| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2629 |
| Prevalence of Second Most Common Vertical Interval |
0.2078 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7903 |
| Vertical Unisons |
0.04113 |
| Vertical Minor Seconds |
0.003135 |
| Vertical Thirds |
0.2449 |
| Vertical Tritones |
0.003513 |
| Vertical Perfect Fourths |
0.1293 |
| Vertical Perfect Fifths |
0.2078 |
| Vertical Sixths |
0.119 |
| Vertical Sevenths |
0.01327 |
| Vertical Octaves |
0.2218 |
| Perfect Vertical Intervals |
0.6 |
| Vertical Dissonance Ratio |
0.03746 |
| Vertical Minor Third Prevalence |
0.6952 |
| Vertical Major Third Prevalence |
0.7669 |
| Chord Duration |
2.018 |
| Partial Chords |
0.01545 |
| Standard Triads |
0.7921 |
| Diminished and Augmented Triads |
0.01685 |
| Dominant Seventh Chords |
0.002809 |
| Seventh Chords |
0.02037 |
| Non-Standard Chords |
0.1721 |
| Complex Chords |
0.009831 |
| Minor Major Triad Ratio |
0.6114 |
| Average Number of Simultaneous Pitch Classes |
3.078 |
| Variability of Number of Simultaneous Pitch Classes |
0.3499 |
| Average Number of Simultaneous Pitches |
5.061 |
| Variability of Number of Simultaneous Pitches |
1.351 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2034 |
| Stepwise Motion |
0.5097 |
| Melodic Thirds |
0.1364 |
| Melodic Perfect Fourths |
0.0873 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07482 |
| Melodic Sixths |
0.003897 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01715 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.778 |
| Melodic Embellishments |
0.02169 |
| Direction of Melodic Motion |
0.484 |
| Average Length of Melodic Arcs |
1.684 |
| Average Interval Spanned by Melodic Arcs |
4.972 |
| Melodic Pitch Variety |
4.766 |
| Mean Melodic Interval |
2.473 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3063 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6641 |
| Amount of Arpeggiation |
0.3991 |
| Repeated Notes |
0.1707 |
| Importance of Middle Register |
0.694 |
| Importance of High Register |
0.09605 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.34 |
| Mean Pitch Class |
5.444 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1022 |
| Prevalence of Most Common Pitch Class |
0.2277 |
| Relative Prevalence of Top Pitches |
0.8939 |
| Relative Prevalence of Top Pitch Classes |
0.8401 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.483 |
| Pitch Class Variability |
3.561 |
| Pitch Class Variability After Folding |
2.364 |
| Pitch Skewness |
-0.1101 |
| Pitch Class Skewness |
1.216 |
| Pitch Class Skewness After Folding |
0.3293 |
| Pitch Kurtosis |
5.214 |
| Pitch Class Kurtosis |
4.789 |
| Pitch Class Kurtosis After Folding |
7.678 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
37.0 |
| Importance of Bass Register |
0.2099 |
| Note Density per Quarter Note |
1.808 |
| Note Density per Quarter Note per Voice |
0.226 |
| Note Density per Quarter Note Variability |
0.7709 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004648 |
| Prevalence of Medium Rhythmic Values |
0.5655 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8815 |
| Prevalence of Very Long Rhythmic Values |
0.08521 |
| Prevalence of Dotted Notes |
0.06429 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.053 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4469 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6984 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.9 |
| Rhythmic Value Skewness |
1.664 |
| Rhythmic Value Kurtosis |
10.63 |
| Mean Rhythmic Value Run Length |
1.808 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.12 |
| Mean Rhythmic Value Offset |
0.04338 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8172 |
| Complete Rests Fraction |
0.002853 |
| Partial Rests Fraction |
0.709 |
| Average Rest Fraction Across Voices |
0.2999 |
| Longest Complete Rest |
2.037 |
| Longest Partial Rest |
36.67 |
| Mean Complete Rest Duration |
2.037 |
| Mean Partial Rest Duration |
12.15 |
| Median Complete Rest Duration |
2.037 |
| Median Partial Rest Duration |
10.19 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.987 |
| Variability Across Voices of Combined Rests |
17.14 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7493 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1325 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.653 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8818 |
| Rhythmic Variability - Tempo Standardized |
0.06052 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1291.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.064 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
1.825 |
| Variability of Note Durations |
1.353 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
102.7 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
102.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8637 |
| Strength of Second Strongest Rhythmic Pulse |
0.1333 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
6.481 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.997 |
| Rhythmic Variability |
0.06881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
11.36 |
| Duration in Seconds |
420.6 |
| Note Density |
3.069 |
| Note Density Variability |
1.356 |
| Average Time Between Attacks |
1.023 |
| Average Time Between Attacks for Each Voice |
2.516 |
| Variability of Time Between Attacks |
0.5114 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.2703 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.2703 |
| Relative Note Density of Highest Line |
0.4462 |
| Relative Note Durations of Lowest Line |
1.047 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5333 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.143 |
| Variability of Voice Separation |
3.024 |
| Parallel Motion |
0.0545 |
| Average Number of Independent Voices |
5.615 |
| Similar Motion |
0.1529 |
| Contrary Motion |
0.1976 |
| Oblique Motion |
0.595 |
| Parallel Fifths |
0.002271 |
| Parallel Octaves |
0.01136 |
| Variability of Number of Independent Voices |
1.768 |
| Voice Equality - Number of Notes |
14.09 |
| Voice Equality - Note Duration |
10.1 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8345 |
| Voice Equality - Range |
2.9 |
| Importance of Loudest Voice |
0.0 |