| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2464 |
| Prevalence of Second Most Common Vertical Interval |
0.1818 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7379 |
| Vertical Unisons |
0.05512 |
| Vertical Minor Seconds |
0.005638 |
| Vertical Thirds |
0.2849 |
| Vertical Tritones |
0.005495 |
| Vertical Perfect Fourths |
0.113 |
| Vertical Perfect Fifths |
0.1818 |
| Vertical Sixths |
0.1202 |
| Vertical Sevenths |
0.019 |
| Vertical Octaves |
0.1913 |
| Perfect Vertical Intervals |
0.5412 |
| Vertical Dissonance Ratio |
0.0568 |
| Vertical Minor Third Prevalence |
0.7153 |
| Vertical Major Third Prevalence |
0.7809 |
| Chord Duration |
1.739 |
| Partial Chords |
0.07355 |
| Standard Triads |
0.7123 |
| Diminished and Augmented Triads |
0.009032 |
| Dominant Seventh Chords |
0.01161 |
| Seventh Chords |
0.03613 |
| Non-Standard Chords |
0.1781 |
| Complex Chords |
0.02194 |
| Minor Major Triad Ratio |
0.1858 |
| Average Number of Simultaneous Pitch Classes |
3.048 |
| Variability of Number of Simultaneous Pitch Classes |
0.6011 |
| Average Number of Simultaneous Pitches |
4.636 |
| Variability of Number of Simultaneous Pitches |
1.226 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1697 |
| Stepwise Motion |
0.5243 |
| Melodic Thirds |
0.1342 |
| Melodic Perfect Fourths |
0.075 |
| Melodic Tritones |
0.001316 |
| Melodic Perfect Fifths |
0.05724 |
| Melodic Sixths |
0.003289 |
| Melodic Sevenths |
0.001316 |
| Melodic Octaves |
0.01513 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.238 |
| Melodic Embellishments |
0.01702 |
| Direction of Melodic Motion |
0.5016 |
| Average Length of Melodic Arcs |
1.89 |
| Average Interval Spanned by Melodic Arcs |
5.372 |
| Melodic Pitch Variety |
4.842 |
| Mean Melodic Interval |
2.328 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3546 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5306 |
| Amount of Arpeggiation |
0.3961 |
| Repeated Notes |
0.1882 |
| Importance of Middle Register |
0.7795 |
| Importance of High Register |
0.02225 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.8 |
| Mean Pitch Class |
5.58 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1171 |
| Prevalence of Most Common Pitch Class |
0.1963 |
| Relative Prevalence of Top Pitches |
0.7486 |
| Relative Prevalence of Top Pitch Classes |
0.9667 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.372 |
| Pitch Class Variability |
3.537 |
| Pitch Class Variability After Folding |
1.943 |
| Pitch Skewness |
-0.6427 |
| Pitch Class Skewness |
-0.3558 |
| Pitch Class Skewness After Folding |
-0.2294 |
| Pitch Kurtosis |
5.449 |
| Pitch Class Kurtosis |
4.792 |
| Pitch Class Kurtosis After Folding |
5.559 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1983 |
| Note Density per Quarter Note |
1.929 |
| Note Density per Quarter Note per Voice |
0.2412 |
| Note Density per Quarter Note Variability |
0.748 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0216 |
| Prevalence of Medium Rhythmic Values |
0.627 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8037 |
| Prevalence of Very Long Rhythmic Values |
0.06545 |
| Prevalence of Dotted Notes |
0.1119 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.698 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4306 |
| Relative Prevalence of Most Common Rhythmic Values |
0.538 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.731 |
| Rhythmic Value Skewness |
1.209 |
| Rhythmic Value Kurtosis |
12.39 |
| Mean Rhythmic Value Run Length |
1.666 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.171 |
| Mean Rhythmic Value Offset |
0.02618 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7233 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.8769 |
| Average Rest Fraction Across Voices |
0.3428 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
112.4 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
16.21 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
8.123 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.41 |
| Variability Across Voices of Combined Rests |
70.35 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6111 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1992 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.068 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8103 |
| Rhythmic Variability - Tempo Standardized |
0.05227 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1528.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.062 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.342 |
| Variability of Note Durations |
1.0 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
122.7 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.6111 |
| Strength of Second Strongest Rhythmic Pulse |
0.1992 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.068 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8103 |
| Rhythmic Variability |
0.05227 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
12.5 |
| Duration in Seconds |
390.0 |
| Note Density |
3.918 |
| Note Density Variability |
1.46 |
| Average Time Between Attacks |
0.7259 |
| Average Time Between Attacks for Each Voice |
1.884 |
| Variability of Time Between Attacks |
0.3352 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.356 |
| Relative Note Durations of Lowest Line |
1.095 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5333 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.714 |
| Variability of Voice Separation |
2.43 |
| Parallel Motion |
0.04194 |
| Average Number of Independent Voices |
5.255 |
| Similar Motion |
0.1717 |
| Contrary Motion |
0.173 |
| Oblique Motion |
0.6134 |
| Parallel Fifths |
0.001311 |
| Parallel Octaves |
0.005898 |
| Variability of Number of Independent Voices |
1.615 |
| Voice Equality - Number of Notes |
31.65 |
| Voice Equality - Note Duration |
34.64 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8345 |
| Voice Equality - Range |
1.69 |
| Importance of Loudest Voice |
0.0 |