Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2766 |
Prevalence of Second Most Common Vertical Interval |
0.2039 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7373 |
Vertical Unisons |
0.06737 |
Vertical Minor Seconds |
0.001346 |
Vertical Thirds |
0.267 |
Vertical Tritones |
0.002979 |
Vertical Perfect Fourths |
0.1145 |
Vertical Perfect Fifths |
0.2039 |
Vertical Sixths |
0.1149 |
Vertical Sevenths |
0.008025 |
Vertical Octaves |
0.2092 |
Perfect Vertical Intervals |
0.595 |
Vertical Dissonance Ratio |
0.02361 |
Vertical Minor Third Prevalence |
0.7887 |
Vertical Major Third Prevalence |
0.7887 |
Chord Duration |
2.081 |
Partial Chords |
0.015 |
Standard Triads |
0.8425 |
Diminished and Augmented Triads |
0.025 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0225 |
Non-Standard Chords |
0.12 |
Complex Chords |
0.0025 |
Minor Major Triad Ratio |
0.6241 |
Average Number of Simultaneous Pitch Classes |
3.058 |
Variability of Number of Simultaneous Pitch Classes |
0.315 |
Average Number of Simultaneous Pitches |
4.848 |
Variability of Number of Simultaneous Pitches |
1.231 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1844 |
Stepwise Motion |
0.406 |
Melodic Thirds |
0.09102 |
Melodic Perfect Fourths |
0.08144 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06587 |
Melodic Sixths |
0.002395 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01317 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
1.714 |
Melodic Embellishments |
0.01068 |
Direction of Melodic Motion |
0.51 |
Average Length of Melodic Arcs |
1.602 |
Average Interval Spanned by Melodic Arcs |
4.689 |
Melodic Pitch Variety |
3.53 |
Mean Melodic Interval |
1.98 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3401 |
Relative Prevalence of Most Common Melodic Intervals |
0.6514 |
Amount of Arpeggiation |
0.5102 |
Repeated Notes |
0.3401 |
Importance of Middle Register |
0.7129 |
Importance of High Register |
0.04508 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.15 |
Mean Pitch Class |
5.104 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1139 |
Prevalence of Most Common Pitch Class |
0.2183 |
Relative Prevalence of Top Pitches |
0.8229 |
Relative Prevalence of Top Pitch Classes |
0.9022 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
8.058 |
Pitch Class Variability |
3.386 |
Pitch Class Variability After Folding |
3.255 |
Pitch Skewness |
-0.5719 |
Pitch Class Skewness |
0.09249 |
Pitch Class Skewness After Folding |
0.6342 |
Pitch Kurtosis |
5.243 |
Pitch Class Kurtosis |
4.715 |
Pitch Class Kurtosis After Folding |
6.477 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
38.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
31.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
36.0 |
Importance of Bass Register |
0.242 |
Note Density per Quarter Note |
2.107 |
Note Density per Quarter Note per Voice |
0.2634 |
Note Density per Quarter Note Variability |
1.039 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01186 |
Prevalence of Medium Rhythmic Values |
0.6667 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8256 |
Prevalence of Very Long Rhythmic Values |
0.0688 |
Prevalence of Dotted Notes |
0.05101 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.725 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4923 |
Relative Prevalence of Most Common Rhythmic Values |
0.4723 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.766 |
Rhythmic Value Skewness |
1.232 |
Rhythmic Value Kurtosis |
10.51 |
Mean Rhythmic Value Run Length |
1.956 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.767 |
Mean Rhythmic Value Offset |
0.005931 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.142 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.5825 |
Average Rest Fraction Across Voices |
0.2824 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
36.36 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
8.86 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.04 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
9.034 |
Variability Across Voices of Combined Rests |
3.702 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6649 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1769 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.759 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8417 |
Rhythmic Variability - Tempo Standardized |
0.05521 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
843.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
2.151 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
8.0 |
Average Note Duration |
1.348 |
Variability of Note Durations |
0.9039 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
121.8 |
Strongest Rhythmic Pulse |
61.0 |
Second Strongest Rhythmic Pulse |
41.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
Strength of Strongest Rhythmic Pulse |
0.6649 |
Strength of Second Strongest Rhythmic Pulse |
0.1769 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.759 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8417 |
Rhythmic Variability |
0.05521 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
10.24 |
Duration in Seconds |
198.0 |
Note Density |
4.258 |
Note Density Variability |
2.09 |
Average Time Between Attacks |
0.821 |
Average Time Between Attacks for Each Voice |
1.776 |
Variability of Time Between Attacks |
0.3526 |
Maximum Number of Independent Voices |
8.0 |
Relative Range of Loudest Voice |
0.3333 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.3333 |
Relative Note Density of Highest Line |
0.6643 |
Relative Note Durations of Lowest Line |
1.127 |
Relative Size of Melodic Intervals in Lowest Line |
0.6154 |
Voice Overlap |
0.9917 |
Voice Separation |
3.143 |
Variability of Voice Separation |
1.215 |
Parallel Motion |
0.01716 |
Average Number of Independent Voices |
5.75 |
Similar Motion |
0.1732 |
Contrary Motion |
0.1529 |
Oblique Motion |
0.6568 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.00156 |
Variability of Number of Independent Voices |
1.964 |
Voice Equality - Number of Notes |
5.153 |
Voice Equality - Note Duration |
1.832 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.9161 |
Voice Equality - Range |
2.252 |
Importance of Loudest Voice |
0.0 |