| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1892 |
| Prevalence of Second Most Common Vertical Interval |
0.183 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9674 |
| Vertical Unisons |
0.03751 |
| Vertical Minor Seconds |
0.00691 |
| Vertical Thirds |
0.3422 |
| Vertical Tritones |
0.01296 |
| Vertical Perfect Fourths |
0.0902 |
| Vertical Perfect Fifths |
0.1807 |
| Vertical Sixths |
0.1371 |
| Vertical Sevenths |
0.019 |
| Vertical Octaves |
0.1455 |
| Perfect Vertical Intervals |
0.4538 |
| Vertical Dissonance Ratio |
0.07167 |
| Vertical Minor Third Prevalence |
0.4635 |
| Vertical Major Third Prevalence |
0.4995 |
| Chord Duration |
1.221 |
| Partial Chords |
0.3901 |
| Standard Triads |
0.4579 |
| Diminished and Augmented Triads |
0.02517 |
| Dominant Seventh Chords |
0.001936 |
| Seventh Chords |
0.01452 |
| Non-Standard Chords |
0.1375 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4781 |
| Average Number of Simultaneous Pitch Classes |
2.55 |
| Variability of Number of Simultaneous Pitch Classes |
0.6543 |
| Average Number of Simultaneous Pitches |
3.05 |
| Variability of Number of Simultaneous Pitches |
0.8129 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2233 |
| Stepwise Motion |
0.6798 |
| Melodic Thirds |
0.1182 |
| Melodic Perfect Fourths |
0.06486 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03038 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01067 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.064 |
| Melodic Embellishments |
0.018 |
| Direction of Melodic Motion |
0.4868 |
| Average Length of Melodic Arcs |
1.998 |
| Average Interval Spanned by Melodic Arcs |
4.829 |
| Melodic Pitch Variety |
4.776 |
| Mean Melodic Interval |
2.195 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4565 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4892 |
| Amount of Arpeggiation |
0.2553 |
| Repeated Notes |
0.09606 |
| Importance of Middle Register |
0.8462 |
| Importance of High Register |
0.05483 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.75 |
| Mean Pitch Class |
4.899 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1301 |
| Prevalence of Most Common Pitch Class |
0.2005 |
| Relative Prevalence of Top Pitches |
0.8176 |
| Relative Prevalence of Top Pitch Classes |
0.9102 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.467 |
| Pitch Class Variability |
3.421 |
| Pitch Class Variability After Folding |
4.245 |
| Pitch Skewness |
-0.3166 |
| Pitch Class Skewness |
-0.08899 |
| Pitch Class Skewness After Folding |
1.113 |
| Pitch Kurtosis |
5.694 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
4.679 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.09902 |
| Note Density per Quarter Note |
1.109 |
| Note Density per Quarter Note per Voice |
0.2772 |
| Note Density per Quarter Note Variability |
0.4683 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00491 |
| Prevalence of Medium Rhythmic Values |
0.6088 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7979 |
| Prevalence of Very Long Rhythmic Values |
0.08511 |
| Prevalence of Dotted Notes |
0.0761 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.835 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4067 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6439 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.837 |
| Rhythmic Value Skewness |
1.363 |
| Rhythmic Value Kurtosis |
9.416 |
| Mean Rhythmic Value Run Length |
1.7 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.181 |
| Mean Rhythmic Value Offset |
0.02619 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6052 |
| Complete Rests Fraction |
0.007371 |
| Partial Rests Fraction |
0.6118 |
| Average Rest Fraction Across Voices |
0.2104 |
| Longest Complete Rest |
2.708 |
| Longest Partial Rest |
465.7 |
| Mean Complete Rest Duration |
2.708 |
| Mean Partial Rest Duration |
12.05 |
| Median Complete Rest Duration |
2.708 |
| Median Partial Rest Duration |
2.708 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
52.84 |
| Variability Across Voices of Combined Rests |
239.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6298 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1881 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.348 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8179 |
| Rhythmic Variability - Tempo Standardized |
0.05345 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1222.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
10.56 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.525 |
| Variability of Note Durations |
2.211 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
78.77 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
135.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9744 |
| Strength of Second Strongest Rhythmic Pulse |
0.01438 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
67.78 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9888 |
| Rhythmic Variability |
0.0768 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
31.71 |
| Duration in Seconds |
976.8 |
| Note Density |
1.251 |
| Note Density Variability |
0.784 |
| Average Time Between Attacks |
1.534 |
| Average Time Between Attacks for Each Voice |
3.612 |
| Variability of Time Between Attacks |
0.9924 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.212 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.2291 |
| Relative Note Durations of Lowest Line |
1.161 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9067 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04257 |
| Average Number of Independent Voices |
3.19 |
| Similar Motion |
0.1424 |
| Contrary Motion |
0.1641 |
| Oblique Motion |
0.6509 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7857 |
| Voice Equality - Number of Notes |
107.3 |
| Voice Equality - Note Duration |
211.9 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
0.0 |