| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2086 |
| Prevalence of Second Most Common Vertical Interval |
0.2053 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9842 |
| Vertical Unisons |
0.03172 |
| Vertical Minor Seconds |
0.002585 |
| Vertical Thirds |
0.3035 |
| Vertical Tritones |
0.007637 |
| Vertical Perfect Fourths |
0.112 |
| Vertical Perfect Fifths |
0.2086 |
| Vertical Sixths |
0.1307 |
| Vertical Sevenths |
0.01445 |
| Vertical Octaves |
0.1735 |
| Perfect Vertical Intervals |
0.5258 |
| Vertical Dissonance Ratio |
0.04167 |
| Vertical Minor Third Prevalence |
0.6079 |
| Vertical Major Third Prevalence |
0.6488 |
| Chord Duration |
1.347 |
| Partial Chords |
0.1189 |
| Standard Triads |
0.7157 |
| Diminished and Augmented Triads |
0.01829 |
| Dominant Seventh Chords |
0.007622 |
| Seventh Chords |
0.02668 |
| Non-Standard Chords |
0.1387 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.019 |
| Average Number of Simultaneous Pitch Classes |
2.89 |
| Variability of Number of Simultaneous Pitch Classes |
0.5027 |
| Average Number of Simultaneous Pitches |
3.838 |
| Variability of Number of Simultaneous Pitches |
0.9253 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.243 |
| Stepwise Motion |
0.5082 |
| Melodic Thirds |
0.1013 |
| Melodic Perfect Fourths |
0.06943 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05111 |
| Melodic Sixths |
0.001929 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01446 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.01248 |
| Direction of Melodic Motion |
0.5 |
| Average Length of Melodic Arcs |
1.69 |
| Average Interval Spanned by Melodic Arcs |
4.507 |
| Melodic Pitch Variety |
4.389 |
| Mean Melodic Interval |
2.012 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2652 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9564 |
| Amount of Arpeggiation |
0.4204 |
| Repeated Notes |
0.2536 |
| Importance of Middle Register |
0.7821 |
| Importance of High Register |
0.03935 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.03 |
| Mean Pitch Class |
5.371 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1113 |
| Prevalence of Most Common Pitch Class |
0.237 |
| Relative Prevalence of Top Pitches |
0.9569 |
| Relative Prevalence of Top Pitch Classes |
0.7773 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.332 |
| Pitch Class Variability |
3.328 |
| Pitch Class Variability After Folding |
3.267 |
| Pitch Skewness |
-0.2651 |
| Pitch Class Skewness |
0.3348 |
| Pitch Class Skewness After Folding |
0.9561 |
| Pitch Kurtosis |
5.535 |
| Pitch Class Kurtosis |
4.715 |
| Pitch Class Kurtosis After Folding |
6.123 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1785 |
| Note Density per Quarter Note |
1.551 |
| Note Density per Quarter Note per Voice |
0.3101 |
| Note Density per Quarter Note Variability |
0.6005 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005758 |
| Prevalence of Medium Rhythmic Values |
0.6804 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8522 |
| Prevalence of Very Long Rhythmic Values |
0.04031 |
| Prevalence of Dotted Notes |
0.06526 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.595 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5326 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4252 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.512 |
| Rhythmic Value Skewness |
1.181 |
| Rhythmic Value Kurtosis |
13.98 |
| Mean Rhythmic Value Run Length |
1.861 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.645 |
| Mean Rhythmic Value Offset |
0.01152 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3717 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.585 |
| Average Rest Fraction Across Voices |
0.1723 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
107.6 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.492 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.64 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.54 |
| Variability Across Voices of Combined Rests |
41.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6886 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1595 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.317 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8481 |
| Rhythmic Variability - Tempo Standardized |
0.05675 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1042.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.978 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.412 |
| Variability of Note Durations |
1.794 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.7 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9608 |
| Strength of Second Strongest Rhythmic Pulse |
0.02447 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
39.27 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9853 |
| Rhythmic Variability |
0.07574 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
607.2 |
| Note Density |
1.716 |
| Note Density Variability |
0.7713 |
| Average Time Between Attacks |
1.5 |
| Average Time Between Attacks for Each Voice |
2.879 |
| Variability of Time Between Attacks |
0.7537 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3263 |
| Relative Note Durations of Lowest Line |
1.109 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.9597 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.872 |
| Parallel Motion |
0.06754 |
| Average Number of Independent Voices |
4.042 |
| Similar Motion |
0.1583 |
| Contrary Motion |
0.1825 |
| Oblique Motion |
0.5917 |
| Parallel Fifths |
0.001008 |
| Parallel Octaves |
0.003024 |
| Variability of Number of Independent Voices |
0.9534 |
| Voice Equality - Number of Notes |
24.6 |
| Voice Equality - Note Duration |
37.35 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.304 |
| Importance of Loudest Voice |
0.0 |