| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2504 |
| Prevalence of Second Most Common Vertical Interval |
0.2278 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9098 |
| Vertical Unisons |
0.008325 |
| Vertical Minor Seconds |
0.0003784 |
| Vertical Thirds |
0.3653 |
| Vertical Tritones |
0.004541 |
| Vertical Perfect Fourths |
0.1089 |
| Vertical Perfect Fifths |
0.2278 |
| Vertical Sixths |
0.1056 |
| Vertical Sevenths |
0.007694 |
| Vertical Octaves |
0.1632 |
| Perfect Vertical Intervals |
0.5082 |
| Vertical Dissonance Ratio |
0.02139 |
| Vertical Minor Third Prevalence |
0.5512 |
| Vertical Major Third Prevalence |
0.806 |
| Chord Duration |
3.1 |
| Partial Chords |
0.07123 |
| Standard Triads |
0.8305 |
| Diminished and Augmented Triads |
0.01852 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.005698 |
| Non-Standard Chords |
0.09259 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.1105 |
| Average Number of Simultaneous Pitch Classes |
2.859 |
| Variability of Number of Simultaneous Pitch Classes |
0.4712 |
| Average Number of Simultaneous Pitches |
3.734 |
| Variability of Number of Simultaneous Pitches |
0.6684 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1667 |
| Stepwise Motion |
0.4271 |
| Melodic Thirds |
0.08912 |
| Melodic Perfect Fourths |
0.06481 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05093 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00463 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.5 |
| Melodic Embellishments |
0.01613 |
| Direction of Melodic Motion |
0.4745 |
| Average Length of Melodic Arcs |
1.515 |
| Average Interval Spanned by Melodic Arcs |
4.047 |
| Melodic Pitch Variety |
3.512 |
| Mean Melodic Interval |
1.716 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3634 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7166 |
| Amount of Arpeggiation |
0.5081 |
| Repeated Notes |
0.3634 |
| Importance of Middle Register |
0.8203 |
| Importance of High Register |
0.01037 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.97 |
| Mean Pitch Class |
4.8 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1578 |
| Prevalence of Most Common Pitch Class |
0.2684 |
| Relative Prevalence of Top Pitches |
0.854 |
| Relative Prevalence of Top Pitch Classes |
0.8455 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.586 |
| Pitch Class Variability |
3.45 |
| Pitch Class Variability After Folding |
4.439 |
| Pitch Skewness |
-0.7505 |
| Pitch Class Skewness |
-0.1743 |
| Pitch Class Skewness After Folding |
1.085 |
| Pitch Kurtosis |
5.461 |
| Pitch Class Kurtosis |
4.88 |
| Pitch Class Kurtosis After Folding |
4.605 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1694 |
| Note Density per Quarter Note |
1.16 |
| Note Density per Quarter Note per Voice |
0.2901 |
| Note Density per Quarter Note Variability |
0.5301 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002304 |
| Prevalence of Medium Rhythmic Values |
0.5507 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9205 |
| Prevalence of Very Long Rhythmic Values |
0.1244 |
| Prevalence of Dotted Notes |
0.09217 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.187 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4712 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5721 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.885 |
| Rhythmic Value Skewness |
1.888 |
| Rhythmic Value Kurtosis |
7.18 |
| Mean Rhythmic Value Run Length |
1.553 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9411 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.02139 |
| Partial Rests Fraction |
0.1524 |
| Average Rest Fraction Across Voices |
0.07553 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
30.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
3.767 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.01 |
| Variability Across Voices of Combined Rests |
30.61 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7201 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1692 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.256 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8892 |
| Rhythmic Variability - Tempo Standardized |
0.05878 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
868.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.301 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
1.593 |
| Variability of Note Durations |
0.9426 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.7201 |
| Strength of Second Strongest Rhythmic Pulse |
0.1692 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.256 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8892 |
| Rhythmic Variability |
0.05878 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
374.0 |
| Note Density |
2.321 |
| Note Density Variability |
0.9832 |
| Average Time Between Attacks |
1.212 |
| Average Time Between Attacks for Each Voice |
1.714 |
| Variability of Time Between Attacks |
0.749 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3214 |
| Relative Range Isolation of Loudest Voice |
0.4151 |
| Relative Range of Highest Line |
0.3214 |
| Relative Note Density of Highest Line |
0.318 |
| Relative Note Durations of Lowest Line |
1.04 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8399 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.01798 |
| Average Number of Independent Voices |
3.779 |
| Similar Motion |
0.2551 |
| Contrary Motion |
0.2146 |
| Oblique Motion |
0.5124 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001124 |
| Variability of Number of Independent Voices |
0.6467 |
| Voice Equality - Number of Notes |
17.64 |
| Voice Equality - Note Duration |
15.31 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
0.0 |