File

Last modified on: Oct. 17, 2023, 9:53 a.m.

F164_19_Pisano_Or_vedi_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Hor vedi Amore che giovinetta donna
File Type
Symbolic Music
File Format
xml
File Size
318.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1668
Prevalence of Second Most Common Vertical Interval 0.1626
Prevalence Ratio of Two Most Common Vertical Intervals 0.9748
Vertical Unisons 0.04173
Vertical Minor Seconds 0.04173
Vertical Thirds 0.2402
Vertical Tritones 0.03933
Vertical Perfect Fourths 0.1205
Vertical Perfect Fifths 0.1554
Vertical Sixths 0.1114
Vertical Sevenths 0.05126
Vertical Octaves 0.1209
Perfect Vertical Intervals 0.4385
Vertical Dissonance Ratio 0.2656
Vertical Minor Third Prevalence 0.7141
Vertical Major Third Prevalence 0.4236
Chord Duration 1.599
Partial Chords 0.1347
Standard Triads 0.2166
Diminished and Augmented Triads 0.04215
Dominant Seventh Chords 0.007026
Seventh Chords 0.05855
Non-Standard Chords 0.5902
Complex Chords 0.07377
Minor Major Triad Ratio 2.426
Average Number of Simultaneous Pitch Classes 3.353
Variability of Number of Simultaneous Pitch Classes 0.8425
Average Number of Simultaneous Pitches 4.242
Variability of Number of Simultaneous Pitches 0.9839
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 37.0
Variation of Dynamics 14.64
Variation of Dynamics In Each Voice 14.64
Average Note to Note Change in Dynamics 0.1048
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1501
Stepwise Motion 0.5902
Melodic Thirds 0.09091
Melodic Perfect Fourths 0.08514
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06205
Melodic Sixths 0.008658
Melodic Sevenths 0.0
Melodic Octaves 0.02453
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.739
Melodic Embellishments 0.03824
Direction of Melodic Motion 0.4338
Average Length of Melodic Arcs 1.686
Average Interval Spanned by Melodic Arcs 4.977
Melodic Pitch Variety 4.633
Mean Melodic Interval 2.564
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4401
Relative Prevalence of Most Common Melodic Intervals 0.341
Amount of Arpeggiation 0.316
Repeated Notes 0.1385
Importance of Middle Register 0.762
Importance of High Register 0.007082
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.156
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1317
Prevalence of Most Common Pitch Class 0.2224
Relative Prevalence of Top Pitches 0.9677
Relative Prevalence of Top Pitch Classes 0.9682
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.783
Pitch Class Variability 3.448
Pitch Class Variability After Folding 3.07
Pitch Skewness -0.324
Pitch Class Skewness 0.1361
Pitch Class Skewness After Folding 0.3976
Pitch Kurtosis 5.535
Pitch Class Kurtosis 4.778
Pitch Class Kurtosis After Folding 7.615
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.005666
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005666
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 31.0
Importance of Bass Register 0.2309
Note Density per Quarter Note 1.63
Note Density per Quarter Note per Voice 1.63
Note Density per Quarter Note Variability 0.5953
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.03116
Prevalence of Medium Rhythmic Values 0.7252
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7904
Prevalence of Very Long Rhythmic Values 0.01841
Prevalence of Dotted Notes 0.08357
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.385
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5156
Relative Prevalence of Most Common Rhythmic Values 0.3626
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.578
Rhythmic Value Skewness 0.7324
Rhythmic Value Kurtosis 23.79
Mean Rhythmic Value Run Length 2.206
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.809
Mean Rhythmic Value Offset 1.878
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 23.54
Complete Rests Fraction 0.002309
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6146
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1896
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.242
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8042
Rhythmic Variability - Tempo Standardized 0.0524
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 706.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1137
Minimum Note Duration 0.09375
Maximum Note Duration 64.69
Average Note Duration 0.7994
Variability of Note Durations 4.565
Amount of Staccato 0.03116
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2049
Strength of Second Strongest Rhythmic Pulse 0.1992
Strength Ratio of Two Strongest Rhythmic Pulses 1.029
Combined Strength of Two Strongest Rhythmic Pulses 0.4041
Rhythmic Variability 0.03195
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 0.0
Duration in Seconds 81.19
Note Density 8.696
Note Density Variability 1.458
Average Time Between Attacks 0.2688
Average Time Between Attacks for Each Voice 0.2688
Variability of Time Between Attacks 0.1137
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08357
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04642
Average Number of Independent Voices 1.0
Similar Motion 0.1273
Contrary Motion 0.1061
Oblique Motion 0.7202
Parallel Fifths 0.006631
Parallel Octaves 0.002653
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0