| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2561 |
| Prevalence of Second Most Common Vertical Interval |
0.2221 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8671 |
| Vertical Unisons |
0.03479 |
| Vertical Minor Seconds |
0.002549 |
| Vertical Thirds |
0.253 |
| Vertical Tritones |
0.008997 |
| Vertical Perfect Fourths |
0.1231 |
| Vertical Perfect Fifths |
0.2221 |
| Vertical Sixths |
0.1038 |
| Vertical Sevenths |
0.0141 |
| Vertical Octaves |
0.2213 |
| Perfect Vertical Intervals |
0.6013 |
| Vertical Dissonance Ratio |
0.04383 |
| Vertical Minor Third Prevalence |
0.7179 |
| Vertical Major Third Prevalence |
0.7536 |
| Chord Duration |
2.665 |
| Partial Chords |
0.05072 |
| Standard Triads |
0.7283 |
| Diminished and Augmented Triads |
0.0471 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.007246 |
| Non-Standard Chords |
0.2138 |
| Complex Chords |
0.007246 |
| Minor Major Triad Ratio |
0.1824 |
| Average Number of Simultaneous Pitch Classes |
2.979 |
| Variability of Number of Simultaneous Pitch Classes |
0.422 |
| Average Number of Simultaneous Pitches |
5.032 |
| Variability of Number of Simultaneous Pitches |
1.106 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1464 |
| Stepwise Motion |
0.4309 |
| Melodic Thirds |
0.1243 |
| Melodic Perfect Fourths |
0.1436 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.09669 |
| Melodic Sixths |
0.002762 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0221 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.647 |
| Melodic Embellishments |
0.03533 |
| Direction of Melodic Motion |
0.5051 |
| Average Length of Melodic Arcs |
1.492 |
| Average Interval Spanned by Melodic Arcs |
5.025 |
| Melodic Pitch Variety |
4.335 |
| Mean Melodic Interval |
2.82 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2845 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6311 |
| Amount of Arpeggiation |
0.4227 |
| Repeated Notes |
0.1796 |
| Importance of Middle Register |
0.7147 |
| Importance of High Register |
0.0462 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.38 |
| Mean Pitch Class |
4.886 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1033 |
| Prevalence of Most Common Pitch Class |
0.1957 |
| Relative Prevalence of Top Pitches |
0.8684 |
| Relative Prevalence of Top Pitch Classes |
0.9444 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.089 |
| Pitch Class Variability |
3.399 |
| Pitch Class Variability After Folding |
3.464 |
| Pitch Skewness |
-0.002016 |
| Pitch Class Skewness |
-0.1007 |
| Pitch Class Skewness After Folding |
1.229 |
| Pitch Kurtosis |
5.489 |
| Pitch Class Kurtosis |
4.847 |
| Pitch Class Kurtosis After Folding |
6.42 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.2391 |
| Note Density per Quarter Note |
1.314 |
| Note Density per Quarter Note per Voice |
0.219 |
| Note Density per Quarter Note Variability |
0.575 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3777 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9158 |
| Prevalence of Very Long Rhythmic Values |
0.2554 |
| Prevalence of Dotted Notes |
0.106 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.082 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.337 |
| Relative Prevalence of Most Common Rhythmic Values |
0.871 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.441 |
| Rhythmic Value Skewness |
0.1002 |
| Rhythmic Value Kurtosis |
6.172 |
| Mean Rhythmic Value Run Length |
1.658 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.388 |
| Mean Rhythmic Value Offset |
0.06522 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7203 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3 |
| Average Rest Fraction Across Voices |
0.09167 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
22.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
7.333 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.552 |
| Variability Across Voices of Combined Rests |
18.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7365 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1317 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.591 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8683 |
| Rhythmic Variability - Tempo Standardized |
0.05974 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
368.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.09 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
2.488 |
| Variability of Note Durations |
1.645 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8483 |
| Strength of Second Strongest Rhythmic Pulse |
0.1517 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
5.591 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.06784 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
168.0 |
| Note Density |
2.19 |
| Note Density Variability |
0.955 |
| Average Time Between Attacks |
1.217 |
| Average Time Between Attacks for Each Voice |
2.719 |
| Variability of Time Between Attacks |
0.5837 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4211 |
| Relative Range Isolation of Loudest Voice |
0.3036 |
| Relative Range of Highest Line |
0.4211 |
| Relative Note Density of Highest Line |
1.141 |
| Relative Note Durations of Lowest Line |
1.005 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
| Voice Overlap |
0.8913 |
| Voice Separation |
4.6 |
| Variability of Voice Separation |
2.608 |
| Parallel Motion |
0.0271 |
| Average Number of Independent Voices |
5.45 |
| Similar Motion |
0.1436 |
| Contrary Motion |
0.1409 |
| Oblique Motion |
0.6883 |
| Parallel Fifths |
0.00271 |
| Parallel Octaves |
0.00813 |
| Variability of Number of Independent Voices |
1.058 |
| Voice Equality - Number of Notes |
11.17 |
| Voice Equality - Note Duration |
10.8 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9832 |
| Voice Equality - Range |
3.332 |
| Importance of Loudest Voice |
0.0 |