.895 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9776 |
| Rhythmic Variability |
0.05687 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
415.0 |
| Note Density |
2.684 |
| Note Density Variability |
1.02 |
| Average Time Between Attacks |
0.9888 |
| Average Time Between Attacks for Each Voice |
2.137 |
| Variability of Time Between Attacks |
0.5349 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.06436 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.3662 |
| Relative Note Durations of Lowest Line |
1.039 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9183 |
| Voice Separation |
4.2 |
| Variability of Voice Separation |
1.924 |
| Parallel Motion |
0.07656 |
| Average Number of Independent Voices |
4.764 |
| Similar Motion |
0.1427 |
| Contrary Motion |
0.1616 |
| Oblique Motion |
0.6191 |
| Parallel Fifths |
0.002836 |
| Parallel Octaves |
0.00189 |
| Variability of Number of Independent Voices |
1.059 |
| Voice Equality - Number of Notes |
11.93 |
| Voice Equality - Note Duration |
13.61 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
1.169 |
| Importance of Loudest Voice |
0.0 |