| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2067 |
| Prevalence of Second Most Common Vertical Interval |
0.1961 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9491 |
| Vertical Unisons |
0.02793 |
| Vertical Minor Seconds |
0.004129 |
| Vertical Thirds |
0.3039 |
| Vertical Tritones |
0.01116 |
| Vertical Perfect Fourths |
0.1102 |
| Vertical Perfect Fifths |
0.1961 |
| Vertical Sixths |
0.1205 |
| Vertical Sevenths |
0.02077 |
| Vertical Octaves |
0.1787 |
| Perfect Vertical Intervals |
0.513 |
| Vertical Dissonance Ratio |
0.06682 |
| Vertical Minor Third Prevalence |
0.6467 |
| Vertical Major Third Prevalence |
0.6716 |
| Chord Duration |
1.226 |
| Partial Chords |
0.08726 |
| Standard Triads |
0.662 |
| Diminished and Augmented Triads |
0.03786 |
| Dominant Seventh Chords |
0.01108 |
| Seventh Chords |
0.02585 |
| Non-Standard Chords |
0.2248 |
| Complex Chords |
0.007387 |
| Minor Major Triad Ratio |
0.6502 |
| Average Number of Simultaneous Pitch Classes |
2.96 |
| Variability of Number of Simultaneous Pitch Classes |
0.5083 |
| Average Number of Simultaneous Pitches |
4.056 |
| Variability of Number of Simultaneous Pitches |
0.8454 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2235 |
| Stepwise Motion |
0.597 |
| Melodic Thirds |
0.1195 |
| Melodic Perfect Fourths |
0.0478 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06448 |
| Melodic Sixths |
0.003891 |
| Melodic Sevenths |
0.0005559 |
| Melodic Octaves |
0.01334 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.986 |
| Melodic Embellishments |
0.02827 |
| Direction of Melodic Motion |
0.5062 |
| Average Length of Melodic Arcs |
1.911 |
| Average Interval Spanned by Melodic Arcs |
5.072 |
| Melodic Pitch Variety |
4.801 |
| Mean Melodic Interval |
2.256 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3735 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5982 |
| Amount of Arpeggiation |
0.3513 |
| Repeated Notes |
0.1534 |
| Importance of Middle Register |
0.765 |
| Importance of High Register |
0.03049 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.36 |
| Mean Pitch Class |
5.397 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1086 |
| Prevalence of Most Common Pitch Class |
0.2245 |
| Relative Prevalence of Top Pitches |
0.9337 |
| Relative Prevalence of Top Pitch Classes |
0.8519 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.32 |
| Pitch Class Variability |
3.349 |
| Pitch Class Variability After Folding |
3.219 |
| Pitch Skewness |
-0.5161 |
| Pitch Class Skewness |
0.3555 |
| Pitch Class Skewness After Folding |
0.9258 |
| Pitch Kurtosis |
5.443 |
| Pitch Class Kurtosis |
4.721 |
| Pitch Class Kurtosis After Folding |
6.233 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2045 |
| Note Density per Quarter Note |
1.634 |
| Note Density per Quarter Note per Voice |
0.3268 |
| Note Density per Quarter Note Variability |
0.5018 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01774 |
| Prevalence of Medium Rhythmic Values |
0.6779 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7822 |
| Prevalence of Very Long Rhythmic Values |
0.05266 |
| Prevalence of Dotted Notes |
0.09867 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.557 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4601 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4349 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.709 |
| Rhythmic Value Skewness |
0.9768 |
| Rhythmic Value Kurtosis |
14.39 |
| Mean Rhythmic Value Run Length |
1.826 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.687 |
| Mean Rhythmic Value Offset |
0.04656 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7097 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5251 |
| Average Rest Fraction Across Voices |
0.1471 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
57.37 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.345 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.494 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.078 |
| Variability Across Voices of Combined Rests |
81.83 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5998 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.203 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.954 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8029 |
| Rhythmic Variability - Tempo Standardized |
0.05181 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1804.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.08 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
28.0 |
| Average Note Duration |
2.092 |
| Variability of Note Durations |
1.851 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
79.84 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
150.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.9258 |
| Strength of Second Strongest Rhythmic Pulse |
0.04816 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
19.22 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9739 |
| Rhythmic Variability |
0.07305 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
20.02 |
| Duration in Seconds |
885.2 |
| Note Density |
2.038 |
| Note Density Variability |
0.876 |
| Average Time Between Attacks |
1.17 |
| Average Time Between Attacks for Each Voice |
2.43 |
| Variability of Time Between Attacks |
0.581 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.1857 |
| Relative Note Durations of Lowest Line |
1.135 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9534 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.38 |
| Parallel Motion |
0.05643 |
| Average Number of Independent Voices |
4.254 |
| Similar Motion |
0.1099 |
| Contrary Motion |
0.1825 |
| Oblique Motion |
0.6511 |
| Parallel Fifths |
0.002453 |
| Parallel Octaves |
0.0009814 |
| Variability of Number of Independent Voices |
0.8707 |
| Voice Equality - Number of Notes |
51.09 |
| Voice Equality - Note Duration |
65.62 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |