File

Last modified on: Oct. 17, 2023, 9:54 a.m.

F164_19_Pisano_Or_vedi_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Hor vedi Amore che giovinetta donna
File Type
Symbolic Music
File Format
midi
File Size
9.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2077
Prevalence of Second Most Common Vertical Interval 0.1959
Prevalence Ratio of Two Most Common Vertical Intervals 0.9429
Vertical Unisons 0.03422
Vertical Minor Seconds 0.004662
Vertical Thirds 0.293
Vertical Tritones 0.00559
Vertical Perfect Fourths 0.1263
Vertical Perfect Fifths 0.1934
Vertical Sixths 0.1055
Vertical Sevenths 0.03072
Vertical Octaves 0.1735
Perfect Vertical Intervals 0.5275
Vertical Dissonance Ratio 0.08002
Vertical Minor Third Prevalence 0.5926
Vertical Major Third Prevalence 0.3831
Chord Duration 1.559
Partial Chords 0.2742
Standard Triads 0.4811
Diminished and Augmented Triads 0.009456
Dominant Seventh Chords 0.004728
Seventh Chords 0.02719
Non-Standard Chords 0.2175
Complex Chords 0.0
Minor Major Triad Ratio 3.111
Average Number of Simultaneous Pitch Classes 2.758
Variability of Number of Simultaneous Pitch Classes 0.6014
Average Number of Simultaneous Pitches 3.564
Variability of Number of Simultaneous Pitches 0.6757
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 33.0
Variation of Dynamics 2.3
Variation of Dynamics In Each Voice 2.248
Average Note to Note Change in Dynamics 1.98
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1501
Stepwise Motion 0.5916
Melodic Thirds 0.08947
Melodic Perfect Fourths 0.08514
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06061
Melodic Sixths 0.0101
Melodic Sevenths 0.0
Melodic Octaves 0.02453
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.696
Melodic Embellishments 0.01435
Direction of Melodic Motion 0.4355
Average Length of Melodic Arcs 1.686
Average Interval Spanned by Melodic Arcs 4.977
Melodic Pitch Variety 5.031
Mean Melodic Interval 2.564
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4416
Relative Prevalence of Most Common Melodic Intervals 0.3399
Amount of Arpeggiation 0.3131
Repeated Notes 0.1385
Importance of Middle Register 0.7633
Importance of High Register 0.007174
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.89
Mean Pitch Class 5.136
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1334
Prevalence of Most Common Pitch Class 0.2253
Relative Prevalence of Top Pitches 0.9677
Relative Prevalence of Top Pitch Classes 0.9682
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.796
Pitch Class Variability 3.441
Pitch Class Variability After Folding 3.081
Pitch Skewness -0.3091
Pitch Class Skewness 0.1188
Pitch Class Skewness After Folding 0.387
Pitch Kurtosis 5.538
Pitch Class Kurtosis 4.775
Pitch Class Kurtosis After Folding 7.607
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 31.0
Importance of Bass Register 0.2296
Note Density per Quarter Note 1.613
Note Density per Quarter Note per Voice 0.4034
Note Density per Quarter Note Variability 0.5248
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.03156
Prevalence of Medium Rhythmic Values 0.7346
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7877
Prevalence of Very Long Rhythmic Values 0.01004
Prevalence of Dotted Notes 0.07604
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.296
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5222
Relative Prevalence of Most Common Rhythmic Values 0.3544
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.306
Rhythmic Value Skewness 0.6788
Rhythmic Value Kurtosis 23.09
Mean Rhythmic Value Run Length 2.22
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.833
Mean Rhythmic Value Offset 0.02296
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3024
Complete Rests Fraction 0.000002411
Partial Rests Fraction 0.1944
Average Rest Fraction Across Voices 0.06482
Longest Complete Rest 0.0
Longest Partial Rest 10.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 2.489
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 1.547
Variability Across Voices of Combined Rests 9.933
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6146
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.189
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.252
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8036
Rhythmic Variability - Tempo Standardized 0.05235
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 697.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2633
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.4347
Variability of Note Durations 0.2809
Amount of Staccato 0.03156
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2055
Strength of Second Strongest Rhythmic Pulse 0.1982
Strength Ratio of Two Strongest Rhythmic Pulses 1.037
Combined Strength of Two Strongest Rhythmic Pulses 0.4037
Rhythmic Variability 0.03187
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 81.0
Note Density 8.605
Note Density Variability 2.485
Average Time Between Attacks 0.2688
Average Time Between Attacks for Each Voice 0.4485
Variability of Time Between Attacks 0.1137
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.3901
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.3788
Relative Note Durations of Lowest Line 1.127
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8307
Voice Separation 5.333
Variability of Voice Separation 4.726
Parallel Motion 0.05335
Average Number of Independent Voices 3.741
Similar Motion 0.1341
Contrary Motion 0.1768
Oblique Motion 0.6357
Parallel Fifths 0.004573
Parallel Octaves 0.003049
Variability of Number of Independent Voices 0.5753
Voice Equality - Number of Notes 16.78
Voice Equality - Note Duration 1.862
Voice Equality - Dynamics 0.5774
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 0.9574
Importance of Loudest Voice 0.6667