| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2077 |
| Prevalence of Second Most Common Vertical Interval |
0.1959 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9429 |
| Vertical Unisons |
0.03422 |
| Vertical Minor Seconds |
0.004662 |
| Vertical Thirds |
0.293 |
| Vertical Tritones |
0.00559 |
| Vertical Perfect Fourths |
0.1263 |
| Vertical Perfect Fifths |
0.1934 |
| Vertical Sixths |
0.1055 |
| Vertical Sevenths |
0.03072 |
| Vertical Octaves |
0.1735 |
| Perfect Vertical Intervals |
0.5275 |
| Vertical Dissonance Ratio |
0.08002 |
| Vertical Minor Third Prevalence |
0.5926 |
| Vertical Major Third Prevalence |
0.3831 |
| Chord Duration |
1.559 |
| Partial Chords |
0.2742 |
| Standard Triads |
0.4811 |
| Diminished and Augmented Triads |
0.009456 |
| Dominant Seventh Chords |
0.004728 |
| Seventh Chords |
0.02719 |
| Non-Standard Chords |
0.2175 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.111 |
| Average Number of Simultaneous Pitch Classes |
2.758 |
| Variability of Number of Simultaneous Pitch Classes |
0.6014 |
| Average Number of Simultaneous Pitches |
3.564 |
| Variability of Number of Simultaneous Pitches |
0.6757 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
33.0 |
| Variation of Dynamics |
2.3 |
| Variation of Dynamics In Each Voice |
2.248 |
| Average Note to Note Change in Dynamics |
1.98 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1501 |
| Stepwise Motion |
0.5916 |
| Melodic Thirds |
0.08947 |
| Melodic Perfect Fourths |
0.08514 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06061 |
| Melodic Sixths |
0.0101 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02453 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.696 |
| Melodic Embellishments |
0.01435 |
| Direction of Melodic Motion |
0.4355 |
| Average Length of Melodic Arcs |
1.686 |
| Average Interval Spanned by Melodic Arcs |
4.977 |
| Melodic Pitch Variety |
5.031 |
| Mean Melodic Interval |
2.564 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4416 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3399 |
| Amount of Arpeggiation |
0.3131 |
| Repeated Notes |
0.1385 |
| Importance of Middle Register |
0.7633 |
| Importance of High Register |
0.007174 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.89 |
| Mean Pitch Class |
5.136 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1334 |
| Prevalence of Most Common Pitch Class |
0.2253 |
| Relative Prevalence of Top Pitches |
0.9677 |
| Relative Prevalence of Top Pitch Classes |
0.9682 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.796 |
| Pitch Class Variability |
3.441 |
| Pitch Class Variability After Folding |
3.081 |
| Pitch Skewness |
-0.3091 |
| Pitch Class Skewness |
0.1188 |
| Pitch Class Skewness After Folding |
0.387 |
| Pitch Kurtosis |
5.538 |
| Pitch Class Kurtosis |
4.775 |
| Pitch Class Kurtosis After Folding |
7.607 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2296 |
| Note Density per Quarter Note |
1.613 |
| Note Density per Quarter Note per Voice |
0.4034 |
| Note Density per Quarter Note Variability |
0.5248 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03156 |
| Prevalence of Medium Rhythmic Values |
0.7346 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7877 |
| Prevalence of Very Long Rhythmic Values |
0.01004 |
| Prevalence of Dotted Notes |
0.07604 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.296 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5222 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3544 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.306 |
| Rhythmic Value Skewness |
0.6788 |
| Rhythmic Value Kurtosis |
23.09 |
| Mean Rhythmic Value Run Length |
2.22 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.833 |
| Mean Rhythmic Value Offset |
0.02296 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3024 |
| Complete Rests Fraction |
0.000002411 |
| Partial Rests Fraction |
0.1944 |
| Average Rest Fraction Across Voices |
0.06482 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
10.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
2.489 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.547 |
| Variability Across Voices of Combined Rests |
9.933 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6146 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.189 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.252 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8036 |
| Rhythmic Variability - Tempo Standardized |
0.05235 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
697.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2633 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4347 |
| Variability of Note Durations |
0.2809 |
| Amount of Staccato |
0.03156 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2055 |
| Strength of Second Strongest Rhythmic Pulse |
0.1982 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4037 |
| Rhythmic Variability |
0.03187 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
81.0 |
| Note Density |
8.605 |
| Note Density Variability |
2.485 |
| Average Time Between Attacks |
0.2688 |
| Average Time Between Attacks for Each Voice |
0.4485 |
| Variability of Time Between Attacks |
0.1137 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3901 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3788 |
| Relative Note Durations of Lowest Line |
1.127 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8307 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.726 |
| Parallel Motion |
0.05335 |
| Average Number of Independent Voices |
3.741 |
| Similar Motion |
0.1341 |
| Contrary Motion |
0.1768 |
| Oblique Motion |
0.6357 |
| Parallel Fifths |
0.004573 |
| Parallel Octaves |
0.003049 |
| Variability of Number of Independent Voices |
0.5753 |
| Voice Equality - Number of Notes |
16.78 |
| Voice Equality - Note Duration |
1.862 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
0.6667 |