Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2069 |
Prevalence of Second Most Common Vertical Interval |
0.1779 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8601 |
Vertical Unisons |
0.0313 |
Vertical Minor Seconds |
0.003644 |
Vertical Thirds |
0.3068 |
Vertical Tritones |
0.005573 |
Vertical Perfect Fourths |
0.11 |
Vertical Perfect Fifths |
0.2069 |
Vertical Sixths |
0.1428 |
Vertical Sevenths |
0.02144 |
Vertical Octaves |
0.1466 |
Perfect Vertical Intervals |
0.4947 |
Vertical Dissonance Ratio |
0.05902 |
Vertical Minor Third Prevalence |
0.4746 |
Vertical Major Third Prevalence |
0.5199 |
Chord Duration |
1.256 |
Partial Chords |
0.2759 |
Standard Triads |
0.5556 |
Diminished and Augmented Triads |
0.01149 |
Dominant Seventh Chords |
0.003831 |
Seventh Chords |
0.01724 |
Non-Standard Chords |
0.1513 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2134 |
Average Number of Simultaneous Pitch Classes |
2.665 |
Variability of Number of Simultaneous Pitch Classes |
0.6327 |
Average Number of Simultaneous Pitches |
3.241 |
Variability of Number of Simultaneous Pitches |
0.8329 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.218 |
Stepwise Motion |
0.6524 |
Melodic Thirds |
0.1204 |
Melodic Perfect Fourths |
0.08232 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02134 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01524 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.548 |
Melodic Embellishments |
0.0197 |
Direction of Melodic Motion |
0.4872 |
Average Length of Melodic Arcs |
1.811 |
Average Interval Spanned by Melodic Arcs |
4.514 |
Melodic Pitch Variety |
4.699 |
Mean Melodic Interval |
2.239 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4345 |
Relative Prevalence of Most Common Melodic Intervals |
0.5018 |
Amount of Arpeggiation |
0.2652 |
Repeated Notes |
0.1082 |
Importance of Middle Register |
0.7561 |
Importance of High Register |
0.007576 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.7 |
Mean Pitch Class |
4.826 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1197 |
Prevalence of Most Common Pitch Class |
0.2061 |
Relative Prevalence of Top Pitches |
0.8354 |
Relative Prevalence of Top Pitch Classes |
0.9412 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.77 |
Pitch Class Variability |
3.459 |
Pitch Class Variability After Folding |
3.057 |
Pitch Skewness |
-0.3511 |
Pitch Class Skewness |
-0.1511 |
Pitch Class Skewness After Folding |
0.962 |
Pitch Kurtosis |
5.493 |
Pitch Class Kurtosis |
4.962 |
Pitch Class Kurtosis After Folding |
7.694 |
Major or Minor |
0.0 |
First Pitch |
53.0 |
First Pitch Class |
5.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.2364 |
Note Density per Quarter Note |
1.196 |
Note Density per Quarter Note per Voice |
0.2989 |
Note Density per Quarter Note Variability |
0.4899 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.6697 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8576 |
Prevalence of Very Long Rhythmic Values |
0.09545 |
Prevalence of Dotted Notes |
0.103 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.791 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5273 |
Relative Prevalence of Most Common Rhythmic Values |
0.3477 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.83 |
Rhythmic Value Skewness |
1.297 |
Rhythmic Value Kurtosis |
11.44 |
Mean Rhythmic Value Run Length |
2.037 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.702 |
Mean Rhythmic Value Offset |
0.0303 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7785 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.4554 |
Average Rest Fraction Across Voices |
0.159 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
57.2 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
9.241 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.66 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
12.78 |
Variability Across Voices of Combined Rests |
36.49 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7041 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1547 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.55 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8589 |
Rhythmic Variability - Tempo Standardized |
0.05774 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
660.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
3.769 |
Minimum Note Duration |
0.6 |
Maximum Note Duration |
38.4 |
Average Note Duration |
2.538 |
Variability of Note Durations |
2.332 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
1.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
74.82 |
Strongest Rhythmic Pulse |
67.0 |
Second Strongest Rhythmic Pulse |
0.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
Strength of Strongest Rhythmic Pulse |
1.0 |
Strength of Second Strongest Rhythmic Pulse |
0.0 |
Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
Rhythmic Variability |
0.07881 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
25.0 |
Duration in Seconds |
498.0 |
Note Density |
1.325 |
Note Density Variability |
0.8186 |
Average Time Between Attacks |
1.544 |
Average Time Between Attacks for Each Voice |
2.964 |
Variability of Time Between Attacks |
0.8821 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4848 |
Relative Range Isolation of Loudest Voice |
0.237 |
Relative Range of Highest Line |
0.4848 |
Relative Note Density of Highest Line |
0.4061 |
Relative Note Durations of Lowest Line |
0.8551 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.8697 |
Voice Separation |
5.333 |
Variability of Voice Separation |
1.155 |
Parallel Motion |
0.03367 |
Average Number of Independent Voices |
3.373 |
Similar Motion |
0.1406 |
Contrary Motion |
0.1757 |
Oblique Motion |
0.6501 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.001464 |
Variability of Number of Independent Voices |
0.8222 |
Voice Equality - Number of Notes |
37.71 |
Voice Equality - Note Duration |
32.92 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.291 |
Importance of Loudest Voice |
0.0 |